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About William Faulkner
Rejected by the US military in 1915, he joined the Canadian flyers with the RAF, but was still in training when the war ended. Returning home, he studied at the University of Mississippi and visited Europe briefly in 1925.
His first poem was published in The New Republic in 1919. His first book of verse and early novels followed, but his major work began with the publication of The Sound and the Fury in 1929. As I Lay Dying (1930), Sanctuary (1931), Light in August (1932), Absalom, Absalom! (1936) and The Wild Palms (1939) are the key works of his great creative period leading up to Intruder in the Dust (1948). During the 1930s, he worked in Hollywood on film scripts, notably The Blue Lamp, co-written with Raymond Chandler.
William Faulkner was awarded the Nobel Prize for Literature in 1949 and the Pulitzer Prize for The Reivers just before his death in July 1962.
Photo by Carl Van Vechten [Public domain], via Wikimedia Commons.
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The Sound and the Fury is the tragedy of the Compson family, featuring some of the most memorable characters in literature: beautiful, rebellious Caddy; the manchild Benjy; haunted, neurotic Quentin; Jason, the brutal cynic; and Dilsey, their black servant. Their lives fragmented and harrowed by history and legacy, the character’s voices and actions mesh to create what is arguably Faulkner’s masterpiece and one of the greatest novels of the twentieth century.
“I give you the mausoleum of all hope and desire. . . . I give it to you not that you may remember time, but that you might forget it now and then for a moment and not spend all of your breath trying to conquer it. Because no battle is ever won he said. They are not even fought. The field only reveals to man his own folly and despair, and victory is an illusion of philosophers and fools.” —from The Sound and the Fury
“I set out deliberately to write a tour-de-force. Before I ever put pen to paper and set down the first word I knew what the last word would be and almost where the last period would fall.” —William Faulkner on As I Lay Dying
As I Lay Dying is Faulkner’s harrowing account of the Bundren family’s odyssey across the Mississippi countryside to bury Addie, their wife and mother. Narrated in turn by each of the family members—including Addie herself—as well as others the novel ranges in mood, from dark comedy to the deepest pathos. Considered one of the most influential novels in American fiction in structure, style, and drama, As I Lay Dying is a true 20th-century classic.
This edition reproduces the corrected text of As I Lay Dying as established in 1985 by Noel Polk.
“Read, read, read. Read everything—trash, classics, good and bad, and see how they do it. Just like a carpenter who works as an apprentice and studies the master. Read! You’ll absorb it. Then write. If it is good, you’ll find out. If it’s not, throw it out the window.” —William Faulkner
Light in August, a novel about hopeful perseverance in the face of mortality, features some of Faulkner’s most memorable characters: guileless, dauntless Lena Grove, in search of the father of her unborn child; Reverend Gail Hightower, who is plagued by visions of Confederate horsemen; and Joe Christmas, a desperate, enigmatic drifter consumed by his mixed ancestry.
The Sound and the Fury is the tragedy of the Compson family, featuring some of the most memorable characters in literature: beautiful, rebellious Caddy; the manchild Benjy; haunted, neurotic Quentin; Jason, the brutal cynic; and Dilsey, their black servant. Their lives fragmented and harrowed by history and legacy, the character’s voices and actions mesh to create what is arguably Faulkner’s masterpiece and one of the greatest novels of the twentieth century. Divided into four sections, the history is narrated by three Compson brothers—Benjamin, Quentin, and Jason—followed by a section by an omniscient narrator.
“Read, read, read. Read everything—trash, classics, good and bad, and see how they do it. Just like a carpenter who works as an apprentice and studies the master. Read! You’ll absorb it. Then write. If it is good, you’ll find out. If it’s not, throw it out the window.” —William Faulkner
Absalom, Absalom! is Faulkner’s epic tale of Thomas Sutpen, an enigmatic stranger who comes to Jefferson, Mississippi, in the early 1830s to wrest his mansion out of the muddy bottoms of the north Mississippi wilderness. He was a man, Faulkner said, “who wanted sons and the sons destroyed him.”
As I Lay Dying is Faulkner's harrowing account of the Bundre family's odyssey across the Mississippi countryside to bury Addie, their wife and mother. Told in turns by each of the family members—including Addie herself—the novel ranges in mood from dark comedy to the deepest pathos.
This is a collection of the very best of William Faulkner’s short stories. Included are classics of short-form fiction such as ‘A Bear Hunt’, ‘A Rose for Emily’, ‘Two Soldiers’ and ‘The Brooch’. Faulkner’s ability to compress his epic vision into narratives of such grace and tragic intensity defines him as one of the finest and most original writers America has ever produced.
Review:
“No man ever put more of his heart and soul into the written word than did William Faulkner. If you want to know all you can about that heart and soul, the fiction where he put it is still right there.” —Eudora Welty
“For all his concern with the South, Faulkner was actually seeking out the nature of man. Thus we must turn to him for that continuity of moral purpose which made for greatness of our classics.” —Ralph Ellison
About the Author:
Born in 1897 in New Albany, Mississippi, William Faulkner was the son of a family proud of their prominent role in the history of the south. He grew up in Oxford, Mississippi, and left high school at fifteen to work in his grandfather's bank. Rejected by the US military in 1915, he joined the Canadian flyers with the RAF, but was still in training when the war ended. Returning home, he studied at the University of Mississippi and visited Europe briefly in 1925. His first poem was published in The New Republic in 1919. His first book of verse and early novels followed, but his major work began with the publication of The Sound and the Fury in 1929. As I Lay Dying (1930), Sanctuary (1931), Light in August (1932), Absalom, Absalom! (1936) and The Wild Palms (1939) are the key works of his great creative period leading up to Intruder in the Dust (1948). During the 1930s, he worked in Hollywood on film scripts, notably The Blue Lamp, co-written with Raymond Chandler. William Faulkner was awarded the Nobel Prize for Literature in 1949 and the Pulitzer Prize for The Reivers just before his death in July 1962.
Here, published in a single volume as he always hoped they would be, are the three novels that comprise William Faulkner’s famous Snopes trilogy, a saga that stands as perhaps the greatest feat of this celebrated author’s incomparable imagination.
The Hamlet, the first book of the series chronicling the advent and rise of the grasping Snopes family in mythical Yoknapatawpha County, is a work that Cleanth Brooks called “one of the richest novels in the Faulkner canon.” It recounts how the wily, cunning Flem Snopes dominates the rural community of Frenchman’s Bend—and claims the voluptuous Eula Varner as his bride. The Town, the central novel, records Flem’s ruthless struggle to take over the county seat of Jefferson, Mississippi. Finally, The Mansion tells of Mink Snopes, whose archaic sense of honor brings about the downfall of his cousin Flem. “For all his concerns with the South, Faulkner was actually seeking out the nature of man,” noted Ralph Ellison. “Thus we must turn to him for that continuity of moral purpose which made for the greatness of our classics.”
Light in August is a 1932 novel by the Southern American author William Faulkner. It belongs to the Southern gothic and modernist literary genres.
Set in the author's present day, the interwar period, the novel centers on two strangers who arrive at different times in Jefferson, Yoknapatawpha County, Mississippi, a fictional county based on Faulkner's home, Lafayette County, Mississippi. The plot first focuses on Lena Grove, a young pregnant white woman from Alabama looking for the father of her unborn child, and then shifts to explore the life of Joe Christmas, a man who has settled in Jefferson and passes as white, but who secretly believes he has some black ancestry. After a series of flashbacks narrating Christmas's early life, the plot resumes with his living and working with Lucas Burch, the father of Lena's child, who fled to Jefferson and changed his name when he found out that Lena was pregnant. The woman on whose property Christmas and Burch have been living, Joanna Burden, a descendant of Yankee abolitionists hated by the citizens of Jefferson, is murdered. Burch is caught at the scene of the crime and reveals that Christmas had been romantically involved with her and is part black, thus implying that he is guilty of her murder. While Burch sits in jail awaiting his reward for turning in Christmas, Lena is assisted by Byron Bunch, a shy, mild-mannered bachelor who falls in love with her. Bunch seeks the aid of another outcast in the town, the disgraced former minister Gail Hightower, to help Lena give birth and protect Christmas from being lynched. Though Hightower refuses the latter, Christmas escapes to his house and is shot and castrated by a state guardsman. Burch leaves town without his reward, and the novel ends with an anonymous man recounting a story to his wife about some hitchhikers he picked up on the road to Tennessee—a woman with a child and a man who was not the father of the child, both looking for the woman's husband.
In a loose, unstructured modernist narrative style that draws from Christian allegory and oral storytelling, Faulkner explores themes of race, sex, class and religion in the American South. By focusing on characters that are misfits, outcasts, or are otherwise marginalized in their community, he portrays the clash of alienated individuals against a Puritanical, prejudiced rural society. Early reception of the novel was mixed, with some reviewers critical of Faulkner's style and subject matter. However, over time, the novel has come to be considered one of the most important literary works by Faulkner and one of the best English-language novels of the 20th century.
Some stories—such as “A Rose for Emily,” “The Hound,” and “That Evening Sun”—are famous, displaying an uncanny blend of the homely and the horrifying. But others, though less well known, are equally colorful and characteristic. The gently nostalgic “Delta Autumn” provides a striking contrast to “Dry September” and “Barn Burning,” which are intensely dramatic. As the editor, Saxe Commins, states in his illuminating Foreword: “These eight stories reflect the deep love and loathing, the tenderness and contempt, the identification and repudiation William Faulkner has felt for the traditions and the way of life of his own portion of the world.”
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