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Vigilance Paperback – January 29, 2019
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Robert Jackson Bennett's Vigilance is a dark science fiction action parable from an America that has permanently surrendered to gun violence.
The United States. 2030. John McDean executive produces "Vigilance," a reality game show designed to make sure American citizens stay alert to foreign and domestic threats. Shooters are introduced into a "game environment," and the survivors get a cash prize.
The TV audience is not the only one that's watching though, and McDean soon finds out what it's like to be on the other side of the camera.
- Print length192 pages
- LanguageEnglish
- Publication dateJanuary 29, 2019
- Dimensions5 x 0.45 x 8 inches
- ISBN-101250209447
- ISBN-13978-1250209443
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About the Author
Product details
- Publisher : Tordotcom; Reprint edition (January 29, 2019)
- Language : English
- Paperback : 192 pages
- ISBN-10 : 1250209447
- ISBN-13 : 978-1250209443
- Item Weight : 5.6 ounces
- Dimensions : 5 x 0.45 x 8 inches
- Best Sellers Rank: #1,545,645 in Books (See Top 100 in Books)
- #4,695 in Hard Science Fiction (Books)
- #6,018 in Political Thrillers (Books)
- #69,525 in American Literature (Books)
- Customer Reviews:
About the author

Robert Jackson Bennett is a two-time award winner of the Shirley Jackson Award for Best Novel, an Edgar Award winner for Best Paperback Original, and is also the 2010 recipient of the Sydney J Bounds Award for Best Newcomer, and a Philip K Dick Award Citation of Excellence. City of Stairs was shortlisted for the Locus Award and the World Fantasy Award. City of Blades was a finalist for the 2015 World Fantasy, Locus, and British Fantasy Awards. City of Miracles is in stores now, and the entire Divine Cities trilogy is currently nominated for a Hugo Award for Best Series.
His eighth novel, Foundryside, the first installment of The Founders Trilogy, will be released August 23rd of 2018.
Robert lives in Austin with his wife and large sons. He can be found on Twitter at @robertjbennett. You can subscribe to his Writing Advice newsletter here: https://www.patreon.com/robertjacksonbennett
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You won't get that prize, because you will be dead. And. It's. Your. Own. Fault. Because. You. Weren't. Prepared.
“Vigilance” is a game show with a very simple premise. Three active shooters are introduced into a semi-random environment, a school, a train station, a mall—selected based on population density, police presence, and demographics—and they...do what mass shooters do. Kill everyone they can. If the shooters are the last men standing, literally, they get twenty million dollars, if a civilian takes them down, they get five million dollars.
Vigilance's producer, John McDean, is a man who specializes in breaking down analytical data and demographics, leads a team of other analytical and tech geeks who knows EXACTLY what their target audience wants, bombarding their audience with specifically targeted ads, usually of products that are both being used by the victims of Vigilance's Active Shooters, and the products being used by McDeans target audience, that target audience being the median age of the average American in 2030 someone around 72, white, upper lower to upper middle class, and thoroughly terrified of their neighbors.
Robert Jackson Bennett novella, it's only 192 pages in its physical form, grand in concept suffers from its own format and the logic of the real world. At first read I thought this was possibly the best satire of all time, rivaling “American Pycho”, “Babbit”, and even “1984”. But the more I thought about it, the more I realized that it wasn't.
The problem that I'm having is that Satire, by its very nature, must be connected to the real world. Even though the purpose of satire is to outrageously askew a given subject, there still has to have some grounding in reality. (unless it's satire of a genre of fiction or other entertainment, then reality becomes an active stumbling block or something that the characters are constantly bringing up...just read any of the Discworld books by Terry Pratchett) This book was written in the wake of the Parkland Massacre, an event that spurred a massive youth moment for gun control. What happened in the near future in Bennett's book that completely squished March For our Lives? How did things get so absurdly out of control that there where 512 mass shooting events in 2026 and why did advertisers and Congress not pull the plug on AI marking algorithms that pepper the news feeds of the coverage with everything from athletic apparel to medical insurance?
It less of satire on Gun Control and more of a satire on Weaponize Advertising (possibly even the 2016 Election). Most of the book is focus on McDean and his team of sociopathic market analysts discussing Marking Activation, demographics, and correcting their AI Algorithms whenever they stray from the script and don't appeal to McDean's target audience.
It's mildly frustrating because Bennett periodically adds the lingo of many of the Gun Rights crowd. McDeans AI TV hosts used the Civilian Sheepdog concept of “Being Prepared” and turns it into a dog whistle, pumping up fear in their audience by showing the white, senior citizen males ads featuring criminal people of color and encouraging them to buy more guns. If this book was more like 400 or even 500 pages instead of barely just 200, Bennett could of spent more time to flesh out in a more convincing matter just how utterly screwy Gun politics are today and what they could be in ten years time.
In the near future, where the US is on its last legs because of climate changes, an unwillingness of society to fix its issues and an exodus of its youth, John McDean is the head of a TV network that has turned mass shootings in to a game show called Vigilance. They pick the location and the shooter(s), then lock the doors and suppress any info of the next Vigilance so the innocent people where the shooting is about to take place have no chance of escaping. They do this all for the ratings and that sweet, sweet advertising revenue.
The story itself was fantastic, at times relishing in the madness of taking our current problems to the nth degree, other times digging deep in to the stupid things we hear now about ‘a good guy with a gun’ or how complacent we all are with the current state of school shootings and mass shootings. I especially liked the way the hosts of Vigilance were basically Fox News hosts, because that’s what resonates with impotent white men who would be watching the show.
Even though he is horrible, McDean is a great character. He is morally bankrupt, practically loathes both the innocent public and his shows viewers, and really only cares for himself, but damn if he isn’t just so awful you have to like him. However, the other POV character, Delyna, made me feel like I was missing something. I don’t think I quite understood her side of the story, other than that everyone is so conditioned by the garbage on TV that they all want to be the John Wayne hero. Maybe that was the point of her story, but the fact I’m unsure makes me wish she was either expanded upon or entirely removed from the story.
So, to surmise, the writing is flawless, the world super interesting, and the meanings of the story incredibly prescient. Other than being marginally let down by a less great second POV character, Vigilance is a truly wonderful novella. 4 stars.
What makes this particular bloodsport literature book stand out is that the society branching off of it does not resemble the dystopias familiar to the genre. The "state" is in an advanced state of decay to be sure, but there is no overarching governmental authority that seizes control to institute the bread and circuses. America here is still technically a country of We the People, albeit only of the people that remained after the rest got tired of having their pleas ignored and literally took the advice of "if you don't love it, get out."
The first point of view character is one of the latter, but one who chose to stay and cling to a sliver hope that by the events of the book has long since been eviscerated. The showrunner isn't a CEO like Running Man's Killian or a President Snow, yet he too understands quite clearly why American society relishes its literal bloodlust. He knows he is a cog in the machine and will do whatever it takes to stay comfortable in his position.
Vigilance references modern social media phenomena - perhaps past the point of risking this novel ending up niche for the time period it was published given the advances of technology. The ending itself feels cliché under its twist angle. But these are peripheral aspects - as much as the contestants themselves.
The one thing Vigilance drives home in the atmosphere of mid-2019 is that by the time the novel depicts the "point of no return" for its protagonists, it still reminds us that the America of Eternal Vigilance passed that point a long time ago...and American culture is all about giving We the People what they want.
Top reviews from other countries

Robert Jackson Bennett's novella is a cry of outrage at the stupidity of America's fetish for firearms. In the mode of reductio al absurdum, Bennett takes the patently ridiculous notion that the solution to mass shootings is to have ever more and more powerful weapons in the hands of a fearful populace is the right solution, grips it firmly by the throat and shakes the life out of it until it is dead, buried, bloodied and lifeless.
All the elements which we see daily precipitating the decline and fall of American culture are used as elements of this visceral dismantling of the 'ideal' American's fantasy of of himself as a brave pioneer with a destiny for greatness. Right-wing talk radio blowhards. The fear and distrust of education and knowledge. The dumbing down of all entertainment to the sole purpose of selling useless crap. The relentless blaming of the victims of violence.
Be Vigilant. Be prepared. Only don't miss the obvious as it is staring you and yours in the face.
There is no happy ending. No hope and no escape. Not for anyone. It should make you angry.

You Hogg Hogg Hogg. Kook poll hubbub

C’est un futur dystopique que Bennett peint, avec ce qu’il faut de catastrophes climatiques observables à court terme, de ravages économiques et sociaux et d’abrutissement de la population par l’intermédiaire de programmes TV excitant les plus bas instincts de la population. Nous sommes aux États-Unis, en 2030. Le centre de gravité de la politique mondiale, de l’économie et de la technologie s’est déplacé en Chine. La Chine est devenue la première nation… en tout. Elle a même commencer à terraformer Mars ! Les États-Unis ne sont plus que l’ombre de leur passé. Sa jeunesse s’expatrie de plus en plus et la moyenne d’âge du pays commence à s’étirer, faisant ressembler le profil social de la population à formulaire d’admission de maison de retraite.
John McDean est le producteur exécutif de l'émission de TV réalité Vigilance. Ce programme a été lancé à la suite de la 514ème tuerie de masse dans une école américaine en 2026, lorsque les annonceurs ont réalisé que les gens passaient des heures à regarder les images du massacre filmé de l'intérieur sur un téléphone portable. Robert Jackson Bennett nous rappelle que ce pays s’est fondé non pas sur de grands idéaux de liberté mais sur la peur, triste réalité que l’actualité nous rappelle sans cesse. Cette peur atavique, Vigilance en fait son fond de commerce en délivrant un message anxiogène et forcément vendeur : « Are you prepared? Are you alert? Are you VIGILANT? » . Il faut entretenir la peur d’une perpétuelle menace étrangère ou domestique, que chacun se tienne alerte, soit prêt à se défendre, et s’arme. Comme le dit Bennett, plus il y a d’armes en circulation, plus la peur augmente, et plus on s’arme.
"People wanted to be civilians in Vigilance. They wanted to be bystanders, to be attacked. They wanted to be under siege. They wanted to stand up, and fight back, and see if they survived. "
Vigilance sélectionne des profils de tueurs en puissance, des jeunes gens au passé familial lourd, ayant subi les ravages d’une économie effondrée, ou une quelconque humiliation sociale qui en fait des personnalités psychologiquement fragiles, prêtes à basculer et à massacrer ses concitoyens. Vigilance les arme, en leur accordant un crédit de points qui leur permet de choisir eux-mêmes leurs attirail de mort, et les lâche sur un "terrain de jeu" minutieusement choisi : un événement sportif, une gare ferroviaire, un centre commercial. Le tout pour attirer le maximum de spectateur. Et Vigilance filme en direct le massacre, le met en scène. Si le tueur s’en sort, il gagne le grand prix (20 millions de dollars). De même, si un citoyen, qui aurait été suffisamment vigilant pour sortir armé, arrive à éliminer un tueur, il gagne une importante somme d’argent (5 millions de dollars). Vigilance est l’ultime jeu de télé-réalité dans lequel on joue sa vie.
La peinture dystopique d’une société américaine dans laquelle la violence est omniprésente et qui se distrait en regardant un programme TV dans lequel les participants sont traqués et doivent échapper à la mort n’est pas nouvelle. C’est précisément le scénario du roman de Stephen King de 1982, écrit sous le nom de plume Richard Bachman, The Running Man, ainsi que du film qui s’en inspire, réalisé en 1987 par Michael Glaser (avec Arnold dans le rôle principal). Le roman de Robert Jackson Bennett peut être ainsi vu comme une réécriture plus cynique encore du roman de King, puisqu'ici il n'est pas vraiment question de s'en sortir ou de sauver quoi que ce soit, mais uniquement de violence cathartique pure dans une société malade. Bennett pousse ainsi le cran plus loin dans la virulence de sa critique de la société américaine, et de la violence qu’elle porte en son sein. Une scène centrale, se déroulant dans un bar devant l'émission, dit tout. Vigilance est un livre lui-même forcément violent, et les scènes qui décrivent le massacre télévisé au cœur du livre n’épargnent ni les victimes ni le lecteur. Enfin, il y apporte dans sa partie finale un twist qui délivre un message simple : le pire ennemi du peuple américain est lui-même.
Alors voilà, Robert Jackson Bennett nous propose avec Vigilance une histoire qui n’est pas tout à fait originale, mais qu’il écrit très bien en poussant les curseurs plus loin que le roman de King qui l’a indéniablement inspiré. C’est une lecture courte mais percutante que j’ai beaucoup appréciée. L'excellence de la plume de Bennett y fait pour beaucoup.

