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About John Sandford
John Sandford is the pseudonym for the Pulitzer Prize-winning journalist John Camp. He is the author of the Prey novels, the Kidd novels, the Virgil Flowers novels, and six other books, including three YA novels co-authored with his wife Michele Cook.
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Art history professor James Qatar has a hobby: he takes secret photographs of women to fuel more elaborate fantasies. When he’s alone. Behind locked doors. Then one day, he goes a step further and... well, one thing leads to another. Qatar has no choice. He has to kill her. And you know something? He likes it.
When Deputy Chief Lucas Davenport takes the case, he assumes it’ll be straightforward police work. He couldn’t be more wrong. As the investigation trail takes some unexpected turns, it becomes clear that nothing is straightforward about this killer, his victims, or his motives. And to stop him Lucas has no choice but to walk right into his lair.
WITH A NEW INTRODUCTION BY JOHN SANDFORD
Today they started killing people.
A modern-day Bonnie and Clyde are on the run through rural Minnesota—victim by victim they’re having the time of their lives. But when Bureau of Criminal Apprehension investigator Virgil Flowers joins the hunt for the thrill-hungry kids, things take a shocking detour.
Lucas Davenport’s first case as a U.S. Marshal sends him into uncharted territory in the thrilling new novel in the #1 New York Times-bestselling series.
The man was smart and he didn’t mind killing people. Welcome to the big leagues, Davenport.
Thanks to some very influential people whose lives he saved, Lucas is no longer working for the Minnesota Bureau of Criminal Apprehension, but for the U.S. Marshals Service, and with unusual scope. He gets to pick his own cases, whatever they are, wherever they lead him.
And where they’ve led him this time is into real trouble. A Biloxi, Mississippi, drug-cartel counting house gets robbed, and suitcases full of cash disappear, leaving behind five bodies, including that of a six-year-old girl. Davenport takes the case, which quickly spirals out of control, as cartel assassins, including a torturer known as the “Queen of home-improvement tools” compete with Davenport to find the Dixie Hicks shooters who knocked over the counting house. Things get ugly real fast, and neither the cartel killers nor the holdup men give a damn about whose lives Davenport might have saved; to them, he’s just another large target.
Filled with his trademark razor-sharp plotting and some of the best characters in suspense fiction, Golden Prey is further reason why “Sandford has always been at the top of any list of great mystery writers” (The Huffington Post).
Two bodies in two days. One is murder. The other is suicide. Virgil Flowers never imagined that discovering the connection would lead him into the perverse history of the Minnesota farm community, and almost unimaginable darkness.
An ancient relic is unearthed during an archaeological dig. A Minnesota college professor is keeping a secret that could change the world’s history as we know it. For Virgil Flowers, the link between the two is inescapable—and his investigation, more dangerous and far-reaching than he can possibly imagine.
They call them Travelers. They move from city to city, panhandling, committing no crimes—they just like to stay on the move. And now somebody is killing them.
Lucas Davenport’s adopted daughter, Letty, is home from college when she gets a phone call from a woman Traveler she’d befriended in San Francisco. The woman thinks somebody’s killing her friends, she’s afraid she knows who it is, and now her male companion has gone missing. She’s hiding out in North Dakota, and she doesn’t know what to do.
Letty tells Lucas she’s going to get her, and, though he suspects Letty’s getting played, he volunteers to go with her. When he hears the woman’s story, though, he begins to think there’s something in it. Little does he know. In the days to come, he will embark upon an odyssey through a subculture unlike any he has ever seen, a trip that will not only put the two of them in danger—but just may change the course of his life.
While competing in a fishing tournament in a remote area of northern Minnesota, Virgil Flowers receives a call from Lucas Davenport to investigate a brutal murder at a nearby resort for women only. As Virgil begins investigating, he finds a web of connections between the people at the resort, the victim, and some local women, notably a talented and popular country singer. The more Virgil digs, the more he discovers the arrows of suspicion point in many directions, encompassing a multitude of motivations: jealousy, blackmail, greed, anger, and fear.
Then Virgil discovers something that sends his investigation reeling. This is not the first murder connected to the Eagle Nest Lodge. Nor will it be the last...
Lucas Davenport has seen many terrible murder scenes. This is one of the worst. In the Minnesota town of Wayzata, an entire family has been killed—husband, wife, two kids, dogs. On the wall, in blood: “Were coming.” No apostrophe.
There’s something about the scene that tugs at Lucas’s cop instincts—it looks an awful lot like the kind of scorched-earth retribution he’s seen from Mexican drug gangs. But this is a seriously upscale town, the husband ran a modest software company, the wife dabbled in local politics. None of it seems to fit.
Until it does...
A block on the edge of the Minneapolis loop is being razed when a macabre discovery is made: two girls buried under a rotted old house. Lucas Davenport knows how long they’ve been there. In 1985, he was part of the manhunt to track down two kidnapped sisters. They were never found—until today. With the bodies discovered, Davenport has the chance to return to the crime that has haunted him for years. The deeper he probes, the more one thing becomes clear: It wasn't just the bodies that were buried. It was the truth.