Virginia Woolf

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About Virginia Woolf
VIRGINIA WOOLF (1882-1941) was one of the major literary figures of the twentieth century. An admired literary critic, she authored many essays, letters, journals, and short stories in addition to her groundbreaking novels.
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Heralded as Virginia Woolf's greatest novel, this is a vivid portrait of a single day in a woman's life. When we meet her, Mrs. Clarissa Dalloway is preoccupied with the last-minute details of party preparation while in her mind she is something much more than a perfect society hostess. As she readies her house, she is flooded with remembrances of faraway times. And, met with the realities of the present, Clarissa reexamines the choices that brought her there, hesitantly looking ahead to the unfamiliar work of growing old.
"Mrs. Dalloway was the first novel to split the atom. If the novel before Mrs. Dalloway aspired to immensities of scope and scale, to heroic journeys across vast landscapes, with Mrs. Dalloway Virginia Woolf insisted that it could also locate the enormous within the everyday; that a life of errands and party-giving was every bit as viable a subject as any life lived anywhere; and that should any human act in any novel seem unimportant, it has merely been inadequately observed. The novel as an art form has not been the same since.
"Mrs. Dalloway also contains some of the most beautiful, complex, incisive and idiosyncratic sentences ever written in English, and that alone would be reason enough to read it. It is one of the most moving, revolutionary artworks of the twentieth century."
--Michael Cunningham, author of The Hours
• Woolf’s short story, “Mrs. Dalloway in Bond Street,”
• a uniquely insightful new afterword, and
• a detailed biographical timeline.
Mrs. Dalloway takes place over the course of a single day in a woman’s life in 1920’s London. There are flowers to buy, outfits to choose, but also a visit from a past lover, and the tragic fate of a young war veteran who cannot adjust to life in post-war London. Virginia Woolf’s supple and mesmerizing account of an ordinary day draws the reader into the minds, perceptions, and emotions of an astonishingly varied and vivid cast of characters. Woolf reminds us that each day, hour, and even minute of our lives harbors the potential to transform us and those around us. The novel ranks among those rare, timeless books that speak to us anew with each reading.
Virginia Woolf (1882–1941) ranks among the major literary figures of all time. With her novels, including To the Lighthouse, Mrs. Dalloway, and The Waves, she reinvented the art of story-telling and shaped modern culture’s self-understanding to the present day. In landmark essays, letters, and diaries, Woolf insisted on a woman’s right to tell her story on her own terms.
Ulrich Baer is University Professor at New York University, a graduate of Harvard and Yale, and the recipient of Guggenheim, Getty, and Humboldt fellowships. He has published widely on poetry, fiction, photography, and a variety of other topics.
The Voyage Out (1915)
Night and Day (1919)
Jacob's Room (1922)
Mrs. Dalloway (1925)
To the Lighthouse (1927)
The Waves (1931)
The Years (1937)
Between the Acts (1941)
THE 'BIOGRAPHIES'
Orlando: a biography (1928)
Flush: a biography (1933)
Roger Fry: a biography (1940)
THE STORIES
Two Stories (1917)
Kew Gardens (1919)
Monday or Tuesday (1921)
A Haunted House, and other short stories (1944)
Nurse Lugton's Golden Thimble (1966)
Mrs Dalloway's Party (1973)
The Complete Shorter Fiction (1985)
THE ESSAYS
Mr. Bennett and Mrs. Brown (1924)
The Common Reader I (1925)
A Room of One's Own (1929)
On Being Ill (1930)
The London Scene (1931)
A Letter to a Young Poet (1932)
The Common Reader II (1932)
Walter Sickert: a conversation (1934)
Three Guineas (1938)
Reviewing (1939)
The Death of the Moth, and other essays (1942)
The Moment, and other essays (1947)
The Captain's Death Bed, and other essays (1950)
Granite and Rainbow (1958)
Books and Portraits (1978)
Women And Writing (1979)
383 Essays from newspapers and magazines
AUTOBIOGRAPHICAL WRITING
A Writer's Diary (1953)
Moments of Being (1976)
The Diary Vols. 1–5 (1977-84)
The Letters Vols. 1–6 (1975-80)
The Letters of V.W. and Lytton Strachey (1956)
A Passionate Apprentice. The Early Journals 1887-1909 (1990)
THE PLAY
Freshwater: A Comedy (both versions) (1976)
Virginia Woolf's most unusual and fantastic creation, a funny, exuberant tale that examines the very nature of sexuality.
WITH INTRODUCTIONS BY PETER ACKROYD AND MARGARET REYNOLDS
As his tale begins, Orlando is a passionate young nobleman whose days are spent in rowdy revelry, filled with the colourful delights of Queen Elizabeth's court. By the close, he will have transformed into a modern, thirty-six-year-old woman and three centuries will have passed. Orlando will not only witness the making of history from its edge, but will find that his unique position as a woman who knows what it is to be a man will give him insight into matters of the heart.
The Vintage Classics Virginia Woolf series has been curated by Jeanette Winterson and Margaret Reynolds, and the texts used are based on the original Hogarth Press editions published by Leonard and Virginia Woolf.
**One of the BBC’s 100 Novels That Shaped Our World**
The Voyage Out (1915)
Night and Day (1919)
Jacob's Room (1922)
Mrs. Dalloway (1925)
To the Lighthouse (1927)
The Waves (1931)
The Years (1937)
Between the Acts (1941)
THE 'BIOGRAPHIES'
Orlando: a biography (1928)
Flush: a biography (1933)
Roger Fry: a biography (1940)
THE STORIES
Two Stories (1917)
Kew Gardens (1919)
Monday or Tuesday (1921)
A Haunted House, and other short stories (1944)
Nurse Lugton's Golden Thimble (1966)
Mrs Dalloway's Party (1973)
The Complete Shorter Fiction (1985)
THE ESSAYS
Mr. Bennett and Mrs. Brown (1924)
The Common Reader I (1925)
A Room of One's Own (1929)
On Being Ill (1930)
The London Scene (1931)
A Letter to a Young Poet (1932)
The Common Reader II (1932)
Walter Sickert: a conversation (1934)
Three Guineas (1938)
Reviewing (1939)
The Death of the Moth, and other essays (1942)
The Moment, and other essays (1947)
The Captain's Death Bed, and other essays (1950)
Granite and Rainbow (1958)
Books and Portraits (1978)
Women And Writing (1979)
383 Essays from newspapers and magazines
AUTOBIOGRAPHICAL WRITING
A Writer's Diary (1953)
Moments of Being (1976)
The Diary Vols. 1–5 (1977-84)
The Letters Vols. 1–6 (1975-80)
The Letters of V.W. and Lytton Strachey (1956)
A Passionate Apprentice. The Early Journals 1887-1909 (1990)
THE PLAY
Freshwater: A Comedy (both versions) (1976)
Virginia Woolf's To the Lighthouse is one of her greatest literary achievements and among the most influential novels of the twentieth century.
The serene and maternal Mrs. Ramsay, the tragic yet absurd Mr. Ramsay, and their children and assorted guests are on holiday on the Isle of Skye. From the seemingly trivial postponement of a visit to a nearby lighthouse, Woolf constructs a remarkable, moving examination of the complex tensions and allegiances of family life and the conflict between men and women.
From 1918 to 1941, even as she penned masterpiece upon masterpiece, Virginia Woolf kept a diary. She poured into it her thoughts, feelings, concerns, objections, interests, and disappointments—resulting in twenty-six volumes that give unprecedented insight into the mind of a genius.
Collected here are the passages most relevant to her work and writing. From exercises in the craft of writing; to locations, events, and people that might inspire scenes in her fiction; to meditations on the work of others, A Writer’s Diary takes a fascinating look at how one of the greatest novelists of the English language prepared, practiced, studied, and felt as she created literary history.
Edited by and with a preface from her husband, Leonard Woolf, A Writer’s Diary is a captivating must-read study for Woolf fans, aspiring writers, and anyone who has ever wanted a glimpse behind the curtain of brilliance.
Begun as a “joke,” Orlando is Virginia Woolf’s fantastical biography of a poet who first appears as a sixteen-year-old boy at the court of Elizabeth I, and is left at the novel’s end a married woman in the year 1928. From Orlando’s early days as a page in the Elizabethan court, through first love, heartbreak, and gender transformation, we follow Woolf’s protagonist across centuries, through adventures in Constantinople and friendship with the poet Alexander Pope. All along, Orlando pursues literary success with her long poem, The Oak Tree.
Part love letter to Vita Sackville-West, part exploration of the art of biography, Orlando is one of Woolf’s most enduringly popular and entertaining works. It has inspired a number of adaptions, including a film version starring Tilda Swinton. This edition, annotated and with an introduction by Maria DiBattista, author of Imagining Virginia Woolf, will deepen readers’ understanding of Woolf’s brilliant creation.
A good essay must have this permanent quality about it; it must draw its curtain round us, but it must be a curtain that shuts us in not out.
Not written for scholars or critics, these essays are a collection of Virginia Woolf’s everyday thoughts about literature and the world—and the art of reading for pleasure. That many of them previously appeared in such publications as the Nation, Vogue, and the Yale Review points to their widespread appeal. Still, her brilliant powers of observation and insatiable curiosity shine through . . .
“After all, Mrs. Woolf is no common reader, try as she may to be one. Her powers of coordination and logical inference are altogether too strong and capable. No common reader would kick the over-praised Robinson Crusoe overboard to float in seas of adolescent adoration for Moll Flanders, as she does. It would take an uncommon common reader to discourse as pithily on Elizabethan drama or the furiously literary Duchess of Newcastle. No idle peruser of the printed page would meditate so beautifully on Greek letters. And when we come to those essays, ‘Modern Fiction’ and ‘How It Strikes a Contemporary,’ a note that is altogether professional and the result of intensive study and theorizing is to be discerned.” —The New York Times
“Woolf’s provocative collection of essays, reviews and flights of literary imagination assesses both the famous and the obscure.” —The Times (London)
The novel examines one day in the life of Clarissa Dalloway, an upper-class Londoner married to a member of Parliament. The novel addresses the nature of time in personal experience through two interwoven stories, that of Mrs. Dalloway, preparing for a party, and that of the mentally damaged war veteran Septimus Warren Smith.
While never abandoning her omniscient third-person voice, Woolf enters the consciousness of seemingly unconnected characters and brings their feelings to the surface. The characters are connected, and the narrative shifts from one to another, by means of shared public experiences, such as an exhibition of skywriting.
Innovative and deeply poetic, The Waves is often regarded as Virginia Woolf’s masterpiece. It begins with six children—three boys and three girls—playing in a garden by the sea, and follows their lives as they grow up, experience friendship and love, and grapple with the death of their beloved friend Percival. Instead of describing their outward expressions of grief, Woolf draws her characters from the inside, revealing their inner lives: their aspirations, their triumphs and regrets, their awareness of unity and isolation.
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