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About William Golding
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This edition includes a new Suggestions for Further Reading by Jennifer Buehler.
At the dawn of the next world war, a plane crashes on an uncharted island, stranding a group of schoolboys. At first, with no adult supervision, their freedom is something to celebrate. This far from civilization they can do anything they want. Anything. But as order collapses, as strange howls echo in the night, as terror begins its reign, the hope of adventure seems as far removed from reality as the hope of being rescued.
"El señor de las moscas" es Premio Nobel de Literatura 1983, una fábula moral acerca de la condición humana.
Urdida en torno a la situación límite de una treintena de muchachos en una isla desierta, El Señor de las Moscas es una magnífica novela que admite lecturas diferentes e incluso opuestas.
En efecto, si algunos pueden ver en esta indagación de William Golding en la condición humana la ilustración de que la agresividad criminal se halla entre los instintos básicos del hombre, otros podrán considerarla como una parábola que cuestiona un tipo de educación represiva que no hace sino incubar explosiones de barbarie prestas a estallar en cuanto los controles se relajan.
'...the folly isn't mine. It's God's Folly. Even in the old days He never asked men to do what was reasonable. Men can do that for themselves. They can buy and sell, heal and govern. But then out of some deep place comes the command to do what makes no sense at all - to build a ship on dry land; to sit among the dunghills; to marry a whore; to set their son on the altar of sacrifice. Then, if men have faith, a new thing comes.'
Dean Jocelin has a vision: that God has chosen him to erect a great spire on his cathedral. His mason anxiously advises against it, for the old cathedral was built without foundations. Nevertheless, the spire rises octagon upon octagon, pinnacle by pinnacle, until the stone pillars shriek and the ground beneath it swims. Its shadow falls ever darker on the world below, and on Dean Jocelin in particular.
The first volume of William Golding's Sea Trilogy.
Sailing to Australia in the early years of the nineteenth century, Edmund Talbot keeps a journal to amuse his godfather back in England. Full of wit and disdain, he records the mounting tensions on the ancient, sinking warship where officers, sailors, soldiers and emigrants jostle in the cramped spaces below decks. Then a single passenger, the obsequious Reverend Colley, attracts the animosity of the sailors, and in the seclusion of the fo'castle something happens to bring him into a 'hell of degradation', where shame is a force deadlier than the sea itself.
The second volume of William Golding's Sea Trilogy
In a wilderness of heat, stillness and sea mists, a ball is held on a ship becalmed halfway to Australia. In this surreal, fête-like atmosphere the passengers dance and flirt, while beneath them thickets of weed like green hair spread over the hull. The sequel to Rites of Passage, Close Quarters, the second volume in Golding's acclaimed sea trilogy, is imbued with his extraordinary sense of menace. Half-mad with fear, with drink, with love and opium, everyone on this leaky, unsound hulk is 'going to pieces'. And in a nightmarish climax the very planks seem to twist themselves alive as the ship begins to come apart at the seams.
The third volume of William Golding's Sea Trilogy
A decrepit warship sails on the last stretch of its voyage to Sydney Cove. It has been blown off course and battered by wind, storm and ice. Little but rope holds the disintegrating hull together. And after a risky operation to reset its foremast, an unseen fire begins to smoulder below decks.