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In 1587 John White was chosen by Sir Walter Raleigh to lead a new colony at Roanoke off the Atlantic coast. After bringing many men, women, and children to the new land, White went back to England to gather supplies for the long winter. But when he finally returned to the fort almost three years later, he found that all of the colonists had vanished.
The only signs of life left were the letters CRO carved into a tree and the word CROATOAN carved into one of the fort’s posts. Did the Spanish army capture the colonists? Did the colonists get in a battle with the native people—or join them? Did they try to follow John White to England and get lost at sea?
Become a detective, study the clues, and see if you can help solve this chilling mystery from history!
Author Jane Yolen speaks to the ancient magic within us all in this anthology of 30 grown-up fairy stories—lovely, lyrical, poignant, sometimes frightening tales of transformations and transfigurations, magical destinies and dangerous quests, strange visions, reawakenings, and just desserts. A past winner of the Nebula Award, World Fantasy Award, and numerous other honors, Yolen takes her rightful place alongside the Brothers Grimm and Hans Christian Andersen, combining innovative literary style with fables that reimagine the myths of old and some of her legendary predecessors’ most cherished characters: Cinderella, simple Jack, Guinevere, Icarus, and the Frog Prince.
Step into Yolen’s wondrous realm of magic and dreams, where a curious young woman’s desire to read the future leads her to the weaver of tomorrow; a farm boy with the voice of an angel seeks out Lady Death to sing for the life of his mother; and a sow, a cow, and a mare set out together to see the world. These timeless stories tell of an eager girl’s entrance into the Hall of Grief and a sunless prince who fears the vengeance of a jealous star. A tree-bound young dryad longs to dance in the spring, and a grumpy old potter pours his heart and soul into his greatest work. Yolen’s stories are unforgettable tales of the heart and the spirit; they are truly tales of wonder.
The newly crowned King Arthur is unsure of himself; worse, the people are unsure of him. Too many people want the throne, and treachery is everywhere. Merlin must do something before the king is betrayed, or murdered, or—worst of all—gets married. So Merlin magically places a sword into a slab of rock, lets it be known that whosoever removes the blade will rule all of England, and invites any man who would dare to try to pull out the sword. After a bit of showmanship, Arthur will draw the blade (with a little magical help, of course), and the people will rally around the young king. Except someone else pulls the sword out first . . .
A Booklist Editors’ Choice
ABA’s Pick of the Lists
A Parent’s Guide Children’s Media Award Winner
“Yolen takes elements of Arthurian legend and makes them her own in this involving novel.”—Booklist (starred review)
“[A] page-turning tale of magic and adventure, betrayal, loyalty, and love.”—School Library Journal (starred review)
“A subtle, many-layered tale . . . It is, as the book’s ending tells readers, ‘an old story but a good one,’ and Yolen does it honor.”—VOYA (5Q—highest rating)
Finding Baba Yaga is a mythic yet timely novel-in-verse by the beloved and prolific New York Times bestselling author and poet Jane Yolen, “the Hans Christian Andersen of America” (Newsweek).
A young woman discovers the power to speak up and take control of her fate—a theme that has never been more timely than it is now…
You think you know this story.
You do not.
A harsh, controlling father. A quiescent mother. A house that feels like anything but a home. Natasha gathers the strength to leave, and comes upon a little house in the wood: A house that walks about on chicken feet and is inhabited by a fairy tale witch. In finding Baba Yaga, Natasha finds her voice, her power, herself....
"Jane Yolen is a phenomenon: a poet and a mythmaker, who understands how old stories can tell us new things. We are lucky to have her."—Neil Gaiman
At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
A Kite for Moon Educator's Guide is a companion to A Kite for Moon by Jane Yolen and Heidi E.Y. Stemple. This guide can be utilized in the classroom, in a home school setting, or by parents seeking additional resources. Ideal for grades K-3.
Fantasy icon Jane Yolen (The Devil’s Arithmetic, Briar Rose, Sister Emily’s Lightship) is adored by generations of readers of all ages. Now she triumphantly returns with this inspired gathering of fractured fairy tales and legends. Yolen breaks open the classics to reveal their crystalline secrets: a philosophical bridge that misses its troll, a spinner of straw as a falsely accused moneylender, the villainous wolf adjusting poorly to retirement. Each of these offerings features a new author note and original poem, illuminating tales that are old, new, and brilliantly refined.
Be prepared to surprise yourself. Be ready for the happy accident. Open yourself to
the shapes and shades of language, to that first powerful thrust of the story, to the
character that develops out of you, to the surprise of the exact and perfect ending.
Written by one of the leading voices in the industry,
TAKE JOY is an inspirational guide for teachers, writers, storytellers, artists,
and lovers of literature. A pocket-sized antidote to Susan Sontag’s
suggestion that “you have to sink down to a level of hopelessness and
desperation to find the book that you can write,” Yolen illustrates how to draw joy
from the craft, and reminds us how writing can give us access worlds even more
incredible that our own.
Hone your strengths through essential lessons on:
• Where to find inspiration
• How to immediately capture your reader
• Writing with honest emotion
• Identifying the gap between dreams and reality
• Navigating your time between obligation and writing
• Making sense of rejection letters
• Dealing with the business side of publishing
• Finalizing your work
• Much, much more
In the newest volume of her World Fantasy Award-winning short story collections, beloved author Jane Yolen’s dark side has fully emerged. Her vivid, startling, and thrilling tales and poems of the supernatural—from icy-hearted witches to sometimes-innocent shapeshifters—reveal a classic storyteller at the height of her powers.
“Look this way, look that; blazing her consummate imagination against the shadows of human sorrow, Jane Yolen has done it again.”—Gregory Maguire, author of Wicked
Jane Yolen is the Hans Christian Andersen of America” —The New York Times
Welcome to the Midnight Circus—and watch your step. The dark imaginings of fantasy icon Jane Yolen are not for the faint of heart. In these sixteen brilliantly unnerving tales and poems, Central Park becomes a carnival where you can—but probably shouldn’t—transform into a wild beast. The Red Sea will be deadly to cross due to a plague of voracious angels. Meanwhile, the South Pole is no place for even a good man, regardless of whether he is living or dead.
Wicked, solemn, and chilling, the circus is ready for your visit—just don't arrive late.
Other Jane Yolen short story collections in this series
The Emerald Circus: 2018 World Fantasy Award winner
How to Fracture a Fairy Tale: 2019 Anne Izard Storytellers’ Choice Award
Artos is a lonely child, teased or ignored by the other boys in the castle of Sir Ector. One day, he follows Sir Ector’s runaway hound into a mysterious, dark cave, where he encounters a dragon who offers him the gift of wisdom. Both frightened and intrigued, Artos becomes the dragon’s student and gains what he’s always longed for: the friendship and respect of other boys. Under the guidance of the dragon, Artos’s life begins to take shape in a way he could never have imagined. But has Artos really learned everything the dragon has to teach? And what does the dragon mean when he refers to him as “Artos Pendragon,” or “Arthur son of dragon”?
This ebook features a personal history by Jane Yolen including rare images from the author’s personal collection, as well as a note from the author about the making of the book.
Legend foretold the child named Jenna, who was three-times orphaned before she could crawl, a fate that would leave her in the hands of women who worshipped the benevolent goddess Great Alta. In this world without men, Jenna comes of age, learning quickly the skills of close combat. But her most powerful gift lies elsewhere: a mirror sister who emerges only in the darkness—a twin named Skada—and shares the soul of the young, white-haired warrior who might well be the goddess reborn. But if Jenna is, in truth, the one whose coming is awaited, there is cause for great alarm among those who rule the Dales, for the prophecy speaks of upheaval and change, and a devastating end of all things.
An incomparable world-builder and one of America’s premier fantasists, the remarkable Jane Yolen begins a three-part saga as inventive, intelligent, and exciting as anything that has ever been produced in the literature of the fantastic. Brilliantly contrasting the “true” story of Jenna with the later myths, poetry, and so-called scholarship that her coming engendered, Yolen creates a culture as richly imagined as those found in the acclaimed novels of Ursula K. Le Guin. A truly magnificent work, Sister Light, Sister Dark takes fantasy fiction to wondrous places it has never gone before.
Sisters Serena and Meteora were once proud members of the high court of the Fairy Queen- until they played a prank that angered her highness. Separated and banished to the mortal realm of Earth, they must find a way to survive in a strange world in which they have no power. But there is more to their new home than they first suspect. A sympathetic Meteora bonds with a troubled young girl with an ornate tattoo on her neck. Meteora recognizes it as a magic symbol that will surely bring danger down on them all. Serena, meanwhile, takes in a tortured homeless boy whose mind is plagued by dark visions. The signs point to a rising power that threatens to tear asunder both fairy and human worlds. And the sisters realize that perhaps the queen cast them from their homes not out of anger or spite- but because they were the only ones who could do what must be done.