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White Corridor: A Peculiar Crimes Unit Mystery by Christopher Fowler (2008-09-30) Mass Market Paperback
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- ASIN : B01FGKWU6K
- Best Sellers Rank: #7,183,219 in Books (See Top 100 in Books)
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About the author

Christopher Fowler was born in Greenwich, London. He is the multi award-winning author of 45 novels and short story collections, and the author of the Bryant & May mysteries. His novels include ‘Roofworld’, 'Spanky', 'Psychoville', 'Calabash' and two volumes of memoirs, the award-winning 'Paperboy' and 'Film Freak'. In 2015 he won the CWA Dagger In The Library. His latest books are 'England's Finest' and 'Oranges & Lemons'. Among his recent collections are 'Red Gloves', 25 stories of unease, marked his first 25 years of writing, and the e-book 'Frightening', a new set of short stories. Other later novels include the comedy-thriller 'Plastic', the Hammer-style monster adventure 'Hell Train', the haunted house chiller 'Nyctophobia' and the JG Ballard-esque 'The Sand Men'. Coming up in 2021 is the 20th Bryant & May book, 'London Bridge Is Falling Down'.
He has written comedy and drama for BBC radio, script, features and columns for national press, graphic novels, the play ‘Celebrity’ and the ‘War Of The Worlds’ videogame for Paramount, starring Sir Patrick Stewart. His short story 'The Master Builder' became a feature film entitled 'Through The Eyes Of A Killer', starring Tippi Hedren. Among his awards are the Edge Hill prize 2008 for 'Old Devil Moon', the Last Laugh prize 2009 for 'The Victoria Vanishes' and again in 2015 for 'The Burning Man'.
Christopher has achieved several ridiculous schoolboy fantasies, releasing a terrible Christmas pop single, becoming a male model, writing a stage show, posing as the villain in a Batman graphic novel, running a night club, appearing in the Pan Books of Horror and standing in for James Bond. After living in the USA and France he is now married and lives in London's King's Cross and Barcelona.
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In the second storyline Bryant and May decide to leave the Unit for a holiday in which they plan to attend a psychics convention in the wilds of England, but the worst snowstorm ever to hit a detective story strands them on a lonely stretch of highway in conditions too perilous to proceed further in. The delicious warmth and sun of the Riviera in the first section here gives way to bonechilling cold and a creeping terror as a madman is apparently stalking the snowbound cars one by one and committing terrible murders whenever his fancy calls him. Will Bryant and May be next?
In the third plot, back home at the PCU, crotchety forensic nut Oswald Finch is found horridly murdered inside his own morgue, and all the doors locked from within. Without their two chiefs, the pressure drops on the younger members of the unit, charged with clearing up the case before the visit of a minor royal princess and a judgmental entourage out to dismantle the archaic PCU. This threat to the PCU doesn't have as much built in suspense as Fowler must think it does, for really, who cares, but in all other respects WHITE CORRIDOR is an immense improvement over last year's TEN SECOND STAIRCASE, with interesting characters, a rollicking Steve Coogan like humor, the most picturesque writing this side of William Trevor, and a genuinely new locked room problem.
I wound up giving Christopher Fowler a lathering last year when STAIRCASE, his "Highwayman" novel, failed to meet my impossibly high standards. Mr. Fowler wrote me a forgiving note that touched me, and now I regret having written from my high horse. I asked him if he were a Buddhist, since in my limited experience who else would have gotten up so amiably after having his arse kicked to the curb, but Fowler replied that he wasn't a Buddhist, only an Englishman LOL.
One of the small things that was so enjoyable was that Fowler increased my vocabulary. It's not often that writers use words that I'm not familiar with (and may I also add that the built-in dictionary is one of the perks of owning an eReader). Both storylines worked together extremely well. Everyone at the Peculiar Crimes Unit is used to having Bryant and May on hand to solve the crimes, but this time Sergeant Janice Longbright is in charge, and she's petrified that she's going to make a hash of it all. Then there's the young mother and son running from the homicidal maniac while the wind howls and the snow piles up. Fowler lets readers see things from several different perspectives, and my mind really got a workout trying to piece together the clues for both crimes.
As marvelous as the story is in White Corridor, the characters of Bryant and May are superb, especially if you like mysteries with flashes of brilliant humor. How old is Arthur Bryant? "Mr. Bryant is so old that most of his lifetime subscriptions have run out." One of the books in his office is Code-Breaking in Braille, and he planned the route to the psychics convention using a map printed in 1907. You'd never think in a million years that such a person could be any good at solving crimes or be allowed to get away with the things that he does. For the most part, John May is the slightly younger and steadier of the two, but at this stage of the game, May knows it's useless trying to rein in his determined partner. And as far as that "getting away with things" goes, as Fowler says in White Corridor, "The PCU got away with murder because few of their suspects ever did." And that's what it's all about, isn't it? Well, except for the fact that those two have a cell phone with a charge that seems to last till the end of time....
I am thrilled that I gave this series a second chance. Now I have fourteen books to read in order to catch up. Happy reading for me!
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I'm not particularly keen on settings in another country , France in this book, but that's just me. I thought Madeline made too many risky decision s but she wasn't all she seemed....I love Maggie too who always comes up Trumps. I haven't been reading this series in order so sometimes I'm confused with timelines. I gave these a break but had withdrawal symptoms for the PCU. Janice comes through for the unit, I still can't understand why she doesn't dress appropriately for the weather...

That relocation of his the pair helps keep the book fresh even for devotees of the series as it allows some of the basic characteristics of the series to continue, but in a new and plausible form. So yes, once again, Bryant is poor at keeping his colleagues informed as to what he is up to, but being stuck miles away in the snow makes this a natural state of affairs rather than a strained repeat of a standard series formula.
The further development of both Bryant and May's characters continues in this book with a significant twist to the John May family story whilst Arthur Bryant's idiosyncrasies once again frequently steal the scene. You can see the development of the author's skill through the successive novels as by this fifth novel in the series those eccentricities are just - just - the right side of plausible whilst also being sufficiently bizarre to have great comedy effect. (A sample of the book titles we discover Bryant has in his office are "Code-Breaking in Braille" and "Colonic Exercises for Asthmatics".) This is unlike earlier in the series where Bryant's weird effect on IT strayed over the line into the clearly impossible as Fowler stretched just a little too far and tried just a little too hard for comedy effect.
The book takes a little longer to get going than previous ones in the series not only because of the (now traditional) detailed development of the main characters at the start but also because this time a new narrative thread that starts very slowly is entwined with the Peculiar Crimes Unit threads.
The heart of the plot is an homage to the classic locked room mystery - a member of the police no less is killed inside a locked room. That results in everyone in the Peculiar Crimes Unit, save for May and Bryant off in the snow, a suspect and as the story unfolds from multiple perspectives we eventually get a resolution that is both satisfying and again just - just - the right side of plausible.
The detailed regular characters in the series means it is best read in order, but there are explanations of key points from earlier volumes scattered through the text, meaning this is a series you can start out of place - such as with this volume - if you wish.


