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About Sonora Taylor
Sonora Taylor is the author of several short stories and novels, including Seeing Things, Little Paranoias: Stories, and Without Condition. In 2020, she won the Ladies of Horror Fiction awards for Best Collection (Little Paranoias) and Best Novel (Without Condition). Her short stories have been published by Camden Park Press, Burial Day Press, Kandisha Press, Cemetery Gates Media, Sirens Call Publications, Tales to Terrify, and others.
Along with V. Castro, Sonora co-manages Fright Girl Summer (frightgirlsummer.com), an online book festival promoting marginalized authors and voices. In 2022, Sonora and Nico Bell will edit an anthology of fat-positive horror called Diet Riot: A Fatterpunk Anthology.
Sonora is currently working on her fourth novel. She lives in Arlington, Virginia, with her husband and a rescue dog.
Visit Sonora online at sonorawrites.com.
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What doesn't kill me, might make me kill you!
30 women authors from around the world were challenged to write about The One That Got Away. Here you'll find tales of unrequited love, blind dates gone wrong, stalkers and their prey, cursed guitars, alien symbiotes, sinister letters, and bitter acts of revenge. Dive into murky depths and discover what hides inside the minds of women scorned..
Book 3 in the Kandisha Press Women of Horror Anthology Series
#frightgirlwinter recommended reading!
With Foreword by Gwendolyn Kiste (Bram Stoker Award Winning Author of The Rust Maidens)
Edited by Jill Girardi
Featuring stories from: Carmen Baca, Ushasi Sen Basu, Demi-Louise Blackburn, Ashley Burns, R.A. Busby, Amira Krista Calvo, Dawn DeBraal, Shawnna Deresch, Ellie Douglas, Amy Grech, KC Grifant, Meg Hafdahl, Rowan Hill, Stevie Kopas, Michelle Renee Lane, Catherine McCarthy, Villimey Mist, Mocha Pennington, Faith Pierce, Janine Pipe, Lydia Prime, Paula RC Readman, Marsheila Rockwell, Lucy Rose, Rebecca Rowland, Hadassah Shiradski, Yolanda Sfetsos, Barrington Smith-Seetachitt, J Snow and Sonora Taylor.
#FRIGHTGIRLSUMMER recommended reading!
Featuring chilling tales from:
Michelle Renee Lane
Paula R.C. Readman
Edited by Jill Girardi
With foreword by Doc Holocausto (Evilspeak Magazine, Harvest Ritual, Creepy Crawls)
Josh Malerman New York Times best selling author of BIRD BOX and MALORIE
"Disturbing, evocative, and profoundly haunting, WE ARE WOLVES is a high-def snapshot of the future of the horror genre. It pulls no punches, asks for no quarter, and will leave you breathless. I loved it."
Best-selling author and World Horror Grandmaster Award winner Brian Keene
Once upon a time, there was a woman, and she was tired. Tired of pushing. Tired of being pushed. Tired of feeling alone. Tired of so much.
So she gathered together a pack of wolves, a band of mothers, sisters, wives, daughters, partners, friends, lovers, survivors, victors and brilliant, shining things, and she told them to sing.
And sing they did.
The result is WE ARE WOLVES, a chorus of of terrifying, moving and heart-breaking stories from some of horror’s finest contemporary writers including Gemma Amor, Laurel Hightower, Cina Pelayo, Sarah Read, Hailey Piper, V Castro, Sara Tantlinger, Sonora Taylor and many more.
All proceeds from the sale of this charity anthology will go towards helping the survivors of abuse and assault.
“It takes a wolf to sing for wolves, and these stories sing in the dark”
Kathe Koja, Bram Stoker and Locus Award winning author of The Cipher and Velocities
“We Are Wolves is a collection of stories about survival, violence, vengeance, blood, and how women relentlessly push forward in a world that tries to maul them while asking them to smile. These women will tear you apart and hold you in their hands after, because they are savage wolves, but also goddesses who understand pain, love, justice, and the importance of persistence.”
Gabino Iglesias, author of Coyote Songs
Someone to Share My Nightmares is a tapestry of horrors interwoven with sensuality. Can our deepest fears be vanquished when they’re shared with someone else? Or is the danger doubled when two people come together?
Is it a knock on the door, or a gust of wind? A trick of the light, or someone who'll see what you've done?
"Little Paranoias: Stories" features twenty tales of the little things that drive our deepest fears. It tells the stories of terror and sorrow, lust at the end of the world and death as an unwanted second chance. It dives into the darkest corners of the minds of men, women, and children. It wanders into the forest and touches every corner of the capital. Everyone has something to fear -- but after all, it's those little paranoias that drive our day-to-day.
No one believes Abby, of course. She’s only seeing things. As much as Abby wants to be believed, what she wants more is to know why she can suddenly see the dead. Unfortunately, they won’t tell her. In fact, none of them will speak to her. At all.
Abby leaves for her annual summer visit to her uncle’s house with tons of questions. The visit will give her answers the ghosts won’t - but she may not like what she finds out.
Cara Vineyard lives a quiet life in rural North Carolina. She works for an emerging brewery, drives her truck late at night, and lives with her mother on a former pumpkin farm. Her mother is proud of her and keeps a wall displaying all of Cara's accomplishments.
Cara isn't so much proud as she is bored. She's revitalized when she meets Jackson Price, a pharmacist in Raleigh. Every day they spend together, she falls for him a little more -- which in turn makes her life more complicated. When Cara goes on her late-night drives, she often picks up men. Those men tend to die. And when Cara comes back to the farm, she brings a memento for her mother to add to her wall of accomplishments.
Cara's mother loves her no matter what. But she doesn't know if Jackson will feel the same -- and she doesn't want to find out.
In Quoth the Raven, we invite you to answer the call of the raven and revisit Poe's work, re-imagined for the twenty-first century. Here, the lover of mystery and Gothic horror will find familiar themes in contemporary settings, variations on Poe's tales, and faithful recreations of the author's signature style.