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Virgil is traditionally ranked as one of Rome's greatest poets. His Aeneid has been considered the national epic of ancient Rome from the time of its composition to the present day. Modeled after Homer's Iliad and Odyssey, the Aeneid follows the Trojan refugee Aeneas as he struggles to fulfill his destiny and arrive on the shores of Italy--in Roman mythology the founding act of Rome. Virgil's work has had wide and deep influence on Western literature, most notably Dante's Divine Comedy, in which Virgil appears as Dante's guide through hell and purgatory.
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Fleeing the ashes of Troy, Aeneas, Achilles’ mighty foe in the Iliad, begins an incredible journey to fulfill his destiny as the founder of Rome. His voyage will take him through stormy seas, entangle him in a tragic love affair, and lure him into the world of the dead itself--all the way tormented by the vengeful Juno, Queen of the Gods. Ultimately, he reaches the promised land of Italy where, after bloody battles and with high hopes, he founds what will become the Roman empire. An unsparing portrait of a man caught between love, duty, and fate, the Aeneid redefines passion, nobility, and courage for our times. Robert Fagles, whose acclaimed translations of Homer’s Iliad and Odyssey were welcomed as major publishing events, brings the Aeneid to a new generation of readers, retaining all of the gravitas and humanity of the original Latin as well as its powerful blend of poetry and myth. Featuring an illuminating introduction to Virgil’s world by esteemed scholar Bernard Knox, this volume lends a vibrant new voice to one of the seminal literary achievements of the ancient world.
For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
So begins the Aeneid, greatest of Western epic poems. Virgil’s story of the journey of Aeneas has been a part of our cultural heritage for so many centuries that it’s all too easy to lose sight of the poem itself—of its brilliantly cinematic depiction of the sack of Troy; the monstrous hunger of the harpies; the intensity of Dido’s love for the hero, and the blackness of her despair; and the violence that Aeneas and his men must endure before they can settle in Italy and build the civilization whose roots we still claim as our own.
This new translation brings Virgil’s masterpiece newly to life for English-language readers. It’s the first in centuries crafted by a translator who is first and foremost a poet, and it is a glorious thing. David Ferry has long been known as perhaps our greatest contemporary translator of Latin poetry, his translations of Virgil’s Eclogues and Georgics having established themselves as much-admired standards. He brings to the Aeneid the same genius, rendering Virgil’s formal metrical lines into an English that is familiar and alive. Yet in doing so, he surrenders none of the feel of the ancient world that resonates throughout the poem, and gives it the power that has drawn readers to it for centuries. In Ferry’s hands, the Aeneid becomes once more a lively, dramatic poem of daring and adventure, of love and loss, of devotion and death. Never before have Virgil’s twin gifts of poetic language and urgent, compelling storytelling been presented so powerfully for English-language readers. Ferry’s Aeneid will be a landmark, a gift to longtime lovers of Virgil, and the perfect entry point for new readers.
“Aurora rose, spreading her pitying light,
And with it bringing back to sight the labors
Of sad mortality, what men have done,
And what has been done to them; and what they must do
The ships are ready to sail. The journey, from the fall of Troy to the birth of Rome, is about to begin. Join us.
Giuseppe Fortunino Francesco Verdi was an Italian Romantic composer, mainly of opera. He was one of the most influential composers of the 19th century. His works are frequently performed in opera houses throughout the world and, transcending the boundaries of the genre, some of his themes have long since taken root in popular culture – such as "La donna è mobile" from Rigoletto, "Va, pensiero" (The Chorus of the Hebrew Slaves) from Nabucco, "Libiamo ne' lieti calici" (The Drinking Song) from La traviata and the "Grand March" from Aida. His work has sometimes been criticized for using a generally diatonic rather than a chromatic musical idiom and for being essentially melodrama during his early years.
Verdi’s masterworks dominate the standard repertoire a century and a half after their composition.
'The most truthful translation ever, conveying as many nuances and whispers as are possible from the original' The Times
After a century of civil strife in Rome and Italy, Virgil wrote the Aeneid to honour the emperor Augustus by praising his legendary ancestor Aeneas. As a patriotic epic imitating Homer, the Aeneid also set out to provide Rome with a literature equal to that of Greece. It tells of Aeneas, survivor of the sack of Troy, and of his seven-year journey: to Carthage, where he falls tragically in love with Queen Dido; then to the underworld,; and finally to Italy, where he founds Rome. It is a story of defeat and exile, of love and war, hailed by Tennyson as 'the stateliest measure ever moulded by the lips of man'.
Translated with an Introduction by DAVID WEST
• Introduction by W. R. Johnson Long a master of the crafts of Homeric translation and of rhapsodic performance, Stanley Lombardo now turns to the quintessential epic of Roman antiquity, a work with deep roots in the Homeric tradition. With characteristic virtuosity, he delivers a rendering of the Aeneid as compelling as his groundbreaking translations of the Iliad and the Odyssey, yet one that—like the Aeneid itself—conveys a unique epic sensibility and a haunting artistry all its own.
W. R. Johnson's Introduction makes an ideal companion to the translation, offering brilliant insight into the legend of Aeneas; the contrasting roles of the gods, fate, and fortune in Homeric versus Virgilian epic; the character of Aeneas as both wanderer and warrior; Aeneas' relationship to both his enemy Turnus and his lover Dido; the theme of doomed youths in the epic; and Virgil's relationship to the brutal history of Rome that he memorializes in his poem.
A map, a Glossary of Names, a Translator's Preface, and Suggestions for Further Reading are also included.
When Troy falls at the end of the Trojan War, the Trojan hero Aeneas and his followers embark on a journey to find a new home. After recounting the disastrous end of the war and the Greek ruse of the Trojan Horse, Aeneas and his men struggle against the scheming gods to make their way to Latium, where they intend to build a new home by any means necessary.
Although Virgil died before he could fully complete his epic poem, the first Emperor of Rome, Augustus Caesar, insisted that Aeneid be published. The story of the conquer of Latium, a city-state close to where Rome would one day be founded, served was an important work of propaganda about the heroic origins of the Roman Empire. The Aeneid is often compared to the Greek epic poems Iliad and Odyssey by Homer, as they are written in the same rhyme scheme and cover the same events and themes as Homer’s works.
HarperTorch brings great works of non-fiction and the dramatic arts to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperTorch collection to build your digital library.
One of the greatest poems of the classical world, Virgil's Georgics is a glorious celebration of the eternal beauty of the natural world, now brought vividly to life in a powerful new translation.
'Georgic' means 'to work the earth', and this poetic guide to country living combines practical wisdom on tending the land with exuberant fantasy and eulogies to the rhythms of nature. It describes hills strewn with wild berries in 'vine-spread autumn'; recommends watching the stars to determine the right time to plant seeds; and gives guidance on making wine and keeping bees. Yet the Georgics also tells of angry gods, bloody battles and a natural world fraught with danger from storms, pests and plagues. Expansive in its scope, lush in its language, this extraordinary work is at once a reflection on the cycles of life, death and rebirth, an argument for the nobility of labour and an impassioned reflection on the Roman Empire of Virgil's times. Kimberly Johnson's lyrical verse translation captures all the rich beauty and abundant imagery of the original, re-creating this ancient masterpiece for our times.
John Dryden called Virgil's Georgics, written between 37 and 30 B.C.E., "the best poem by the best poet." The poem, newly translated by the poet and translator David Ferry, is one of the great songs, maybe the greatest we have, of human accomplishment in difficult--and beautiful--circumstances, and in the context of all we share in nature.
The Georgics celebrates the crops, trees, and animals, and, above all, the human beings who care for them. It takes the form of teaching about this care: the tilling of fields, the tending of vines, the raising of the cattle and the bees. There's joy in the detail of Virgil's descriptions of work well done, and ecstatic joy in his praise of the very life of things, and passionate commiseration too, because of the vulnerability of men and all other creatures, with all they have to contend with: storms, and plagues, and wars, and all mischance.
As Rosanna Warren noted about Ferry's work in The Threepenny Review, "We finally have an English Horace whose rhythmical subtlety and variety do justice to the Latin poet's own inventiveness, in which emotion rises from the motion of the verse . . . To sense the achievement, one has to read the collection as a whole . . . and they can take one's breath away even as they continue breathing."
This ebook edition includes only the English language translation of the Georgics.
For two thousand years, the epic tale of Aeneas’s dramatic flight from Troy, his doomed love affair with Dido, his descent into the underworld, and the bloody story behind the establishment of Rome has electrified audiences around the world. In Vergil’s telling, Aeneas’s heroic journey not only gave Romans and Italians a thrilling origin story, it established many of the fundamental themes of Western life and literature—the role of duty and self-sacrifice, the place of love and passion in human life, the relationship between art and violence, the tension between immigrant and indigenous people, and the way new foundations are so often built upon the wreckage of those who came before. Throughout the course of Western history, the Aeneid has affirmed our best and worst intentions and forced us to confront our deepest contradictions.
Shadi Bartsch, Guggenheim Laureate, award-winning translator, and chaired professor at the University of Chicago, confronts the contradictions inherent in the text itself, illuminating the epic’s subversive approach to storytelling. Even as Vergil writes the foundation myth for Rome, he seems to comment on this tendency to mythologize our heroes and societies, and to gesture to the stories that get lost in the mythmaking.
Bartsch’s groundbreaking translation, brilliantly maintaining the brisk pace of Vergil’s Latin even as it offers readers a metrical line-by-line translation, provides a literary and historical context to make the Aeneid resonant for a new generation of readers.