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White Pines Audio CD – Unabridged, October 12, 2021
Gemma Amor (Author) Find all the books, read about the author, and more. See search results for this author |
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A woman, returning to her roots. A town, built on sacred land. A secret, cloaked in tradition and lore.<BR><BR> Welcome to White Pines. Don't get too comfortable.<BR><BR> The new cosmic-folk-Celtic-cult-fantasy-horror novel from Gemma Amor, the Bram Stoker Award-nominated author of <I>Dear Laura</I> and <I>Cruel Works of Nature</I>, is available <I>now</I>.<BR><BR> Contains mature themes.- Print length1 pages
- LanguageEnglish
- PublisherTantor and Blackstone Publishing
- Publication dateOctober 12, 2021
- ISBN-13979-8200841288
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Product details
- ASIN : B09XYWTG8Q
- Publisher : Tantor and Blackstone Publishing; Unabridged edition (October 12, 2021)
- Language : English
- Audio CD : 1 pages
- ISBN-13 : 979-8200841288
- Customer Reviews:
About the author

Gemma Amor is the Bram Stoker Award nominated author of DEAR LAURA, CRUEL WORKS OF NATURE, TILL THE SCORE IS PAID and WHITE PINES.
She is also a podcaster, illustrator and voice actor, and is based in Bristol, in the U.K.
Many of her stories have been adapted into audio dramas by the wildly popular NoSleep Podcast, and her work also features on shows like Shadows at the Door, Creepy, and The Grey Rooms.
She is the co-creator, writer and voice actor for horror-comedy podcast 'Calling Darkness', which also stars TV and film actress Kate Siegel.
Heavily influenced by classical literature, Gothic romance, tragedy and heroism, she is most at home in front of a fire with a single malt and a dog-eared copy of anything by Angela Carter.
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Reviewed in the United States on July 10, 2020
Top reviews from the United States
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Below is a "no-spoiler" review...
"White Pines" is written in first-person perspective, through the eyes of 'Megan,' a damaged woman who must revisit her mysterious past. After an exciting introduction, the pacing of the story intentionally slows down, to allow the reader an opportunity to identify and bond with the main protagonist, and it works well. The writing is crisp and focused throughout, filled with sharp detail and raw emotion. Eventually, we uncover some of the frightening truths about "The Island" and Megan's "legacy," and many of those answers only lead to more questions. "Seeds" are strategically planted throughout the narrative, and the author expertly delivers a proper payoff on every single one.
Without giving anything away, the novel picks up the pace at about the halfway mark and never slows down.
Genuinely, there are moments in this book that are visually and emotionally TERRIFYING.
At one point, I literally had to put down my Kindle for a moment and take a deep breath, to fully digest what I was witnessing with my mind's eye. Very few times in my life did I find it necessary to do that.
Yes, the writing is that powerful.
Honestly, I can't say any more without spilling into spoiler territory, but I'll leave you with this thought...
Gemma Amor.
If you enjoy horror fiction, remember the name. She is a force to be reckoned with.
Trust me, get this book. You won't regret it.
5 out of 5 stars.
What you know:
A woman, returning to her roots. A town, built on sacred land. A secret, cloaked in tradition and lore.
Welcome to White Pines. Don’t get too comfortable.
The new cosmic-folk-Celtic-cult-fantasy-horror novel from Gemma Amor, the Bram Stoker Award-nominated author of Dear Laura and Cruel Works of Nature, is available NOW.
What I’ll tell you:
The protagonist, Megan, is so relatable. I enjoyed going on a journey of self-discovery and change with her at the beginning of the story; walking in her shoes and processing everything thrown her way.
I love that Gemma Amor writes flawed, realistic women that don’t come across as having it all figured out. Megan doesn’t always react the way I would in a situation, but that’s the beauty of investing in her story—to see where her choices will take her.
What makes this book full-on horror is the brilliant way Amor sucks the reader into the story without telegraphing where she is taking you. As Megan begins to unravel the mysterious situations that befall her, the pace quickens, hurtling towards the escalating drama without being able to stop. The suspense is exhilarating and addicting.
Perhaps most noteworthy is Gemma’s ability to seamlessly stitch together mythology with epic proportions while simultaneously laying down solid groundwork for the reader to stand on so that suspending disbelief comes effortlessly/naturally. It’s clear that world building and character development are Gemma’s wheelhouse, and her greatest assets that assist her in dynamic storytelling.
To say that she holds her readers captive in the palm of her hand doesn’t do the magic of White Pines justice, but it’s as close as I can get to describing the relationship I have with her gift of words.
A consistent feature of Gemma’s books is their ability to translate powerful emotion. I went through a plethora of feelings as this book wound down to its conclusion. A strong testament to Gemma’s work as a writer—her readers can confidently show up for her unique brand of horror and expect to be crushed under the weight of serious emotional investment. It hurts so good.

Reviewed in the United States on July 10, 2020
What you know:
A woman, returning to her roots. A town, built on sacred land. A secret, cloaked in tradition and lore.
Welcome to White Pines. Don’t get too comfortable.
The new cosmic-folk-Celtic-cult-fantasy-horror novel from Gemma Amor, the Bram Stoker Award-nominated author of Dear Laura and Cruel Works of Nature, is available NOW.
What I’ll tell you:
The protagonist, Megan, is so relatable. I enjoyed going on a journey of self-discovery and change with her at the beginning of the story; walking in her shoes and processing everything thrown her way.
I love that Gemma Amor writes flawed, realistic women that don’t come across as having it all figured out. Megan doesn’t always react the way I would in a situation, but that’s the beauty of investing in her story—to see where her choices will take her.
What makes this book full-on horror is the brilliant way Amor sucks the reader into the story without telegraphing where she is taking you. As Megan begins to unravel the mysterious situations that befall her, the pace quickens, hurtling towards the escalating drama without being able to stop. The suspense is exhilarating and addicting.
Perhaps most noteworthy is Gemma’s ability to seamlessly stitch together mythology with epic proportions while simultaneously laying down solid groundwork for the reader to stand on so that suspending disbelief comes effortlessly/naturally. It’s clear that world building and character development are Gemma’s wheelhouse, and her greatest assets that assist her in dynamic storytelling.
To say that she holds her readers captive in the palm of her hand doesn’t do the magic of White Pines justice, but it’s as close as I can get to describing the relationship I have with her gift of words.
A consistent feature of Gemma’s books is their ability to translate powerful emotion. I went through a plethora of feelings as this book wound down to its conclusion. A strong testament to Gemma’s work as a writer—her readers can confidently show up for her unique brand of horror and expect to be crushed under the weight of serious emotional investment. It hurts so good.

Megan Douglas has inherited her granny's little Scottish cottage, Taigh-Faire (Watcher House), on a seaside cliff overlooking Gruinard Bay...
The house, once an Inn, overlooks the mouth of the bay... and beyond the bay is a long, low island surrounded by tall, slender white pine trees concealing its interior from view...
While looking for the house's electrical breakers Megan finds a small closet door under the stairs...
... the closet leads to a cellar built into a natural stone cavity... with rough-hewn stone steps leading further down to the bottom of the cellar...
Megan feels a draft of air down there... the air smells of sea salt. Scanning with her flashlight she sees a mysterious circular capstone on the floor...
... carved on it is a triangular symbol... each corner of the triangle is dotted with a smooth, circular hole... with a larger hole in the middle of the triangle...
Megan sees this symbol all over the nearby village of Laide...
...When she goes the next day to Laide's post office she discovers that...
... the villagers believe she is a key... the one that got away...
I don't know why I waited so long to read this story. It was certainly the kind of horror I enjoy reading.
There is a little of everything in this tale; It is atmospheric, there's a village mystery and there's cosmic horror.
I removed 1/2 a star for a slow patch at about 70% but it really picks up after that.
Also there were a few loose ends. Overall, this is one of the best stories I've read this year... being a year of disappointing "most anticipated" novels.
Top reviews from other countries

Megs isn’t a meek woman trying to escape an abusive relationship or a harrowing incident. She is much more complex than that. Sure, it is Tim who is the catalyst for her leaving, but it is clear through her inner dialogue that their marriage has been on rocky ground for some time, and she is not entirely blameless in this, thanks to a too-close friendship with colleague Matthew, and a one night stand. Being alone on the road and when she first arrives in the small Scottish village, Megs has plenty of time to ponder on all of this, and she does a fair amount of beating herself up. As she gets closer to the cottage, her thoughts wander to her family, the details she had forgotten from her youth, details that are slowly coming back to her. Her enigmatic grandmother who, just like Megs, had lost the small finger on her right hand, although, as Megs was told, this was simply a strange coincidence. The boiled sweets her grandmother favoured, but Megs had a passionate hatred for. And so on. Spending so much time in the head of a character, Amor had to take great care to make her relatable and compelling. Megs is not perfectly good; she is a perfectly developed human being, with flaws and idiosyncrasies like anyone in real life.
It is clear that Amor took a great deal of time developing her protagonist. She also took a great deal of care to develop her main setting; Taigh Faire, and the island it overlooks. The attention to detail, both with the local community and the old-fashioned interior of the cottage, is commendable. The way Amor describes everything, from the rough sandstone of the cottage to the foliage of the surrounding environment, is brilliant. And she intersperses it with dialogue and action to deliver a well-balanced and entertaining story. It is densely packed with descriptions and action, but this only encourages the reader to join Megs on her adventure of self-discovery, drawing us in until we cannot get out until the horrific truths have been uncovered.
As Megs begins to unravel the mystery of Taigh Faire and the island, and what it all has to do with her family, we are taken through many gripping emotions and themes. While the story begins with the drama of her crumbling marriage, it further develops into a supernatural mystery, a folk horror story with its rural setting and hints of rituals and a cult, and finally to cosmic horror, thanks to the incredible finale. If not done well, this may seem like a juxtaposition of ideas, like too many incompatible things forced together. But the thread that runs throughout all of these themes is the endearing and enchanting Megs, and the expert composition by Amor. Hers is an incredible journey that spans many miles and, in the end, many years. As the pace quickens with every revelation, the horror becomes evermore visceral. From the actions of the sinister mainlanders, to the description of the otherworldly apparitions witnessed in the island community of White Pines, and the horrors haunting Megs’ dreams. Such is the power of Amor’s descriptions and action that it is quite reminiscent of Adam Nevill’s The Ritual.
A common pitfall of speculative fiction authors is the tendency to rely upon simply telling the reader what is happening, rather than showing us through good descriptive language, action and dialogue. While this is made more straightforward with a first-person narrative, it is by no means easy. We are seeing this strange story unfold in a strange place, as is Megs. But it is through her interaction with the places and people around her that we learn about the mystery of the island. Amor’s use of incredibly evocative descriptions paint a picture in the mind of the reader, often verging on the poetic, especially during the vivid dream on the beach. These images are further reinforced by the realistic dialogue, whether with the strange locals, love interest Matthew, or within herself, when the reader’s sympathy for our protagonist is only strengthened. With great skill, Gemma Amor has delivered a wonderful story, as full of tremendous emotion as it is terrifying action. Hers may be a relatively new voice in the genre, but it is one to which we must surely be listening.

We begin the story with a glimpse of what is to come, but when it *really* begins, we find the protagonist in the midst of huge upheaval and the new-yet-familiar surrounding of the small-town highland community she was taken away from as a child.
We quickly learn that Megan is incredibly tough and resourceful, but also worn by the turbulence of her life. Her struggle feels entirely 3-dimensional, she is as 'real' a character as you'll find anywhere.
There are myths and hostile interactions which bring to mind the canon of great works of folk horror, impossible, dreamlike scenarios which would be at home in any dark fantasy masterpiece and forces at work beyond human comprehension, adding cosmic horrors to the mix.
It feels like a lot to roll into a single work, but it is done masterfully here, all the while the struggles of Megan and the other cast members pull at our heart strings with a series of emotional gut punches.
Superb. More, please.

This is a book that is hard to categorize given its genre bending appeal, it seems to cross and blend genres at will. White Pines is like a rock falling from a cliff face near the coast, this tiny rock hits other rocks on its way down and before you know it, you’ve got an unforgiving landslide which will sweep you off your feet and into the thrashing waves – where the undertow is even less forgiving as it sucks you under and into its icy depths. Whatever happens, prepare to be swept away, to suffer and to be consumed by this unforgiving of beasts.
White Pines is a novel which is screaming to be adapted into a short television series or a film due to the cinematic qualities that Amor evokes – this is some of her best work to date – and given that the book is the largest we’ve seen from her, it allows her more space to do what she does best, build tension, create memorable characters and weave a story which is as beguiling as it is terrifying.
Gemma Amor appears to be one of those writers that is submersed in the horror genre, that she has in the darkness been shaped by it, adapted to it – the weird, the dark and the disturbing. And what springs fourth from her mind can’t be put back into the Pandora’s Box that it escaped from with screams and cackles – and so she writes these wonders down for our enjoyment.
The pages and the story literally bleed with her love of horror and the macabre, of the weird and the fantastical. I could see influences such as Under the Dome (Stephen King) but one would hasten to say done better – instead of an epic story that features every character in the town; Amor is able to hold our attention and make the carnage that much more brutal as she isolates this story to a handful of characters all of which are fully realised. I could also feel vibes from The X-Files, Fringe and Twin Peaks in the subtle and expert way that Amor constructs this almost cosmic horror (these are all big compliments in my book). There is also the elements of Greek Mythology that trickle into the story (as a child that loved the adventures of Jason and the Argonauts I wasn’t disappointed in how Amor grounded this story and the small tenuous links such as a ball of twine to mark her way etc). Then it has this strange cult vibe, akin to Adam Nevill’s The Reddening (it’s a different type of cult but the Reddening and its cult element generally frightened me, and White Pines has this same type of small town cult terror that makes your skin crawl) and then to cap it all off you also have the whole uncanny vibe which one could easily mistake as a Daphne du Maurier story such is the scope of what Amor has achieved. It’s a smorgasbord of delights all wrapped up in a thrilling plot.
White Pines is full of fear, anxieties, isolation, horror, science fiction, mythology, folklore and strange cults which are all blended into a heady cocktail that Amor forces your to swallow!
A woman, returning to her roots. A town, built on sacred land. A secret, cloaked in tradition and lore.
Welcome to White Pines. Don’t get too comfortable.
It’s a book that I strongly recommend you to read, it’s fresh, it’s brutal and above all it’s one hell of a ride. I won’t go into much detail here about the books story line, it’s a story I feel one should discover for themselves (the above quote is the blurb for the book). But there was one scene in particular that just sucked me in, that distressed me to no-end, and that was what I’m going to refer to and name aptly as the ‘purgatory scene’. When you’ve read the book you will understand more, but what Amor was able to achieve with this handful of characters trapped in a confined space in the town of White Pines was remarkable – it was the thing of nightmares and I was sucked into the terror, the tension and the horrors that unfolded – it was masterful and deranged and I bloody loved it.
White Pines has the uncanny crawling through each and every page, and it will seep into your very core if you let it – another fabulous outing from Amor!

I personally think this book would’ve benefited from being scaled down as maybe a tad too long.
As for the storyline, there were times that it grabbed my attention and others that it didn’t.
Borderline horror/science fiction (unfortunately the latter of which I’m not a fan). However I won’t allow this to deter me from reading another of Amor’s books as (to reiterate) I just love the way in which she writes!

There's enough inventive world building for a series here, but as the book's events really kick into the swing of it, Amor's writing moves along at a cinematic pace with nothing spare to it. As good stories often do, this one surprises but then lets you realise the portents earlier. The effect is to be immersive without bogging down the story.
This is a mythos I'd love to read more of if Amor returns to it. A great read.