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Americanah: A novel (Ala Notable Books for Adults)

Americanah: A novel (Ala Notable Books for Adults)

byChimamanda Ngozi Adichie
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PlantBirdWoman
5.0 out of 5 starsAmericanah by Chimamanda Ngozi Adichie: A review
Reviewed in the United States 🇺🇸 on July 12, 2014
Why did people ask "What is it about?" as if a novel had to be about only one thing.
- Chimamanda Ngozi Adichie in Americanah

Americanah does in fact seem to be about several things. On one level, it is simply a love story, but, more significantly, it is about the immigrant experience.

It is also about the black experience - the experience of American-Africans as opposed to that of African-Americans or of Africans. More deeply still, it delineates the complexities of national identities and ways of thinking. Much of this is accomplished through an exploration of the everyday issue of hair care.

Kinky African hair is fragile, the author tells us, and it requires special handling. Products made for white people's hair simply won't do the trick. Much of Americanah is taken up with detailing the Nigerian-born heroine, Ifemelu's, quest for hair care. We see her spending long hours getting her hair braided, and even when she decides to let her hair go natural and sport an "Afro," that style, too, takes a lot of care and is the focus of her grooming regime.

Ifemelu began life in a Nigeria which existed under military dictatorship. She attended a Lagos secondary school where she fell in love with Obinze. He would be the great love of her life.

It was the dream of Ifemelu and Obinze to get out of Nigeria. It was a common dream as people were emigrating from the country whenever possible. Eventually, with the help of family, Ifemelu was able to go to America to study.

Her early experiences in America were harrowing. She had little money, only what her family could send, and since she was on a student visa, she was unable to work, legally.

A friend found a way for her to use someone else's Social Security number to look for a job. That, too, turned out to be a bit of a disaster. Desperate for work, she suffered a humiliating experience which continued to haunt her years later.

Finally, her friend helped her connect with a white liberal couple who hired her as a babysitter for their two children. As well as being her employer, they become her friends and the remainder of Ifemelu's experience in America seems to be smooth sailing. Except for that hair thing.

Finishing her undergraduate career, Ifemelu decides to start a blog about her observations on race. She calls it "Raceteenth or Various Observations About American Blacks (Those Formerly Know as Negroes) by a Non-American Black." In her blog, she takes on many of what some would consider taboo subjects. She writes, for example, about the relationship of styles of hair to employability. (There's that hair again!) She writes about what she regards as the misguided reverence that some African-Americans hold for Africa. She writes of her relationships with white and black lovers and her observations about how she is regarded by those men's friends.

Meantime, Obinze is having his own immigrant experience in Britain. He overstays his visa and he, too, tries working on another person's national service number. Then, in order to legitimize his presence in the country, he plans a sham marriage to a British citizen, but he is found out and deported back to Nigeria where he begins to prosper. Years later, he is a wealthy businessman with a beautiful wife and daughter when Ifemelu returns to Nigeria.

This book seems to me not so much plot-driven or even character-driven as observation-driven. The plot that exists is a structure for presenting Ifemelu's (i.e., Adichie's) opinions and social criticisms. These often appear in the guise of her blog entries. Such as this one:

Understanding America for the Non-American Black: American Tribalism

In America, tribalism is alive and well. There are four kinds - class, ideology, region, and race. First, class. Pretty easy. Rich folk and poor folk.

Second, ideology. Liberals and conservatives. They don't merely disagree on political issues, each side believes the other is evil. Intermarriage is discouraged and on the rare occasion that it happens, is considered remarkable. Third, region. The North and the South. The two sides fought a civil war and tough stains from that war remain. The North looks down on the South while the South resents the North. Finally, race. There's a ladder of racial hierarchy in America. White is always on top, specifically White Anglo-Saxon Protestant, otherwise known as WASP, and American Black is always on the bottom, and what's in the middle depends on time and place.

That seems a very cogent summation of American society to me. And there are many such observations sprinkled throughout the book. They were among my favorite parts of the book.

As a blogger myself, I was amused by Ifemelu's statement at one point that she never knew what her readers wanted or what they would like - what would generate a lot of clicks. She wrote posts which she was sure would be popular and would get a lot of response and there was nothing but silence. On the other hand, she might dash off a quick entry with no expectation of it striking a chord with readers and she would be overwhelmed by clicks and comments. I suppose this uncertainty is the bain of all bloggers. Maybe all writers.

I enjoyed this book tremendously, although there were some things that bothered me. The character of Ifemelu, for example. She just seemed to glide effortlessly through life. Even the big emotional upsets of her life didn't really seem to upset her very much. For someone who was described as very passionate, she seemed substantially lacking in passion.

In fact, all of the characters in the book seemed curiously flat and one-dimensional to me. I couldn't really care a lot about the fate of any of them. It appeared that Adichie couldn't either. They were simply vehicles for moving forward the story she wanted to tell.

Moreover, I found the ending somewhat disappointing. It just didn't seem to me that this would have been the logical conclusion for these characters. But then, I am a white American woman of a certain age who has never lived outside of this country. What do I know about how these cosmopolitan world travelers would feel and behave?

Throughout the last half of this book, which was the winner of the National Book Critics Circle Award for Fiction in 2013, I debated with myself about what rating I would give it - four stars or five stars. In the end, I decided that my quibbles were not sufficient to give it the lower rating. It was an amazing read, so I gave it five stars. But with the silent understanding that it really should have been four-and-a-half.
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7 people found this helpful

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Denise Baer
3.0 out of 5 stars3.5 Stars from a Not So Angry Reviewer
Reviewed in the United States 🇺🇸 on March 23, 2016
My book club finished the book Americanah by Chimamanda Ngozi Adichie. Before reading it, I was curious and appreciated being introduced to the book.

Americanah is about a Nigerian woman, Ifemelu, who leaves University in Nigeria and her first love, Obinze, to work and study in America. It delves into her troubles as a Non-American black woman. Racism she never experienced before, frustration in finding work, and a constant search to find herself. As an expat, I was able to relate to her sadness and depression. I have been away from the familiar, life’s comforts I had grown accustom to, and the freedom of speaking to whoever, whenever. Of course, I can’t identify with the racism aspect of it, but I can identify with the loneliness as an outsider, not understanding the language, and the shock of a different culture.

This book is a National Bestseller and voted “One of the Best Books of the Year” by the New York Times Book Review. I would have to agree that for the writing and historical purposes this book deserves to be a National Bestseller, but not necessarily one of the best books of the year. However, I believe it will make its way into African Studies. One of the best things about reading this book with my book club was discussing it with several expats, one being Nigerian. We were able to ask him questions about her descriptions of Nigeria and their ways.

Book Cover

Black women’s hair was a big point she made in the book, which is why the book cover illustrates braids. In my opinion, I believe the braid attempt on the book cover failed. At first I thought they were ropes, and then realized they symbolized black women’s braids. It looks like a child drew them.

My book review will contain spoilers, so please stop here if you have not read the book and plan to read it.

Writing

I found some great lines in the book, and I would like to share a few of them with you.

“…it would hurt him to know she had felt that way for a while, that her relationship with him was like being content in a house but always sitting by the window and looking out.”

“…she had convinced herself that she was not living on memories mildewed by thirteen years.”

“But his mannered English bothered her as she got older, because it was costume, his shield against insecurity.”

“There was something in him, lighter than ego but darker than insecurity, that needed constant buffing, polishing, waxing.”

Chimamanda’s writing is good. I enjoyed her style, but wasn’t awe-struck by it. There were times where she tended to become repetitive. Many chapters contain blog posts written by the main character and they all have the same type of theme, yet not all have that “Aha!” moment. The blog posts grow into lectures more than advice, opinion, or suggestions. To me, this was a turn-off.

I would also like to point out that this book is fiction, yet in some ways, it mirrors the author’s life. Chimamanda is Nigerian, born into an Igbo family in the town of Nsukka, came to America to study and work, and now splits her time between Nigeria and the U.S. She has many degrees and acclamations for her writings. She has given lectures regarding writing, cultures, and feminism.

This book would have been better written as non-fiction, because she didn’t distance herself enough from the fictional character, Ifemelu. Throughout the book, I turned to the back cover to look at her picture, and I knew it was her speaking through the main character. Like the author, Ifemelu is from Nigeria, born into an Igbo family in Nsukka, and comes to America for her studies.

Chimamanda was quoted in an interview, saying, “I am angry. Gender as it functions today is a grave injustice. We should all be angry. Anger has a long history of bringing about positive change, but in addition to being angry, I’m also hopeful because I believe deeply in the ability of human beings to make and remake themselves for the better.”

The likeness of Chimamanda and Ifemelu’s life, along with the anger, is exactly what the reader will experience. I’m not a feminist, nor am I angry, so her angry writing didn’t do her justice with me. I completely disagree with her that we should all be angry. Why? The world is already angry, angry about feminism, racism, economy, government, the list goes on. There’s no need to breathe anger into people when it already exists, and in my opinion, suffocates purpose. Instead of being angry, create a love of who we are and acceptance.

Plot

When Ifemelu first arrives in America, she can’t get a job, and falls into a depression. She mentions that in Nigeria, depression doesn’t exist. If you don’t put a name on it, it isn’t there, but Americans put a name on everything. I found this quite interesting, because I didn't realize that many countries don’t discuss or acknowledge depression.

Ifemelu begins blogging about racial issues, the blog takes off, and she starts to give lectures. Over time, she winds up making more money with her blog and lectures than any other job. While still working as a babysitter, she meets her employer’s cousin, a rich, white boy, who ultimately helps her get a green card.

“With Curt, she became, in her mind, a woman free of knots and cares, a woman running in the rain with the taste of sun-warmed strawberries in her mouth.”

“He believed in good omens and positive thoughts and happy endings to films, a trouble-free belief, because he had not considered them deeply before choosing to believe; he just simply believed.”

She also talks and blogs about black women’s hair. How difficult it is to maintain. How black women don’t wear it natural because it’s not acceptable for job interviews, etc. She goes into detail how black women use relaxers and burn their hair straight, and those who wear it natural, afro style or braids, avoiding the harsh chemicals. This taught me how black women struggle with their hair.

There’s a part in the book where Ifemelu blogs about “Why Dark-Skinned Black Women—Both American and Non-American—Love Barack Obama”. From the post:

“But today most of the American blacks who are successful as entertainers and as public figures are light…He broke the mold! He married one of their own. He knows what the world doesn’t seem to know: that dark black women totally rock. In movies, dark black women get to be the fat nice mammy or the strong, sassy, sometimes scary sidekick standing by supportively.”

Ifemelu or Chimamanda, I can’t decipher who, is making a point that dark black skinned women may now be recognized as being relevant and beautiful. The Nigerian book club member clarified this when we came across the word Akata. He explained that Nigerians don’t look too kindly on African Americans. I found this video, of a woman discussing the word akata - [...] And here’s another video of a young lady discussing African vs. African American. [...] I learned something new, something I would have never known as a white woman—the differences—and find it intriguing. The way the woman in the second video approaches the subject is great and informative. And she’s not angry.

Since Chimamanda and Ifemelu are somewhat the same, I can’t help but think that the author used a fictional character to voice her views. Again, she should have written a non-fiction book about the cultural differences between America and Nigeria. Non-American Blacks vs. Black Americans.

There are also parts in the book where the author never finishes a relationship or action. She babysits for two children and has a friendship with the mother, her employer. Once she starts dating her employer’s cousin, Curt, the reader never hears about them again. Also, while she is set to leave America for Nigeria, she promises her hairdresser, who wants to stay in the U.S., that Ifemelu will contact a man the hairdresser likes and talk to him about marrying her. That is all we hear about it. The end of the so-called first love romance is hastily wrapped up on the last page.

Characters

This was the first time I liked a book, but not the main character. The main character, Ifemelu, is an angry woman, echoing Chimamanda. She dates a rich, white guy, who helps her get her green card. He makes her feel great, but she cheats on him because she is 'curious'. Then she dates a black American, who is pompous, doesn’t treat her well, who she adores, and then she leaves him to go back to Nigeria.

The main problem I had with this character is she never grows. She remains stagnant, angry, bitter, and judgmental. There’s a part in the book where she’s talking with a “large-hipped, stylish poet from Haiti with an Afro bigger than hers” who stated that for 3-years she dated a white man and race wasn’t an issue. Here’s how the rest of the dialogue goes:

“That’s a lie,” Ifemelu said to her.
“What?” the woman asked, as though she could not have heard properly.
“It’s a lie.” Ifemelu repeated.
The woman’s eyes bulged. “You’re telling me what my own experience was?”

This is a perfect example of how Ifemelu approaches everything in the book. Her opinion is the only one. When she dates the white guy, Curt, his positivity bothers her. When she dates the black American, his academia bothers her. She is forever aggravated, judgmental and lacks empathy. I can only recall once when she sympathizes with a hairdresser of hers. Other than that, Ifemelu never is appreciative of the good things she receives. She never looks inside herself regarding self-improvement.

Due to some of the book sounding more like a scolding than a story, and the main character’s lack of growth, I give this book 3.5/5 stars. I would recommend it with some warnings, but I don’t think I’ll read another book by this author again.
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From the United States

PlantBirdWoman
5.0 out of 5 stars Americanah by Chimamanda Ngozi Adichie: A review
Reviewed in the United States 🇺🇸 on July 12, 2014
Verified Purchase
Why did people ask "What is it about?" as if a novel had to be about only one thing.
- Chimamanda Ngozi Adichie in Americanah

Americanah does in fact seem to be about several things. On one level, it is simply a love story, but, more significantly, it is about the immigrant experience.

It is also about the black experience - the experience of American-Africans as opposed to that of African-Americans or of Africans. More deeply still, it delineates the complexities of national identities and ways of thinking. Much of this is accomplished through an exploration of the everyday issue of hair care.

Kinky African hair is fragile, the author tells us, and it requires special handling. Products made for white people's hair simply won't do the trick. Much of Americanah is taken up with detailing the Nigerian-born heroine, Ifemelu's, quest for hair care. We see her spending long hours getting her hair braided, and even when she decides to let her hair go natural and sport an "Afro," that style, too, takes a lot of care and is the focus of her grooming regime.

Ifemelu began life in a Nigeria which existed under military dictatorship. She attended a Lagos secondary school where she fell in love with Obinze. He would be the great love of her life.

It was the dream of Ifemelu and Obinze to get out of Nigeria. It was a common dream as people were emigrating from the country whenever possible. Eventually, with the help of family, Ifemelu was able to go to America to study.

Her early experiences in America were harrowing. She had little money, only what her family could send, and since she was on a student visa, she was unable to work, legally.

A friend found a way for her to use someone else's Social Security number to look for a job. That, too, turned out to be a bit of a disaster. Desperate for work, she suffered a humiliating experience which continued to haunt her years later.

Finally, her friend helped her connect with a white liberal couple who hired her as a babysitter for their two children. As well as being her employer, they become her friends and the remainder of Ifemelu's experience in America seems to be smooth sailing. Except for that hair thing.

Finishing her undergraduate career, Ifemelu decides to start a blog about her observations on race. She calls it "Raceteenth or Various Observations About American Blacks (Those Formerly Know as Negroes) by a Non-American Black." In her blog, she takes on many of what some would consider taboo subjects. She writes, for example, about the relationship of styles of hair to employability. (There's that hair again!) She writes about what she regards as the misguided reverence that some African-Americans hold for Africa. She writes of her relationships with white and black lovers and her observations about how she is regarded by those men's friends.

Meantime, Obinze is having his own immigrant experience in Britain. He overstays his visa and he, too, tries working on another person's national service number. Then, in order to legitimize his presence in the country, he plans a sham marriage to a British citizen, but he is found out and deported back to Nigeria where he begins to prosper. Years later, he is a wealthy businessman with a beautiful wife and daughter when Ifemelu returns to Nigeria.

This book seems to me not so much plot-driven or even character-driven as observation-driven. The plot that exists is a structure for presenting Ifemelu's (i.e., Adichie's) opinions and social criticisms. These often appear in the guise of her blog entries. Such as this one:

Understanding America for the Non-American Black: American Tribalism

In America, tribalism is alive and well. There are four kinds - class, ideology, region, and race. First, class. Pretty easy. Rich folk and poor folk.

Second, ideology. Liberals and conservatives. They don't merely disagree on political issues, each side believes the other is evil. Intermarriage is discouraged and on the rare occasion that it happens, is considered remarkable. Third, region. The North and the South. The two sides fought a civil war and tough stains from that war remain. The North looks down on the South while the South resents the North. Finally, race. There's a ladder of racial hierarchy in America. White is always on top, specifically White Anglo-Saxon Protestant, otherwise known as WASP, and American Black is always on the bottom, and what's in the middle depends on time and place.

That seems a very cogent summation of American society to me. And there are many such observations sprinkled throughout the book. They were among my favorite parts of the book.

As a blogger myself, I was amused by Ifemelu's statement at one point that she never knew what her readers wanted or what they would like - what would generate a lot of clicks. She wrote posts which she was sure would be popular and would get a lot of response and there was nothing but silence. On the other hand, she might dash off a quick entry with no expectation of it striking a chord with readers and she would be overwhelmed by clicks and comments. I suppose this uncertainty is the bain of all bloggers. Maybe all writers.

I enjoyed this book tremendously, although there were some things that bothered me. The character of Ifemelu, for example. She just seemed to glide effortlessly through life. Even the big emotional upsets of her life didn't really seem to upset her very much. For someone who was described as very passionate, she seemed substantially lacking in passion.

In fact, all of the characters in the book seemed curiously flat and one-dimensional to me. I couldn't really care a lot about the fate of any of them. It appeared that Adichie couldn't either. They were simply vehicles for moving forward the story she wanted to tell.

Moreover, I found the ending somewhat disappointing. It just didn't seem to me that this would have been the logical conclusion for these characters. But then, I am a white American woman of a certain age who has never lived outside of this country. What do I know about how these cosmopolitan world travelers would feel and behave?

Throughout the last half of this book, which was the winner of the National Book Critics Circle Award for Fiction in 2013, I debated with myself about what rating I would give it - four stars or five stars. In the end, I decided that my quibbles were not sufficient to give it the lower rating. It was an amazing read, so I gave it five stars. But with the silent understanding that it really should have been four-and-a-half.
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Somi
4.0 out of 5 stars A Wonderful Read
Reviewed in the United States 🇺🇸 on May 20, 2013
Verified Purchase
I am probably biased towards this novel, Americanah by Chimamanda Ngozi Adichie, not only because Adichie's first novel, Purple Hibiscus, which I read as a very young girl, awoke in me the possibility of good writing and beautiful prose by a Nigerian like me, but because of the familiarity of the book. In Nigeria, we are brought up on foreign movies, sitcoms and TV shows, foreign books and foreign news, we know how English should be spoken, and many of us who bother to read a lot, are very familiar with the colloquialisms of the west. This is perhaps why, we do not recognize how much we miss our own particularly Nigerian way of expression, in the literature we read. It is perhaps why, when we read a phrase that is essentially Nigerian, in a novel like Americanah, "Tina-Tina, how now?" "Why are you looking like a mumu?" "How will you cope/how are you coping?" all familiar Nigerian modes of speech, we are infinitely grateful.

It's like the word Americanah, such a Nigerian word, used to describe someone who had lived abroad for so long, they no longer understand the nuances of being Nigerian. They use American swearwords, or complain that the fries at KFC Onikan are limp, even though you see nothing wrong with them. This is when you turn to someone who understands and say, (No mind am, na Americanah), Don't mind him, he is an Americanah.

Adichie's latest follows Ifemelu, a bright, sharp and observant girl, from her early years in 1990's Nigeria, to a life in America, where after the first rude shocks of culture change in a new world, where `fat' is a bad word and not merely a statement of fact, where colour is such a big issue that it can rule people's lives, and where everything is different, she slowly and surely starts to become an Americanah.

In Americanah, ifemelu observes, and we are informed by her observations, she converses and we see her character, and she remembers, and in her memories we see a rich story that begins in Lagos, journeys through the cities of America, and gains a body that is beautiful to savour. It is through Ifemelu's observations, we experience what Americana is about.

Hair, specifically Black/African hair. Why do black women hide their hair? Would Beyonce ever allow the world to see her hair the way it really is, or would Michelle Obama? These are the questions Ifemelu asks In her blog, where after having lived in the United States for a long time, she broaches issues of race, hair and life in America from the eyes of a `Non-American Black'.

We experience race, Kimberley, the white woman who uses beautiful as a word to describe `black', because for whichever reason, black is a word that should be said as little as possible. Kurt, to whom Ifemelu's race means nothing, and Blaine, the Black American Yale professor, whose influence, in my opinion, would be the biggest in turning Ifemelu's observations from the disinterested and amused observation of a `Non-American Black' or `NAB', who calmly tells Kimberly, "You know, you can just say `black.' Not every black person is beautiful." to those of an `American Black' or `AB', who would say in her blog. "If the "slavery was so long ago" thing comes up, have your white friend say that lots of white folks are still inheriting money that their families made a hundred years ago. So if that legacy lives, why not the legacy of slavery?" The old Ifemelu would have told the descendants of the slaves to `get over it'.

We also experience love, Adichie herself describes Americanah as a love story, and this is true. There is love in almost every book, but in Americanah, it is not incidental, it is a central part of the story. Before America, and race and hair became issues, there was Obinze, the love of Ifemelu's teenage life. If Ifemelu, the daughter of a civil servant who lost his job because he would not bow to the excessive respect that Lagos Yoruba's employ and call his boss `Mummy', and uses English in such a way as to provide a hilarious sort of comic relief, is sharp and confident, then Obinze, the only son of a university professor, with his love for American books and his quiet belief in himself, is self assured and mature. They fall in love soon after they meet as secondary school students in Lagos, and when Ifemelu tells her aunt and friend, Uju, about him, saying she has met the love of her life, there is a hilarious moment when Aunt Uju advises her to "let him kiss and touch but not to let him put it inside."

While most of the story is seen though Ifemelu's eyes and memories, we also get to see some of Obinze, we follow him to London, where he lives as an illegal immigrant, after failing to find a job in Nigeria, or to fulfill his dream of going to America, (he later visits America, when he becomes rich, and isn't impressed, he lost interest when he realized that he could buy his way in.) He is arrested on the eve of his sham wedding, and repatriated. In all this Obinze never loses a certain `solidity', that he seems to effortlessly possess. In a democratic Nigeria, where a new middle class is rising, and the money that used to be the preserve of the top army generals starts to filter down, Obinze gets lucky in the way that only happens in Nigeria, where there really is too much money, and overnight he is a very rich man.

When Ifemelu starts to hunger for home, Obinze, with whom she has lost touch, is already a husband and father. "Meanwhile o, he has serious money now. See what you missed!" her friend, Ranyinudo tells her, on a call from Nigeria. (How Nigerian to say something like that!) The central question becomes, will they get back together? To some, this is a weakness of the story, the descent into the fantasy of a happily ever after for the heroine and hero, but it is not such a bad thing in itself, it makes enjoyable, and hopeful reading.

In summary, I loved the story. I loved the familiarity of it, Ifemelu's mother's ridiculous religiousness, her fathers ludicrous use of English, Aunty Uju, Ginika, Kayode, Emenike, who is perhaps one of the more interesting characters, as he strives to shed the life he was born with, to become what he wishes to be, and all the other different kinds of people that make up the rich tapestry that is Nigerian life.

Ifemelu is an interesting character, observant, watchful, sure of herself, even as a teenager, she is confident in a way I wouldn't have understood at that age. Obinze, knows himself in such a way that he doesn't need to follow any crowd, or have anybody validate him. However, I did feel that the ending was rather rushed, as if the author had other things to do, and was hastily putting the final scenes together.

The main grouse I had with the book was the fact that I saw some elements from Adichie's previous works. When Barrack Obama wins the election and her cousin Dike calls her to say that his president is black like him, I remember an interview long ago where Adichie says that her nephew had said the exact same thing after the elections. It make me feel cheated, this, the similarity of her relationship with Curt to the relationship of the characters in her short story, The Thing Around Your Neck; when Obinze describes his house in Enugu, and I see the house in Birdsong, the scene of another adulterous affair in another of her old short stories. How autobiographical is her work then? I ask myself. I begin to feel suspicious, perhaps all the characters are really her and the people she knows, perhaps Pat Peoples is really Matthew Quick, and Nick Hornby's characters are really just himself?

I noticed that apart from Dike, her little cousin, and Obinze, and perhaps Obinze's mother, Ifemelu does not seem very emotionally involved with the people that shape her life, sometimes she seems like a watcher, an observer, and not a character in the story. Also, because this novel is really many observations and opinions, sometimes it does feel contrived, like a character or event has been introduced, solely because they are a means to present an issue Adichie wants to discuss. Lastly, I did not find the blog interesting, unlike the prose of the novel, the writing is not fluid, or vey descriptive, and seems to jump from one issue to another, trying to cram many thoughts into one jumbled package. This may be because I am not an NAB, and those issues mean little to me, perhaps the AB's would read it differently.

Regardless, Americanah is a wonderful read, sometimes laugh out loud funny, sometimes sad, but always interesting.
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Jar
5.0 out of 5 stars Across The Ocean Is Another Home
Reviewed in the United States 🇺🇸 on August 27, 2014
Verified Purchase
Now I more fully understand what bloggers intend to write on their blogs. Because I understand does not mean I think a blogger's work is easy. I think it is as difficult as an architect who plans to build a large bridge. In Americanah by Chimamanda Ngozi Adichie, Ifemelu is the main character. Ifemelu's true home is Nigeria, Africa. When she comes to the United States, she develops a magnificent and observant eye to see the underbelly of race relations here. For me, it was amazing to read Ifemelu's blog entries. How in the world is she able to twist and pull Americans apart so gently but with a toughness too. Ifemelu has that gift to insult you and make you like it and laugh about it. Then, you walk away and scratch your head only to reread her article and try to understand where she is coming from, how did she dissect you so easily.

Next,the novel shifts from Ifemelu's professional work as a blogger to the relationships in her daily life. So there are really like two books in one in Americanah. There is also the shift in setting. Ifemelu is a world traveler. She visits England, America and touches back down in Nigeria. Therefore, her viewpoint is wide.

I especially liked the fact that towards the end Ifemelu travels back home from the United States. It is amazing to read how she settles back in her homeland with family and friends. I wondered had she grown as a person. I wondered would she feel more superior than the Nigerians, and I wondered how could she ever leave America and forget the friendships formed here. There are many questions that come to mind about a traveler going back home. Often authors write about their trip abroad, but how many write about their experiences after returning home. After all, Thomas Wolfe wrote, You Can't Go Home Again. Then, he wisely confuses the whole house of cards by writing, "Some things will never change. Some things will always be the same. Lean down your ear upon the earth and listen."

Chimamanda Ngozi Adichie seems to agree with the great author, Thomas Wolfe. Once back in Nigeria, I feel she experienced a mix of feelings. In the United States, she experienced most anything done perfectly. For example, In America we don't put up with quick, shoddy work. Do it right or I have the right to report you to the Better Business Bureau. I have the right to take you to court and sue. I have the right to tell all my friends you were fired, and they should not trust you. As consumers, this is the expected reaction if work is poor. However, in countries growing and becoming progressive, there is a desire and a need to make many dollars quickly. Unfortunately, sometimes good work is sacrificed and not necessarily maliciously. Ifemelu experiences this when a worker uses broken tiles. Her new American self can not handle imperfection or slowness.In America, waiters dash around to please while in Nigeria Ifemelu asks for something from a menu. The waiter abruptly says, "no." No other explanation needed. Here, the waiter will try to get that for Mrs. or Mr. and get it in a hurry. So, of course, Ifemelu reacts.

At first, I felt a bit uncomfortable with Ifemelu's reaction. Is she being mean, plain spoken or is it the new twin inside of herself who can't help but speak up loudly. We, Americans, can be loud when we don't get her way. I adjusted to her reaction by writing it down in a meme. To me,. she proved herself a strong African woman and at the same time proved herself a new African American. Her values her switching back and forth between her old self and her new self. I imagined Ifemelu saying to herself, "did I become so angry at that worker?" Knowing Ifmelu she smiled to herself with pride and said yes. Then, she would think about writing a blog article about workers in the United States vs. workers in the new and rich Lagos, Nigeria or some other theme. Going back home does seem like Ifemelu doubles up and becomes two bodies in one or an atom that splits. There are two minds now instead of one. Crossing the sea one way and crossing back again to your childhood home. In the novel, Ifemelu and Obinze, friends who have grown up together discuss the differences. They compare their adult selves with their childhood selves. It is an interesting and intricately weaved web of their lives.

While in the United States, Ifemelu makes friends quickly with women and men. Her love relationships are great fun to read about. Sometimes there are breakups like in any relationship. I especially liked the way she handled the inter-racial relationships. There is one White, very rich guy. He treats Ifemelu well. For some reason he got on my last nerve and stamped on it. He seemed too jolly, too willing to always see the bright side of a rainy day. When Ifemelu leaves him, I am happy about her decision.

However, the relationship that tops the cake and will stay with me is the one with Obinze. Obinze will go from England back to Africa because of the intricacies of papers and immigration. He will marry and have children. I can only write that it is exciting and unexpected what will happen between Obinze and Ifemelu. Their relationship could have been a book in itself. I'm not sure Chimamanda Ngozi Adichie won't pick Obinze up in another book.

Americanah is a big saga of some sort. Does Americanah end for me? No. One more word or two or three. I have to mention Aunty and Dike. This is America from a very young boy's place in life. It shocked me. It hurt me. It tore Ifemelu apart. She will fly him over to Nigeria. His coming home to Africa, his roots, brings me to think that Ms. Adichie is saying you can go home again, but take or bring some over to visit from he states. Let them experience the joyful roller coaster ride of experiencing two very different homelands in one lifetime like Ifemelu experienced it. wikipedia.org/wiki/Chimamanda_Ngozi_Adichie
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Uzo Dibia
4.0 out of 5 stars AMERICANAH: INTERSECTIONS AND DIVISIONS
Reviewed in the United States 🇺🇸 on April 5, 2014
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On reading AMERICANAH, the latest effort from Chimamanda Adichie, one cannot help but feel a plethora of impulses running through .She touches on race, that physiological variation from another, that makes one stand apart. She ponders over one religion, and its most peculiar expression, especially amongst Africans whom fate (if that's the right term) has left with the "lethargy of choicelessness". Her story also espouses love, the intricacies and intrigues, the highs and plateaus, the longing brought about by distance, the guilt bequeathed by adultery. Adichie's story also informs about hypocrisy, and the fragility of the human condition. Adichie paints a picture of our imperfect world.

The story is told by Ifemelu, a girl born to lower middle class Nigerian parents, who travels to America to study. Prior to her leaving, she recounts her experiences of a country slowly being eaten by the chancre of corruption, the disorder of the society, and the systematic annihilation of the middle class by successive military regimes and their civilian cronies. Lagos, the previous capital, becomes a haven for Pentecostal churches and money launderers. Even members of Ifemelu's family get caught up in this new expression of sanctity and deceit: her auntie, Uju, conducts an affair with a married army general through whom she secures an apartment, car and other accoutrements. Auntie Uju is quick to praise God for her newfound wealth, and her church members are quick to testify of the lord's doing. Only Ifemelu maintains a healthy scepticism, despite the denial of all others, who are beneficiaries of a sort in Uju's enterprise.

Obinze, Ifemelu's childhood sweetheart, is depicted as intelligent, thoughtful, caring, rational. This is in marked contrast in some ways, to a petulant, stubborn, opinionated Ifemelu. He is not your stereotypical playboy, fun loving male, and the author should be commended for this depiction.It tells another side of the male story that is not tainted by prejudice and cliche.

His childhood love for America, its land, its authors, its history, is soon outgrown when the realities of being a third world resident dawn on him. He is refused a visa to the country and from there his world spirals almost out of control. He finds himself overstaying his visa and, in a bid to survive, apart from working illegally, tries to arrange a marriage with a European citizen. He is eventually caught and deported, and only after a few years does he find his feet in the same country he tried to run away from.

In America Ifemelu discovers that she is black. Race was never an issue back in Nigeria, but here, in America, the land of hope and promise, it unites and divides. With the African Americans she shares similarities that intersect, and yet differences that also divide her and them. She never really seems to get their frustration, anger, passion, nuanced gestures towards equality and justice for people of colour. She is a passive spectator of events, never a willing participant. So much so, she even forgoes a university protest, organised by her African American boyfriend, against a black Janitor's discrimination for a farewell dinner for a member of faculty. She looks African American, shares a similar ancestry to most of them, but their histories diverged at some point and shaped their outlook on life and its meaning. In her sojourn she lives a life, she experiences things, she writes a blog that soon earns her a committed following, and a steady income. But something gnawed within her heart: a certain longing for the past. A certainty that was shaped by knowledge of one's roots, and nostalgia that comes with being away from home for too long. She also wonders why she ended her relationship with the man she was destined to be with. Was it her shame for having cheated on him, the inability to overcome her guilt, or both? She knew he was married now with a child, but did he still think of her?

There is a secret code of suffering she and Obinze share: his marriage to beautiful but deferential wife. Ifemelu's yearning for a man like Obinze in all her subsequent relationships. This is never really voiced, only felt within and never given full expression.

Adichie, in an interview, described this as her "(expletive) you" novel. Unlike Half of A Yellow Sun, where she felt a duty towards a history that still haunts many in Nigeria today, here she could just tell a story. A real story. A human one. I still feel she has delivered on her duty as a writer: to depict a scene, to transport us to familiar and unfamiliar worlds, to capture the nature of our suffering, the essence of our existence. Ifemelu and Obinze are as real to me as Charles and Camilla. I may never be able to fully grasp the history and struggles of African Americans, nor will I ever be able to address every malfeasance brought upon the human race by the human race. And the people around me are far from perfect. But, like Ifemelu, recognition of past mistakes should serve as the platform for one's transfiguration.
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Mamabotanica
5.0 out of 5 stars I’m going to miss these characters!
Reviewed in the United States 🇺🇸 on January 21, 2023
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I enjoyed seeing and knowing these places and these people. They were so well written that it felt like they were friends. I’m also glad that it ended the way it did.
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Customer Sarah
5.0 out of 5 stars Must Read
Reviewed in the United States 🇺🇸 on January 18, 2023
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Had to read this book for school, but couldn't put it down. 10/10
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Denise Baer
3.0 out of 5 stars 3.5 Stars from a Not So Angry Reviewer
Reviewed in the United States 🇺🇸 on March 23, 2016
Verified Purchase
My book club finished the book Americanah by Chimamanda Ngozi Adichie. Before reading it, I was curious and appreciated being introduced to the book.

Americanah is about a Nigerian woman, Ifemelu, who leaves University in Nigeria and her first love, Obinze, to work and study in America. It delves into her troubles as a Non-American black woman. Racism she never experienced before, frustration in finding work, and a constant search to find herself. As an expat, I was able to relate to her sadness and depression. I have been away from the familiar, life’s comforts I had grown accustom to, and the freedom of speaking to whoever, whenever. Of course, I can’t identify with the racism aspect of it, but I can identify with the loneliness as an outsider, not understanding the language, and the shock of a different culture.

This book is a National Bestseller and voted “One of the Best Books of the Year” by the New York Times Book Review. I would have to agree that for the writing and historical purposes this book deserves to be a National Bestseller, but not necessarily one of the best books of the year. However, I believe it will make its way into African Studies. One of the best things about reading this book with my book club was discussing it with several expats, one being Nigerian. We were able to ask him questions about her descriptions of Nigeria and their ways.

Book Cover

Black women’s hair was a big point she made in the book, which is why the book cover illustrates braids. In my opinion, I believe the braid attempt on the book cover failed. At first I thought they were ropes, and then realized they symbolized black women’s braids. It looks like a child drew them.

My book review will contain spoilers, so please stop here if you have not read the book and plan to read it.

Writing

I found some great lines in the book, and I would like to share a few of them with you.

“…it would hurt him to know she had felt that way for a while, that her relationship with him was like being content in a house but always sitting by the window and looking out.”

“…she had convinced herself that she was not living on memories mildewed by thirteen years.”

“But his mannered English bothered her as she got older, because it was costume, his shield against insecurity.”

“There was something in him, lighter than ego but darker than insecurity, that needed constant buffing, polishing, waxing.”

Chimamanda’s writing is good. I enjoyed her style, but wasn’t awe-struck by it. There were times where she tended to become repetitive. Many chapters contain blog posts written by the main character and they all have the same type of theme, yet not all have that “Aha!” moment. The blog posts grow into lectures more than advice, opinion, or suggestions. To me, this was a turn-off.

I would also like to point out that this book is fiction, yet in some ways, it mirrors the author’s life. Chimamanda is Nigerian, born into an Igbo family in the town of Nsukka, came to America to study and work, and now splits her time between Nigeria and the U.S. She has many degrees and acclamations for her writings. She has given lectures regarding writing, cultures, and feminism.

This book would have been better written as non-fiction, because she didn’t distance herself enough from the fictional character, Ifemelu. Throughout the book, I turned to the back cover to look at her picture, and I knew it was her speaking through the main character. Like the author, Ifemelu is from Nigeria, born into an Igbo family in Nsukka, and comes to America for her studies.

Chimamanda was quoted in an interview, saying, “I am angry. Gender as it functions today is a grave injustice. We should all be angry. Anger has a long history of bringing about positive change, but in addition to being angry, I’m also hopeful because I believe deeply in the ability of human beings to make and remake themselves for the better.”

The likeness of Chimamanda and Ifemelu’s life, along with the anger, is exactly what the reader will experience. I’m not a feminist, nor am I angry, so her angry writing didn’t do her justice with me. I completely disagree with her that we should all be angry. Why? The world is already angry, angry about feminism, racism, economy, government, the list goes on. There’s no need to breathe anger into people when it already exists, and in my opinion, suffocates purpose. Instead of being angry, create a love of who we are and acceptance.

Plot

When Ifemelu first arrives in America, she can’t get a job, and falls into a depression. She mentions that in Nigeria, depression doesn’t exist. If you don’t put a name on it, it isn’t there, but Americans put a name on everything. I found this quite interesting, because I didn't realize that many countries don’t discuss or acknowledge depression.

Ifemelu begins blogging about racial issues, the blog takes off, and she starts to give lectures. Over time, she winds up making more money with her blog and lectures than any other job. While still working as a babysitter, she meets her employer’s cousin, a rich, white boy, who ultimately helps her get a green card.

“With Curt, she became, in her mind, a woman free of knots and cares, a woman running in the rain with the taste of sun-warmed strawberries in her mouth.”

“He believed in good omens and positive thoughts and happy endings to films, a trouble-free belief, because he had not considered them deeply before choosing to believe; he just simply believed.”

She also talks and blogs about black women’s hair. How difficult it is to maintain. How black women don’t wear it natural because it’s not acceptable for job interviews, etc. She goes into detail how black women use relaxers and burn their hair straight, and those who wear it natural, afro style or braids, avoiding the harsh chemicals. This taught me how black women struggle with their hair.

There’s a part in the book where Ifemelu blogs about “Why Dark-Skinned Black Women—Both American and Non-American—Love Barack Obama”. From the post:

“But today most of the American blacks who are successful as entertainers and as public figures are light…He broke the mold! He married one of their own. He knows what the world doesn’t seem to know: that dark black women totally rock. In movies, dark black women get to be the fat nice mammy or the strong, sassy, sometimes scary sidekick standing by supportively.”

Ifemelu or Chimamanda, I can’t decipher who, is making a point that dark black skinned women may now be recognized as being relevant and beautiful. The Nigerian book club member clarified this when we came across the word Akata. He explained that Nigerians don’t look too kindly on African Americans. I found this video, of a woman discussing the word akata - [...] And here’s another video of a young lady discussing African vs. African American. [...] I learned something new, something I would have never known as a white woman—the differences—and find it intriguing. The way the woman in the second video approaches the subject is great and informative. And she’s not angry.

Since Chimamanda and Ifemelu are somewhat the same, I can’t help but think that the author used a fictional character to voice her views. Again, she should have written a non-fiction book about the cultural differences between America and Nigeria. Non-American Blacks vs. Black Americans.

There are also parts in the book where the author never finishes a relationship or action. She babysits for two children and has a friendship with the mother, her employer. Once she starts dating her employer’s cousin, Curt, the reader never hears about them again. Also, while she is set to leave America for Nigeria, she promises her hairdresser, who wants to stay in the U.S., that Ifemelu will contact a man the hairdresser likes and talk to him about marrying her. That is all we hear about it. The end of the so-called first love romance is hastily wrapped up on the last page.

Characters

This was the first time I liked a book, but not the main character. The main character, Ifemelu, is an angry woman, echoing Chimamanda. She dates a rich, white guy, who helps her get her green card. He makes her feel great, but she cheats on him because she is 'curious'. Then she dates a black American, who is pompous, doesn’t treat her well, who she adores, and then she leaves him to go back to Nigeria.

The main problem I had with this character is she never grows. She remains stagnant, angry, bitter, and judgmental. There’s a part in the book where she’s talking with a “large-hipped, stylish poet from Haiti with an Afro bigger than hers” who stated that for 3-years she dated a white man and race wasn’t an issue. Here’s how the rest of the dialogue goes:

“That’s a lie,” Ifemelu said to her.
“What?” the woman asked, as though she could not have heard properly.
“It’s a lie.” Ifemelu repeated.
The woman’s eyes bulged. “You’re telling me what my own experience was?”

This is a perfect example of how Ifemelu approaches everything in the book. Her opinion is the only one. When she dates the white guy, Curt, his positivity bothers her. When she dates the black American, his academia bothers her. She is forever aggravated, judgmental and lacks empathy. I can only recall once when she sympathizes with a hairdresser of hers. Other than that, Ifemelu never is appreciative of the good things she receives. She never looks inside herself regarding self-improvement.

Due to some of the book sounding more like a scolding than a story, and the main character’s lack of growth, I give this book 3.5/5 stars. I would recommend it with some warnings, but I don’t think I’ll read another book by this author again.
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Jill Smith
5.0 out of 5 stars Very Insightful and Well Written Book
Reviewed in the United States 🇺🇸 on January 17, 2023
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This is a very well written book and very Insightful on many levels.
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Karl
5.0 out of 5 stars Such a great book in great condition!
Reviewed in the United States 🇺🇸 on December 23, 2022
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Great condition!
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Kayla (The Bookish Owl)
5.0 out of 5 stars Sublime
Reviewed in the United States 🇺🇸 on August 7, 2015
Verified Purchase
As seen on The Bookish Owl (http://www.thebookishowl.net/?p=7015)

It was a long time before I mustered up the courage to pick up Americanah as I was still reeling from the sheer beauty and power of Purple Hibiscus, the first Chimamanda Ngozi Adichie book that I read. When I finally finished devouring Americanah last night, I was struck by how speechless and awestruck it left me. It wasn’t merely up to par with Purple Hibiscus – it exceeded it, going far and beyond. The last book that made me feel this way – this abstract feeling which I can never ever verbalize – was Markus Zusak’s The Book Thief.

The magic of Americanah stems from its various themes, all equally provocative and colorful. To ask, “what exactly is Americanah about?” is to do the book injustice for it encompasses so many things. It is about race, racial identity, cultural identity, a country’s identity, and yes, love, among others. To be honest, I couldn’t relate with some of these ideas: specifically, those that pertain to being black, whether being “black” refers to being African-American or a Non-American Black. This theme was lost on me, obviously because of my race, inexperience, and isolation from the issue. Nevertheless, I thought that this theme and Chimamanda Ngozi Adichie’s execution of it resonates and continues to apply to the issues that we face today. Or, to be more accurate, the issues that I hear and read about on the news.

Concepts that I did appreciate, however, were those that spoke of Westernization, national and cultural identity and how these two relate to our own sense of self. The two principal characters of Americanah, Ifemelu and Obinze, both move abroad from Nigeria to work and in Ifemelu’s case, to study. She moves to America and he to England, two different people in two vastly different countries but with roughly the same experiences. Poverty, exploitation, homesickness, and their status as illegal aliens hanging over their heads. It wasn’t hard to imagine that these too were felt by the thousands of Filipinos working overseas.

Then there was the matter of cultural identity; the clash between Nigerian culture and Western culture, most profoundly felt by Ifemelu herself. This conflict was reminiscent of Chinua Achebe’s Things Fall Apart (mentioned in Americanah, by the way) which tackles the same thing albeit under different circumstances and in a whole other century. Ifemelu’s struggles to remain true to her roots despite the pressures and the need to be Westernized as well as her difficulties in reverting and adapting on her return home was excellently written and translated on the page. Ifemelu wasn’t just a character – she felt like a real, breathing, existing person and it was easy to empathize with her.

Obinze’s chapters in the present as well as Ifemelu’s perspective on her return home from the USA gave a glimpse on how Westernized their country had become. Thanks to Ifemelu, the “old” Nigeria and the “new” Nigeria were blatantly juxtaposed. It was interesting to see this contrast but to see Ifemelu struggle to adapt in the new Nigeria and to witness the change in her friends, all who were introduced early on, was even more fascinating.

One thing that bothered me about Americanah, however, was the ending. It felt too abrupt and too rushed. Nonetheless, I felt it an apt and fitting conclusion to Ifemelu and Obinze’s story.

In A Nutshell:

There’s a lot more that I want to say about Americanah but I’m struggling to find the right words to express my thoughts. One thing’s for sure; Americanah was sublime. It’s one of the best books that I’ve ever read and along with The Book Thief, one of the only books that I will enthusiastically, ceaselessly, and highly recommend to everyone.
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