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Dead and Gone (Sookie Stackhouse / Southern Vampire) Dead and Gone

Dead and Gone (Sookie Stackhouse / Southern Vampire) Dead and Gone

byCharlaine Harris
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Top positive review

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IZZY
5.0 out of 5 starsFae's & Supes & Vamps.... OH MY!!! (Major Spoilers!!! Be careful)
Reviewed in the United States ๐Ÿ‡บ๐Ÿ‡ธ on August 2, 2009
!!!!!!!!!!!!!!WARNING!!!!! THIS REVIEW CONTAINS SPOILERS!!!!!!!!!

I'm truly baffled as to why there are quite a few readers who did NOT enjoy this book. I started reading the books a few weeks ago and just finished "Dead and Gone" yesterday and I can truly say it has been one of the most wild rides since the Harry Potter series. I have enjoyed "growing up" with Sookie all the way... from first love and current ex-boyfriend (thought not permanently ex I'm sure...) Bill Compton to current "Husband" Eric. One reviewer stated they did not like how Eric had changed. I totally disagree. I am LOVING where Eric is headed in his thought process. It says a lot about that character that he is willing to open up to Sookie (in his own bar) about his past. He clearly is a man who has spent over 1000 years trying to survive and adapt to so much change that he has had to become a "hard-ass" and has developed a dispassionate view of everyone who is not him. His confusion about is feelings for Sookie make him even more attractive to me. Telling Sookie that being with her (when he had lost his memory) was the "Happiest he'd been in centuries" was very major. I had to read that paragraph several times because I couldn't believe it. I did not like Eric in the beginning. His cold-hearted, self-centered behavior made Bill that much more attractive. When Eric forces Bill's hand in telling her he was originally sent to woo her by his queen, I like Sookie, became angry, hurt, confused and wishing she could run to Eric and have him take care of her... knowing that would be a bad decision. And isn't that soooo like life? Did Eric do it because he loves Sookie? Is it for his own gains? My view is that it's all of the above. If I can't get my 74 year old mother to change her ways, I can't imagine getting a 1000 year old to change ANYTHING. the fact that he is very conflicted is fascinating I think. The way he gets Sookie to "Marry" him is underhanded, high handed and loving all at once. Every character must change. That's just life. No one can NOT change.... even shutting oneself in ones home changes one in the end... Even a 1000 year old Viking must change or die. Pam has changed: from hating humans to liking Sookie. Bill has changed: though his changes are forced from outside vamps. Quinn has changed: all business to in love and conflicted about his family. Sookie has changed: naive to "hard". Jason: self serving jerk to... wait. He's still a jerk... though internally he knows what he's done though has yet to admit it to himself much less others.
The fact that the story has moved into the "Supe/Shifter" world adds so many more possible story lines, the thought of it makes me giddy like a schoolgirl. I think I might have become bored JUST reading about vampires with a touch of the "Supe" world. The "Supe/Shifter" community outing themselves guarantees at least a few more books... I could read this series forever. I would love it to continue on until Sookie is either old and gray or is "turned" The introduction of Sookie's Great-Grandfather, the Fairy Prince Niall and involvement with the Fae world adds yet another facet to this already complex character. Though he does say he will probably never see her again because he is closing the portal between the fairy world and the human world, I think we will see him again before too long. One reviewer stated they thought Ms. Harris jammed too many characters into one book and did not enough spend time on any of them I see that as Ms. Harris setting us up for some books specifically about one or two characters... It took her NINE books to get to Eric's background... come on! Ms. Harris, for me personally, has the ability to make us feel confused and pissed off at characters we thought were so constant. As in life: we NEVER truly know someone... including ourselves many times. I was shattered when Sookie broke up with Quinn and had to take a minute to calm down @ her decision. Then I thought... "It's a BOOK!! These people are not REAL!!" How wonderful it is when an author can move people that way: to create a dialogue and debates about characters who only exist on paper.
I truly enjoyed this book. I can't wait till the next one.... Is it May yet?
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Top critical review

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luv2read
1.0 out of 5 starsDismal Outing For Sookie
Reviewed in the United States ๐Ÿ‡บ๐Ÿ‡ธ on May 7, 2009
I re-edited my original review for this book. Initially I gave this book a 2-star rating, but I've just finished a re-read of it today, 4/30/10, and I really had to change my rating to 1-star. I really hate this book; I've kept some of my original review and added new parts.

Spoilers may be present:

The book starts with the weres and shifters revealing themselves publicly, but then this revelation is mostly dropped. It's a prop to temporarily remove Sam, set up the first murder, and throw a red herring in later in the book. The murder victim dies in a truly grotesque manner; this person is also related to someone who the police chronically suspect of other crimes throughout the series. Been there. Done that.

The Were theme is basically dropped, and it's on to the fairy war. The fairies are divided between those who like contact with humans and those who want to close off the fairy world. In addition, the separatists want to eliminate anyone who is not purely fae. Of course, this means trouble for Sookie.

It's really difficult to care about this war. In DTTW, it was easy to emotionally vest in the witch war; you were on the side of the vampires/shifters since you had gotten to know them over several books. You also got to see the bad witches in a couple of scenes before the actual war so you knew who you were rooting against.

Niall and the fairy world haven't been developed enough. Enemy faeries are named and briefly appear, but who cares, there is no sense of identity. Even the "good" ones we know: Niall, Claudine, and Claude are wooden props. It's as if the author says "cue faerie" and *poof* Niall appears to explain another part of their boring war. Even a reveal about Sookie's parent's death feels forced. And it doesn't help that most of the war takes place off page.

Sookie always suffers some type of physical injury in these books, but what happens in this one is over-the-top brutal. Don't worry it isn't described in blatant detail although the aftermath of some of her injuries are; it's just the idea of it. Why? Why? Why? Some people will say that this event will make Sookie "grow." Sorry if the only way to make your characters grow is to cause them physical suffering, then it's time to wrap it up.

Equally disturbing is that Sookie commits her first murder in this one. She turns a person who is partially involved in the death at the start of the book over to people who exact their form of justice. Yet it is revealed, and she believes, that this person wasn't really the killer. Instead this person's worse crime appears to be assault, and yet Sookie doesn't stop the violence that follows, and this person dies. Plus she gives no thought or care to what has just happened. Yet several pages before, we have to read through how she blames herself for people who die in a bloody shootout when she is not remotely responsible.

The total logic breakdowns are annoying. For example, Dermott, one of the bad fairies, looks like Jason, Sookie's brother. Dermott approaches Amelia and Tray, Sookie's friends, to have them arrange a date with Sookie. Now really if I had a friend, and a guy who looked like her brother wanted to date her, I'd have to say sorry, that's not going to happen. The psychological implications of dating someone who looks like your brother are astounding. Amelia tries twice to get Sookie to agree, and then throws out the resemblance issue. You can almost hear the dat-dat-dah music playing as Sookie realizes a) scary fairy alert and b) maybe she should start warning people - particularly people who live with her - that she is in danger.

Even worse logic: virtually everyone - Niall, Claude, Claudine, Diantha (on behalf of Mr C.) - warns Sookie that the fairies are loose, and she is in danger. Sookie kills a fairy assassin in her garden. Does anyone in her fae family provide Sookie with a bodyguard? No. Eric learns that she's in danger and has killed the fairy. Does he send anyone? No, not until Sookie asks. Really? Eric who sends Pam or Bubba at the least threat or hint of threat to Sookie has to wait until he's asked?

Sookie gets werewolf protection in the form of Tray as part of her friend of the pack status. Poor Tray gets poisoned and Sookie sends him home. Then she decides she can't ask for anymore Were help since Tray got hurt in her defense. Um, really?! Maybe this is an indication of how severe the situation is? Maybe Alcide and his pack would like to know of the danger or take care of Tray and/or avenge him?

Sookie agrees to meet Amelia at Tray's to check on his condition. She's delayed and when she arrives almost an hour later, Amelia isn't there. She gets Bill to come (who btw can enter Tray's house without invite; I'm not sure if I've missed something.) Amelia calls in the meantime; she's at Sookie's house taking a shower and assumed Sookie forgot or was delayed and assumed Tray went to a doctor. Really? She just assumes her POISONED boyfriend went to a doctor and isn't lying dead in his house? She assumes her friend and roomate who is being hunted by killer fairies didn't show up for innocent reasons?

Want more? Sookie doesn't bother to warn Jason that he too could be the target of killer fairies until Dermott the Jason look-a-like comes to Jason's house. Jason is part fairy too, and while not GGP Niall's favorite, he falls into the hate category that the separatists are trying to destroy i.e. part-fairy human. Maybe a head's up would have been in order.

Sookie losing Bill at the traffic light, Sookie carelessly running up to her house unarmed by her fairy-killing weapons, Sookie hopping out of the car to get the mail when killer fairies are on the loose are all examples of additional illogic. The fact that Sookie feels compelled to explain her idiocy to the reader is a sure sign that the author hadn't worked out this plot. The FBI disappears halfway through the book (yes, the FBI), and we never learn why. I'm hoping we find out that Eric had them glamoured away or something because I don't think they normally go away that easily.

The suitors: in my original review, I said I felt Eric was not himself. I still think so to some degree. He's very open about discussing his turning with Sookie and discussing his maker. Since the maker is showing up in the next book, I guess that's why it was brought up here. It's just very heavy-handed foreshadowing. Additionally the best protection Eric provides Sookie is Bubba. Why in these books is Bubba the go to vampire? Certainly killer fairies merit a Pam or a Thalia for protection.

Also Sookie allows Eric to manipulate her without a fight. For example, his day person has Sookie bring a velvet wrapped package to Fangtasia. She never opens it or questions why she has to return it to Eric, and of course, returning it is significant. Has he glamored her? Sookie always challenged Eric. I liked when these two argued or flirted. Where's the spark? (Btw she does tell us readers that maybe she should have questioned things.)

She's even very accepting about some blood exchanges where the old Sookie would have worried and questioned how it was changing her. She might as well hook a straw up to Eric's vein with as much concern as she shows in this one. A wish for the next book - make the blood bond go away! If I have to read another passage where Sookie can't figure out if her feelings for Eric are real or magically-induced, I'm going to scream. Certainly when Eric's not around or asleep during the day, she can take a few minutes and figure it out.

Quinn shows up for a nanosecond and is gone. Not sure why.

Bill - the Ashley Wilkes stalker of this saga - appears to redeem himself by the end since Sookie says she "loves" him again. You know a man willing to die for you is just so sexy. Let's not forget that Eric was fighting right along with him and had also given Sookie his blood to help her heal, but she does not have this thought about Eric.

I actually liked Bill better when you could argue his motives. Does he love Sookie? Is he still lying to her? How well does he know the Nevada vamps? Potentially deceptive Bill fascinates me more than noble Bill especially in contrast to Eric's manipulative but straightforward manner. The stalking thing has become so old now that I just keep hoping Bill is going to do something in one of these books.

Also the suitor thing really needs to be resolved. Yes, a little romantic tension can be fun in a story, but it is just plain wearisome now. My eyes rolled into the back of my head (again) when Sookie questioned which vampire GGP Niall referred to in his comment at the end of the book. That was the moment I no longer cared who Sookie ends up with. Maybe she should see if Catfish is still available?

Favorite characters die in this one so be prepared. One particular favorite dies off page, and it is treated so cavalierly that I can't imagine what the author was thinking. Just so and so's gone. Really?! Oh well! It's not the idea that characters die; I resent good characters being sacrificed for such a lame plot and not being given an appropriate sendoff.

The writing in this one is so heavyhanded. Beyond the above mentioned suitor issue, I felt manipulated when some of the death's were intensified. For example, "How can I make this death more emotional? I know I'll make so and so pregnant then when I kill her (off page to boot), it will be that much worse." "Or I'll reveal something about Sookie's parents that will make certain bad guys' deaths that more satisfying." "Will Bill live or die?" By the end of the book, I just didn't care. I don't think the author did either because the book ends abruptly.

The humor is non-existent; I usually laugh out loud at some of the lines and some of the scenes from these books, but not this one.

And where the heck is Pam? We could have used a little Dear Abby to make it through this one.

I hope book 10 recaptures the charm of this series, but I can't imagine how. There is so much physical and emotional trauma for Sookie to overcome that I'm afraid the next one will be Sookie's sojourn into therapy, and I really can't see spending cold hard cash for that. I've learned a lesson though - the library is your friend; pre-read before you buy.
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luv2read
1.0 out of 5 stars Dismal Outing For Sookie
Reviewed in the United States ๐Ÿ‡บ๐Ÿ‡ธ on May 7, 2009
Verified Purchase
I re-edited my original review for this book. Initially I gave this book a 2-star rating, but I've just finished a re-read of it today, 4/30/10, and I really had to change my rating to 1-star. I really hate this book; I've kept some of my original review and added new parts.

Spoilers may be present:

The book starts with the weres and shifters revealing themselves publicly, but then this revelation is mostly dropped. It's a prop to temporarily remove Sam, set up the first murder, and throw a red herring in later in the book. The murder victim dies in a truly grotesque manner; this person is also related to someone who the police chronically suspect of other crimes throughout the series. Been there. Done that.

The Were theme is basically dropped, and it's on to the fairy war. The fairies are divided between those who like contact with humans and those who want to close off the fairy world. In addition, the separatists want to eliminate anyone who is not purely fae. Of course, this means trouble for Sookie.

It's really difficult to care about this war. In DTTW, it was easy to emotionally vest in the witch war; you were on the side of the vampires/shifters since you had gotten to know them over several books. You also got to see the bad witches in a couple of scenes before the actual war so you knew who you were rooting against.

Niall and the fairy world haven't been developed enough. Enemy faeries are named and briefly appear, but who cares, there is no sense of identity. Even the "good" ones we know: Niall, Claudine, and Claude are wooden props. It's as if the author says "cue faerie" and *poof* Niall appears to explain another part of their boring war. Even a reveal about Sookie's parent's death feels forced. And it doesn't help that most of the war takes place off page.

Sookie always suffers some type of physical injury in these books, but what happens in this one is over-the-top brutal. Don't worry it isn't described in blatant detail although the aftermath of some of her injuries are; it's just the idea of it. Why? Why? Why? Some people will say that this event will make Sookie "grow." Sorry if the only way to make your characters grow is to cause them physical suffering, then it's time to wrap it up.

Equally disturbing is that Sookie commits her first murder in this one. She turns a person who is partially involved in the death at the start of the book over to people who exact their form of justice. Yet it is revealed, and she believes, that this person wasn't really the killer. Instead this person's worse crime appears to be assault, and yet Sookie doesn't stop the violence that follows, and this person dies. Plus she gives no thought or care to what has just happened. Yet several pages before, we have to read through how she blames herself for people who die in a bloody shootout when she is not remotely responsible.

The total logic breakdowns are annoying. For example, Dermott, one of the bad fairies, looks like Jason, Sookie's brother. Dermott approaches Amelia and Tray, Sookie's friends, to have them arrange a date with Sookie. Now really if I had a friend, and a guy who looked like her brother wanted to date her, I'd have to say sorry, that's not going to happen. The psychological implications of dating someone who looks like your brother are astounding. Amelia tries twice to get Sookie to agree, and then throws out the resemblance issue. You can almost hear the dat-dat-dah music playing as Sookie realizes a) scary fairy alert and b) maybe she should start warning people - particularly people who live with her - that she is in danger.

Even worse logic: virtually everyone - Niall, Claude, Claudine, Diantha (on behalf of Mr C.) - warns Sookie that the fairies are loose, and she is in danger. Sookie kills a fairy assassin in her garden. Does anyone in her fae family provide Sookie with a bodyguard? No. Eric learns that she's in danger and has killed the fairy. Does he send anyone? No, not until Sookie asks. Really? Eric who sends Pam or Bubba at the least threat or hint of threat to Sookie has to wait until he's asked?

Sookie gets werewolf protection in the form of Tray as part of her friend of the pack status. Poor Tray gets poisoned and Sookie sends him home. Then she decides she can't ask for anymore Were help since Tray got hurt in her defense. Um, really?! Maybe this is an indication of how severe the situation is? Maybe Alcide and his pack would like to know of the danger or take care of Tray and/or avenge him?

Sookie agrees to meet Amelia at Tray's to check on his condition. She's delayed and when she arrives almost an hour later, Amelia isn't there. She gets Bill to come (who btw can enter Tray's house without invite; I'm not sure if I've missed something.) Amelia calls in the meantime; she's at Sookie's house taking a shower and assumed Sookie forgot or was delayed and assumed Tray went to a doctor. Really? She just assumes her POISONED boyfriend went to a doctor and isn't lying dead in his house? She assumes her friend and roomate who is being hunted by killer fairies didn't show up for innocent reasons?

Want more? Sookie doesn't bother to warn Jason that he too could be the target of killer fairies until Dermott the Jason look-a-like comes to Jason's house. Jason is part fairy too, and while not GGP Niall's favorite, he falls into the hate category that the separatists are trying to destroy i.e. part-fairy human. Maybe a head's up would have been in order.

Sookie losing Bill at the traffic light, Sookie carelessly running up to her house unarmed by her fairy-killing weapons, Sookie hopping out of the car to get the mail when killer fairies are on the loose are all examples of additional illogic. The fact that Sookie feels compelled to explain her idiocy to the reader is a sure sign that the author hadn't worked out this plot. The FBI disappears halfway through the book (yes, the FBI), and we never learn why. I'm hoping we find out that Eric had them glamoured away or something because I don't think they normally go away that easily.

The suitors: in my original review, I said I felt Eric was not himself. I still think so to some degree. He's very open about discussing his turning with Sookie and discussing his maker. Since the maker is showing up in the next book, I guess that's why it was brought up here. It's just very heavy-handed foreshadowing. Additionally the best protection Eric provides Sookie is Bubba. Why in these books is Bubba the go to vampire? Certainly killer fairies merit a Pam or a Thalia for protection.

Also Sookie allows Eric to manipulate her without a fight. For example, his day person has Sookie bring a velvet wrapped package to Fangtasia. She never opens it or questions why she has to return it to Eric, and of course, returning it is significant. Has he glamored her? Sookie always challenged Eric. I liked when these two argued or flirted. Where's the spark? (Btw she does tell us readers that maybe she should have questioned things.)

She's even very accepting about some blood exchanges where the old Sookie would have worried and questioned how it was changing her. She might as well hook a straw up to Eric's vein with as much concern as she shows in this one. A wish for the next book - make the blood bond go away! If I have to read another passage where Sookie can't figure out if her feelings for Eric are real or magically-induced, I'm going to scream. Certainly when Eric's not around or asleep during the day, she can take a few minutes and figure it out.

Quinn shows up for a nanosecond and is gone. Not sure why.

Bill - the Ashley Wilkes stalker of this saga - appears to redeem himself by the end since Sookie says she "loves" him again. You know a man willing to die for you is just so sexy. Let's not forget that Eric was fighting right along with him and had also given Sookie his blood to help her heal, but she does not have this thought about Eric.

I actually liked Bill better when you could argue his motives. Does he love Sookie? Is he still lying to her? How well does he know the Nevada vamps? Potentially deceptive Bill fascinates me more than noble Bill especially in contrast to Eric's manipulative but straightforward manner. The stalking thing has become so old now that I just keep hoping Bill is going to do something in one of these books.

Also the suitor thing really needs to be resolved. Yes, a little romantic tension can be fun in a story, but it is just plain wearisome now. My eyes rolled into the back of my head (again) when Sookie questioned which vampire GGP Niall referred to in his comment at the end of the book. That was the moment I no longer cared who Sookie ends up with. Maybe she should see if Catfish is still available?

Favorite characters die in this one so be prepared. One particular favorite dies off page, and it is treated so cavalierly that I can't imagine what the author was thinking. Just so and so's gone. Really?! Oh well! It's not the idea that characters die; I resent good characters being sacrificed for such a lame plot and not being given an appropriate sendoff.

The writing in this one is so heavyhanded. Beyond the above mentioned suitor issue, I felt manipulated when some of the death's were intensified. For example, "How can I make this death more emotional? I know I'll make so and so pregnant then when I kill her (off page to boot), it will be that much worse." "Or I'll reveal something about Sookie's parents that will make certain bad guys' deaths that more satisfying." "Will Bill live or die?" By the end of the book, I just didn't care. I don't think the author did either because the book ends abruptly.

The humor is non-existent; I usually laugh out loud at some of the lines and some of the scenes from these books, but not this one.

And where the heck is Pam? We could have used a little Dear Abby to make it through this one.

I hope book 10 recaptures the charm of this series, but I can't imagine how. There is so much physical and emotional trauma for Sookie to overcome that I'm afraid the next one will be Sookie's sojourn into therapy, and I really can't see spending cold hard cash for that. I've learned a lesson though - the library is your friend; pre-read before you buy.
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FairskyED
1.0 out of 5 stars What a let down.
Reviewed in the United States ๐Ÿ‡บ๐Ÿ‡ธ on May 10, 2009
Verified Purchase
I must say I agree with most of what has been said in other reviews about this being a disappointing book. I have read the other books in this series four or five times and a couple of them more than that.

In the Acknowledgments page of book 7 (All Together Dead) she tells us she has a continuity person. Not sure that is working well. While I understand it is difficult to keep all the characters that support a series clearly in mind when writing some are just glaring. One such (SPOILER) error is using the name Claudette instead of Claudia as one of the triplets.

(SPOILER)Eric's comments, attitude, and action seem stilted, not the confident Viking Vamp we have come to know in eight books. The bedroom escapade seemed more in tuned with a very poorly directed X-rated film. We know Eric can be possessive but he has always cared for Sookie in this book there is just possessiveness no caring. The only true moment is his handling of the wrapped 'package' he has Sookie hand him at Fangtasia.

(SPOILER)Sam's attitude toward Eric seemed more hostile than warranted. While never warm toward the vamps once Sookie took up with Bill and later had Eric in her life he was more resigned not hostile.

(SPOILER)Sookie doesn't seem as strong as in the other books. It is out of character for her not to fill Sam in on the fae troubles that might affect his bar. This isn't the fireball we have come to know. She seemed undecided about herself and her actions. Not her clear headed self.

I could go on but bottom line is: characters/personalities are off, details skimmed over or left out. Questions that were left unanswered in other books still not addressed though this is where they should have answered (i.e. Eric's memory of their time together in book 4).

I'll buy the next book because I hope things get better.
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A. P. Thompson
1.0 out of 5 stars The weakest of the series
Reviewed in the United States ๐Ÿ‡บ๐Ÿ‡ธ on May 29, 2009
Verified Purchase
The joy of this series has been the details, and after reading (and re-reading) all of the books, to have the latest one be a pointless exercise packed with continuity errors and dialog that clanks and thuds along is a letdown.

Other annoying things about the book include:

Characters die off quickly and with very little explanation.

Main characters that readers have come to know over the series don't act or even sound like themselves.

In the end, there seems to be little reason for anything that happens.

I honestly wonder if "Dead and Gone" was ghost-written. I pre-ordered "Dead and Gone," but I will wait and see on the next one. Maybe Charlaine Harris will have gotten her act back together.
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Kindle Customer
1.0 out of 5 stars She's doing an Anita Blake on us.
Reviewed in the United States ๐Ÿ‡บ๐Ÿ‡ธ on June 30, 2009
Verified Purchase
I've truly enjoyed the Sookie Stackhouse series of books. This one was a major disappointment. I won't repeat what all the other "one star reviewers" wrote; they summed it up nicely. I believe what is happening to the Sookie series is the same thing that happened with Laurel Hamilton's Anita Blake series. That is a crying shame. I hate to see a character that you can admire and become emotionally invested in turned into a caricature. As Anita turned into a man-hating slut, so Sookie is turned into a hard-hearted, self-centered, and weak-willed bitch. I wish the author would either just kill her off or stop the series. That is far preferable than turning a good experience into a distasteful memory.
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Donna B
1.0 out of 5 stars Disappointed
Reviewed in the United States ๐Ÿ‡บ๐Ÿ‡ธ on July 23, 2009
Verified Purchase
I was so appalled with the degree of gore, torture, hate and violence in this book that I cannot recommend or even pass it on to anyone I like. Stopped reading for a week then I just scanned from mid-middle to the end, couldn't bring myself to read the whole bloody mess. Did not even make much sense. Majority of characters (so many I lost count and started to mix up) really unlikeable. Who cared if dead? If only quicker. Sorry I purchased hardcover. No fun at all, not an escape. Have no interest left in reading rest of series. Such a letdown for fans and also I am sure for author. Her editors did not do their job.
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Kindle Customer
1.0 out of 5 stars Very Sad Story
Reviewed in the United States ๐Ÿ‡บ๐Ÿ‡ธ on April 19, 2010
Verified Purchase
I don't know which was more disappointing - the disjointed story, the graphic violence depicted, brutal death of pregnant characters (what was the point of this?) and/or Sookie's change in character. How could a series that started out so well take such a bad turn?? I was an avid fan and enjoyed books 1-7. Not so much of a fan of book 8 and I stopped reading this one midway and eventually skimmed to the finish. Save your money on this one and go to the library as others have suggested. I hope book 10 turns the series back into the great reading it once was.
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D. Carter
1.0 out of 5 stars Same book different cover
Reviewed in the United States ๐Ÿ‡บ๐Ÿ‡ธ on June 22, 2011
Verified Purchase
I was so angry when I got this book because it is the same book issued quite a while ago with a different cover.
Amazon should tell us when we have already bought a book regardless of the cover but the content. I have been donating my books to our local library for many years now. I can not believe how many angry people there are out there sending me messages for asking that Amazon add a simple tool to let us know if we have bought a book since they ask for our reviews, why not?
Haters email someone that cares.
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Amazon Customer
1.0 out of 5 stars Mistake
Reviewed in the United States ๐Ÿ‡บ๐Ÿ‡ธ on November 25, 2020
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Mistake
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LFP
1.0 out of 5 stars Not for anyone looking for books like the first ones.
Reviewed in the United States ๐Ÿ‡บ๐Ÿ‡ธ on August 16, 2009
Verified Purchase
This book was such a letdown, I don't know if doing a TV series has made my favorite author (not anymore though) no time for a great book or what to think. this book is so sad-no happiness anywhere plus so many characters killed off, no humor, depressing, sad, mixed-up, confusing. So many negatives and I waited so long when pre-ordering this book. Don't bother to read it, it is NOTHING like her previous books.
4 people found this helpful
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Kindle Customer
1.0 out of 5 stars Dead and Gone for sure
Reviewed in the United States ๐Ÿ‡บ๐Ÿ‡ธ on May 30, 2009
Verified Purchase
This book contains none of the edginess or concise writing that made the previous books such standouts. Too many subplots, too many unneccessary characters, too much filler and rehashing of previous events for the book to flow easily. Definitely not her best effort!
15 people found this helpful
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