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  • The Hour, Season 1
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Customer reviews

4.5 out of 5 stars
4.5 out of 5
1,329 global ratings
5 star
71%
4 star
16%
3 star
6%
2 star
4%
1 star
2%
The Hour, Season 1

The Hour, Season 1

byDominic West
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Top positive review

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Karen E. Mansergh
5.0 out of 5 starsThe Hour Is Worthy of Your Time
Reviewed in the United States on April 21, 2015
For some reason, I thought this was a British workplace comedy (like "The IT Crowd"), but when the man in the double-stitched overcoat is stalked and stabbed in the underground, I quickly shifted gears to appreciate the taut, multi-level thriller set in the deadline-imposed anxiety that fuels "The Hour"— BBC-TV's brand new "60-Minutes-style" news program. The program's fateful launch occurs in the summer of 1956—just before Egypt seizes the Suez canal, Israel (joined by British and French troops) invades Egypt, and Russia invades Hungary.

But those historical events only serve as backdrop for the clashing personalities of Hector (Dominic West), the handsome, womanizing news-reader, Bel (Ramola Garai), the over-qualified female producer, and her protege Freddie (Ben Whishaw), a neurotic, chain-smoking journalist/script writer whose talented prose and bulldog tenacity challenges the suits in the BBC, MI6, and Anthony Eden's government, and Clarence (Anton Lesser), BBC-TV's elderly, "let's not rock the boat," Head of News who just wants his last big project to be the successful capstone to his career.

Over the course of the first season, Freddie's promise to protect his childhood friend turns into a cat-and-mouse tale of espionage, and murderous cover-ups.

In the second season, Randall (Peter Capaldi), takes over the Head of News post, Hector's wife Marnie (Oona Chaplin), blossoms into a self-actualized character, Freddie brings a surprise with him when he returns from his "gap year abroad," and Kiki (Hannah Tointo), a sexy, blonde nightclub performer leads "The Hour" into the strangely convoluted worlds of bomb shelters, pornography, criminalized homosexuality, fascist hate-mongerers, real-estate speculators, the criminal underworld, and police corruption.
"
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7 people found this helpful

Top critical review

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Susan
2.0 out of 5 starswhere are the hats
Reviewed in the United States on April 15, 2015
For historical accuracy:, England was a drab country recovering from the War, so Bell would not have had such expensive , bright dresses on her budget. She would have been tweedy and dull looking.
Also the redhead taking up with a black Jamaican immigrant male and dating him openly, This would not have happened casually as it is displayed on this show. Not at all. This is the BBC recreating history to reflect their diversity agenda. The show isn't about how life was back then, it's about how we think life was back then. On season two, the little redhead moves in and lives with the black man from Jamaica- This would not have happened or if it had she would have been out of her nice office job and disowned by her family.By making it la de da, it denies the truth about those times. The Chorus line would not have had a black female with the white girls, Even living with a man of your own race without marriage , was viewed as trashy and whorish.
I can see why the show was canceled after two seasons. They took the wrong position on immigration, it was too PC. but so BBC
Freddie is clearly gay , so why do they remake him as a straight male? He reads as Gay, so keep him as that , not as a love interest for Bell, who clearly has poor taste in men.
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From the United States

Karen E. Mansergh
5.0 out of 5 stars The Hour Is Worthy of Your Time
Reviewed in the United States on April 21, 2015
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For some reason, I thought this was a British workplace comedy (like "The IT Crowd"), but when the man in the double-stitched overcoat is stalked and stabbed in the underground, I quickly shifted gears to appreciate the taut, multi-level thriller set in the deadline-imposed anxiety that fuels "The Hour"— BBC-TV's brand new "60-Minutes-style" news program. The program's fateful launch occurs in the summer of 1956—just before Egypt seizes the Suez canal, Israel (joined by British and French troops) invades Egypt, and Russia invades Hungary.

But those historical events only serve as backdrop for the clashing personalities of Hector (Dominic West), the handsome, womanizing news-reader, Bel (Ramola Garai), the over-qualified female producer, and her protege Freddie (Ben Whishaw), a neurotic, chain-smoking journalist/script writer whose talented prose and bulldog tenacity challenges the suits in the BBC, MI6, and Anthony Eden's government, and Clarence (Anton Lesser), BBC-TV's elderly, "let's not rock the boat," Head of News who just wants his last big project to be the successful capstone to his career.

Over the course of the first season, Freddie's promise to protect his childhood friend turns into a cat-and-mouse tale of espionage, and murderous cover-ups.

In the second season, Randall (Peter Capaldi), takes over the Head of News post, Hector's wife Marnie (Oona Chaplin), blossoms into a self-actualized character, Freddie brings a surprise with him when he returns from his "gap year abroad," and Kiki (Hannah Tointo), a sexy, blonde nightclub performer leads "The Hour" into the strangely convoluted worlds of bomb shelters, pornography, criminalized homosexuality, fascist hate-mongerers, real-estate speculators, the criminal underworld, and police corruption.
"
7 people found this helpful
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P. Gleeson
5.0 out of 5 stars This is the best television series since "The Wire
Reviewed in the United States on June 8, 2015
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This is the best television series since "The Wire," which in my opinion is possibly the best series ever. The performances on the "The Hour" are outstanding without exception -- Oona Chaplin fully fulfills her genetic promise and Dominic West brings the same complexity of character to his role here that made his McNulty on "The Wire" such a pleasure. Every member of this cast brings so much to their part. Which also tells us a lot about the producer, Ruth Kenley-Letts, and Coky Giedroyc, the lead director. The plot -- it is one developing plot through each season's episodes --is fully believable and taut. The editing is a marvel. Without being ostentiously tricky about it, the cutting is really smart and efficient. The one downside Charmaine and noted is that when you finish the last episode of season two you're going to be a little depressed. Probably BBC did the right thing in stopping this series after the second season--its very success probably ensured that the cast would be unaffordable going forward, for one thing, and then how do you keep this up for a third season? But I wish they'd tried anyway.
4 people found this helpful
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R. MAY
5.0 out of 5 stars An Hour (or six) not wasted.
Reviewed in the United States on July 4, 2015
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This is some of the best TV I've ever seen. Smart, stylish, gripping, with great, quirky characters and a real history lesson thrown in. The way they recreate the feel of the 50s is eerie (well, my memories only go back to about 1960, but a lot of the vibe is very recognizable). And the acting is superb, especially by Ben Whishaw, who is just a revelation. Somehow he folds into Freddie Lyon's character so many facets - whip-smart but a little naive ("Pregnant - is that what 'in trouble' means?"), not altogether mature but deeply sensitive and caring (as much about his elderly father as about the two women he loves), ebullient but deeply principled -- you just want to take him home and enjoy his company. But really all the characters have gravity and humor, they truly seem to connect with each other, and there is a real sense of chemistry among the whole ensemble.
3 people found this helpful
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Bill Miller
5.0 out of 5 stars a little Madmen feel to it but with great British ambiance
Reviewed in the United States on September 25, 2015
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Great casting, acting, writing. It's set in '56 so has a little Madmen feel to it but with great British ambiance . If you loved West in the wire and wonder if you could believe him as another character - this one works. And of course it's a history lesson that runs parallel to today's concerns. Democracy is only as good as the people who are in it and if no one is brave enough to ask the questions then we get what we deserve. Watch it if you like House of Cards, if you liked the movie Network and if you just love great character development, intrigue, sexy (but completely g rated except for one mild sex scene that seemed out of place because we already knew what was going on) intelligent shows. Only thing unauthentic is that all seem to have great teeth. And it's free if you have Prime. I've got Bezos' needle deep in my arm....
3 people found this helpful
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Noraxpat
5.0 out of 5 stars BIRTH OF BRITISH TV NEWSCASTING
Reviewed in the United States on March 26, 2015
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I sometimes have a problem getting attuned to the Brit creative story line, the British accents and sense of drama; that aside, this was a very interesting tale of the development of televised news post-WWII, the magnetic attraction between the producer (female) and the two star (and rival) newscasters, and other members of the crew. There's a lot of supersleuthing by, especially, the younger male newscaster regarding the criminal underworld, police and political corruption, and personal relationships. Many newsworthy subjects are covered including racial intolerance by fascist thugs, and behind-the-scene studio dynamics. Of interest, this was an era when EVERYONE was a chain smoker, doubt there was a scene where
cigarettes did not have a dominant role.
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David Wilder
5.0 out of 5 stars Why does the BBC insist on producing such excellent work?
Reviewed in the United States on July 30, 2012
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A good friend once said that prior to each "really good" film I see I've already wasted about $300 dollars on 3 and 4 star films given "charitable" reviews. Thankfully, "The Hour," deserves its top rating. This BBC TV series is about a current affairs program being launched by (none other than) the BBC in June 1956, during the Suez Crisis. It is, in a word, splendid. This is a fascinating, coherent story with acting performances of exceptional range -- especially by Romola Garai and Ben Whishaw. But the difference may be "The Hour's" deep (and seemingly endless) supporting cast -- Dominic West, Tim Pigott-Smith, Juliet Stevenson, Burn Gorman, Anton Lesser, Anna Chancellor, Julian Rhind-Tutt and Oona Chaplin. There are no car crashes, only the sheer force of character and ideas. The Hour [Blu-ray ] The HourEpisode 1 [HD ].
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wordfactory
5.0 out of 5 stars and the very beautiful Romola Garai
Reviewed in the United States on March 5, 2015
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A very stylish drama with topnotch acting from Anna Chancellor, Dominic West, and the very beautiful Romola Garai, who, in contrast to many cardboard-cutout women "executive" characters in films and television, actually seems smart enough to do her job. The milieu--BBC in the mid-50s--is fascinating as a precursor to the Swinging London of the 60s. The pace is fast in that five-four-three-two-one news medium way, and in both seasons One and Two the narrative--which concerns the the Suez crisis, MI 5 and 6, the Cold War, neo-Facist youth, and London gangsters--is absorbing.

Such a shame the series was cancelled after two seasons. Even the opening credits, very hip graphically, are well worth watching.
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Peter Lake
5.0 out of 5 stars broadcast news meets John LeCarre
Reviewed in the United States on December 25, 2012
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This series attains the generally high level of most BBC drama. The acting is superb, the recreation of the period spot on,
the unfolding of the plot keeps you watching for the next twist. Underneath the characters all seem to have their resonance
in ones from the movie Broadcast News. The responsible cynical guy is Freddy, the bloodless network execs, the frenetic
careerist Belle who falls for the slick anchor man Madden and subsidiary characters who all rush around as if the world
was entirely focused on them. But through it all, the quality shows through and The Hour overcomes the temptation of beaching
a pale Broadcast News clone and becomes something far more original and meaty. Great viewing.
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Dogsbody
5.0 out of 5 stars Hats Off to The Hour!
Reviewed in the United States on February 1, 2016
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Fast paced, efficient, witty with substance and dredged in British dry-humor plus historically accurate back drop. This dramatic series debates the importance of a free and courageous press in the face of the varied powers, private and public, that would suppress it. And it does so with style! I am saddened that season 3 could find no backers. But Seasons 1 and 2 are worth catching for viewers who are thinkers and can appreciate a bit of art clearly influenced by the Noel Coward/Oscar Wilde/Lewis Caroll/Gilbert and Sullivan side of those beloved Brits.
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H. Caufield
5.0 out of 5 stars The Hour You've Been Waiting For.
Reviewed in the United States on April 3, 2015
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Tight story lines, combined with tight skirts and dresses, not to mention superb acting, makes The Hour a series to watch. Set at a BBC news station in Britian circa 1956, the three main characters, Bel, Freddie, and Hector - producer, reporter, and presenter (anchor) - perform a veritable acting menage au trois while simultaneously being enmeshed in loyalty, betrayal, friendship, murder, conspiracy, topped with raw emotion and a dash of sex. A drama about news that's more interesting than the news. Worth your while. And remember don't binge. Savor every moment. You'll thank me.
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