Amazon.com: Customer reviews: Yesterday's Gone: Season One
Skip to main content
.us
Hello Select your address
All
EN
Hello, sign in
Account & Lists
Returns & Orders
Cart
All
Disability Customer Support Clinic Customer Service Best Sellers Amazon Basics Prime Today's Deals New Releases Music Books Registry Fashion Amazon Home Pharmacy Gift Cards Toys & Games Sell Coupons Computers Automotive Video Games Home Improvement Beauty & Personal Care Smart Home Pet Supplies Health & Household Luxury Stores Handmade Audible Amazon Launchpad
Celebrate Black History Month

  • Yesterday's Gone: Season One
  • ›
  • Customer reviews

Customer reviews

4.2 out of 5 stars
4.2 out of 5
2,399 global ratings
5 star
57%
4 star
23%
3 star
11%
2 star
5%
1 star
5%
Yesterday's Gone: Season One

Yesterday's Gone: Season One

bySean Platt
Write a review
How customer reviews and ratings work

Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.

To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.

Learn more how customers reviews work on Amazon
See All Buying Options

Top positive review

All positive reviews›
Scott Moon
5.0 out of 5 starsMore Than Just Boricio Wolfe
Reviewed in the United States 🇺🇸 on February 23, 2016
SUMMARY:

Here is the summary of this book review, in case you are in a hurry: Yesterday’s Gone (Season 1), by Sean Platt and David Wright (and edited by Jason Whited) is a serialized, post apocalyptic suspense thriller written from multiple viewpoints. The story, like others of the genre, is complex and escalates steadily to the cliffhanger ending. I thought the ending was skillfully done. It didn’t straight-out annoy me as many cliff-hangers do. There was just enough resolution to satisfy me, while still (strongly) encouraging me to read the next book -- which I have purchased in ebook and audiobook formats (because I roll like that).

THE MEAT AND GUTS OF THIS REVIEW:

My to-be-read pile is tall. I have more books waiting for my attention that I will ever find time to enjoy properly. I also know that Sean Platt and David Wright are extremely prolific artist. So why would I torture myself by starting a series?

Because the are a lot of fun to watch on their podcasts. They have a healthy attitude about and pride in being writers. The first book in the series was free and I thought, somewhat unrealistically, that I might practice putting the/a book down if it wasn’t deserving of my time. (I am a bit of a finisher, despite being prone to slow reading...daydreaming… and distraction.)

So I grabbed Yesterday’s Gone, Season 1 and slammed it down on the top of my digital “to-read” pile.

I didn't know what to expect. I was hoping for the best and afraid that I would be disappointed. I knew from just sampling the beginning that it was well written (as far as basic craft and mechanics) and the premise was interesting, but I was making a commitment to spend a lot of time with these to authors and their imaginations.

One of my goals for this year is to learn to read faster, for the sake of enjoyment and revising my own work more efficiently. I started out reading very fast, and slipped into my normal let’s-poke-around-this-fictional-world-with-a-daydream pace.

This, my friends, is a sign.

I stayed up late at night with the story. When should have been doing other things, out came on my Kindle Fire. This was a last ditch attempt to give my eyes a break from phone reading, which is my normal MO. I finished it in what was a fairly short time period in comparison to how I normally read.

And now I'm the proud new owner of both an ebook and an audiobook version of Yesterday's Gone, Season 2.

Season one is a long and complex book with lots of characters. There are multiple viewpoints which is something I often like, but can be mishandled by some authors. There were a few points in this story when I was having a hard time differentiating between the characters (possibly because I didn’t make time for ‘enjoyment reading’ for several days at a time; I was writing a lot). Once I latched onto my favorite characters in the story, the entire thing started to grow on me.

A FINAL WORD (WRITTEN LATE AT NIGHT AFTER WORKING A FULL SHIFT AND THINKING ABOUT ALL OF THIS STUFF):

Sean Platt and David Wright are the real deal. They write an excellent suspense thriller. In short these guys are pros. I don’t award as many five star ratings as I used to when I first began reviewing books. Even as I write this I'm not sure if I can justify giving a full five stars, because I hold five star books in a much higher standard. The basically have to change my life (nonfiction) or leave a long-lasting resonance that not many stories do these days.

I hope the tone of this review isn't too much. It might be that I've somehow expected less of writers who write in such a great quantity and so quickly (despite my own propensity to attempt the same thing). As a writer, I agree that writing quickly can often lead to a better, more honest story, but while I say this and tell myself I believe it, the long-standing view of our society is that creativity should be slow, painful, and leading to alcoholism and suicide.

How dark is that? Wow. We grow up believe this and still want to be artists? Why can’t writing, or painting, or making music, or anything be a joyful and fulfilling process? Why, I ask you!?

And even though I am also an independent author and bridle at the stigma, it is easy to look for faults in the work that an author has spent the time, energy, and personal risk to self-publish / produce.

This makes me feel like the strangest kind of hypocrite to judge fellow indies more harshly than I would a traditional published author, but I guess it's just hardwired into my daydreaming-prone brain.

The point is that I am seriously impressed with this story and recommend it to anybody who enjoys thrillers or serial fiction or both. The only risk I took in reading this book was that I might waste my time. I downloaded it from Amazon for free and I enjoyed it. Enough to buy season two. It remains to be seen if I will like season two enough to buy season three, but I imagine that I'm probably hooked.

I SHOULD PROBABLY SLEEP NOW

I should probably sleep now, it’s the responsible thing.
Read more
19 people found this helpful

Top critical review

All critical reviews›
C.P.G.
1.0 out of 5 starsHorrible Writing
Reviewed in the United States 🇺🇸 on April 5, 2016
This book is so badly written I couldn't get past the first few chapters. I used Whispersync, so I read as I listened. Right off the bat, within the first few pages, the author wrote, "No people. No cars on the street. Well, none that was moving, anyway". That's right, "none that was moving". Even the narrator read it that way. For those of you who find nothing wrong with the preceding sentence, it should read, "Well, none that were moving, anyway". Then, just a few pages later, "Stanley Train, Ben’s favorite toy, which he carried with him everywhere, including to bed. It was there, just setting on the floor." At least this time the narrator had the good sense to change "setting" to "sitting".

But it's not just the terrible grammar that bothered me. There's a scene where a teenager is trying to make sense of what's going on, talking with a group of people gathered on the street. He says, “I’ve no idea. I woke up, my mom and dad were AWOL. So were both my brothers. I figured they were ... messing with me, but I can’t figure out the angle, plus there’d be no way they’d get the whole neighborhood to play the reindeer games.” Do kids talk like that? "I can't figure out the angle" sounds like something out of the 40s or 50s. And what's with "play the reindeer games"?

Maybe it's just me, but for the life of me, I can't figure out what the last sentence in the following passage means. "Maybe there was an outage in the neighborhood? A sudden chill iced her insides. It wasn’t logical, but it came from the place that keeps its eyes peeled for the stuff logical doesn’t". It actually hurts my brain to read that. Even the narrator sounded lost when he read it.

In a later chapter, another teenager is described as feeling, "a few planets past the moon", when he discovers his entire block is empty. I can only guess what, "a few planets past the moon" means because I sure as hell have never heard that saying before. He then proceeds to go door to door discovering that no one is home. With each person gone, he has a few choice words to express his satisfaction. For the bully he thinks, "Good riddance". For the girl who shunned him, a simple "Bye bye, Josie". For the man who refused to pay him for a job, the thought was, "Sayonara, (swear word)". For his mother, who failed to protect him from a violent stepfather, the authors write, "he was glad she was gone. 'Smell ya later, Mommy'." What strikes me as preposterous about this scene is, this boy had just awoken to find nobody home on his block. Why the heck would he automatically jump to the conclusion that everybody was permanently gone? It makes absolutely no sense at all. This boy then proceeds to enter the house of the girl who shunned him, go through her dirty laundry and perform an obscene act. Really...I'm not making this up.

Then there's a chapter about a man who somehow manages to survive a plane falling out the the sky and crashing into a tree-filled landscape. The authors write, "From what he could see of the cabin, nobody survived other than himself". Every airline crash I've seen pictures of when a plane has fallen from the sky, there's literally nothing left of it, and certainly no survivors. In fact, he witnesses another crash just moments after regaining consciousness, "...another airplane shot by maybe 10 stories from the forest floor, on a sharp dive, soaring past the tree line before disappearing into a deafening explosion just out of sight". I wonder if there were any survivors on that plane, after a "deafening explosion"! Well, he survived and is able to walk away from the wreckage. He also has some unknown way of telling what time it is by the position of the moon..."Judging from the moon’s position, he figured it was around 3 a.m." It's basic astronomy that you can rarely tell the time by the position of the moon in the night sky. After that insult to my intelligence, I couldn't read any more.

This book, and its sequels are apparently hugely successful. They get rave reviews. What does it mean, that such abysmal writing can be so successful? I think it speaks directly to our current culture of kids not learning the basics of proper English and grammar in school. The art of proper writing is disappearing, if not already altogether gone. Texts and emails are filled with misspelled words, all lowercase or all uppercase, and absolutely no punctuation. These are the skills of our future, and apparently, our current writers.

Compare the writing of "Yesterday's Gone", and many of the other current crop of young adult science fiction and horror novels, to the writing of any of the classic sci-fi or horror novels of the 20th century, and it's like comparing a high school essay to Shakespeare. I'm afraid there's nothing that leads me to believe that things will get better any time soon.
Read more
21 people found this helpful

Search
Sort by
Top reviews
Filter by
All reviewers
All stars
Text, image, video
2,399 total ratings, 1,537 with reviews

There was a problem filtering reviews right now. Please try again later.

From the United States

Scott Moon
5.0 out of 5 stars More Than Just Boricio Wolfe
Reviewed in the United States 🇺🇸 on February 23, 2016
Verified Purchase
SUMMARY:

Here is the summary of this book review, in case you are in a hurry: Yesterday’s Gone (Season 1), by Sean Platt and David Wright (and edited by Jason Whited) is a serialized, post apocalyptic suspense thriller written from multiple viewpoints. The story, like others of the genre, is complex and escalates steadily to the cliffhanger ending. I thought the ending was skillfully done. It didn’t straight-out annoy me as many cliff-hangers do. There was just enough resolution to satisfy me, while still (strongly) encouraging me to read the next book -- which I have purchased in ebook and audiobook formats (because I roll like that).

THE MEAT AND GUTS OF THIS REVIEW:

My to-be-read pile is tall. I have more books waiting for my attention that I will ever find time to enjoy properly. I also know that Sean Platt and David Wright are extremely prolific artist. So why would I torture myself by starting a series?

Because the are a lot of fun to watch on their podcasts. They have a healthy attitude about and pride in being writers. The first book in the series was free and I thought, somewhat unrealistically, that I might practice putting the/a book down if it wasn’t deserving of my time. (I am a bit of a finisher, despite being prone to slow reading...daydreaming… and distraction.)

So I grabbed Yesterday’s Gone, Season 1 and slammed it down on the top of my digital “to-read” pile.

I didn't know what to expect. I was hoping for the best and afraid that I would be disappointed. I knew from just sampling the beginning that it was well written (as far as basic craft and mechanics) and the premise was interesting, but I was making a commitment to spend a lot of time with these to authors and their imaginations.

One of my goals for this year is to learn to read faster, for the sake of enjoyment and revising my own work more efficiently. I started out reading very fast, and slipped into my normal let’s-poke-around-this-fictional-world-with-a-daydream pace.

This, my friends, is a sign.

I stayed up late at night with the story. When should have been doing other things, out came on my Kindle Fire. This was a last ditch attempt to give my eyes a break from phone reading, which is my normal MO. I finished it in what was a fairly short time period in comparison to how I normally read.

And now I'm the proud new owner of both an ebook and an audiobook version of Yesterday's Gone, Season 2.

Season one is a long and complex book with lots of characters. There are multiple viewpoints which is something I often like, but can be mishandled by some authors. There were a few points in this story when I was having a hard time differentiating between the characters (possibly because I didn’t make time for ‘enjoyment reading’ for several days at a time; I was writing a lot). Once I latched onto my favorite characters in the story, the entire thing started to grow on me.

A FINAL WORD (WRITTEN LATE AT NIGHT AFTER WORKING A FULL SHIFT AND THINKING ABOUT ALL OF THIS STUFF):

Sean Platt and David Wright are the real deal. They write an excellent suspense thriller. In short these guys are pros. I don’t award as many five star ratings as I used to when I first began reviewing books. Even as I write this I'm not sure if I can justify giving a full five stars, because I hold five star books in a much higher standard. The basically have to change my life (nonfiction) or leave a long-lasting resonance that not many stories do these days.

I hope the tone of this review isn't too much. It might be that I've somehow expected less of writers who write in such a great quantity and so quickly (despite my own propensity to attempt the same thing). As a writer, I agree that writing quickly can often lead to a better, more honest story, but while I say this and tell myself I believe it, the long-standing view of our society is that creativity should be slow, painful, and leading to alcoholism and suicide.

How dark is that? Wow. We grow up believe this and still want to be artists? Why can’t writing, or painting, or making music, or anything be a joyful and fulfilling process? Why, I ask you!?

And even though I am also an independent author and bridle at the stigma, it is easy to look for faults in the work that an author has spent the time, energy, and personal risk to self-publish / produce.

This makes me feel like the strangest kind of hypocrite to judge fellow indies more harshly than I would a traditional published author, but I guess it's just hardwired into my daydreaming-prone brain.

The point is that I am seriously impressed with this story and recommend it to anybody who enjoys thrillers or serial fiction or both. The only risk I took in reading this book was that I might waste my time. I downloaded it from Amazon for free and I enjoyed it. Enough to buy season two. It remains to be seen if I will like season two enough to buy season three, but I imagine that I'm probably hooked.

I SHOULD PROBABLY SLEEP NOW

I should probably sleep now, it’s the responsible thing.
19 people found this helpful
Helpful
Report abuse
    Showing 0 comments

There was a problem loading comments right now. Please try again later.


Sidney von Katzendame
5.0 out of 5 stars Apocalyptic genre? Try WTFITY genre! Amazing!
Reviewed in the United States 🇺🇸 on August 15, 2012
Verified Purchase
I've read probably about a hundred (or more) apocalyptic books on my kindle - mostly zombie fiction, but after ten in a row of "gargle, brains, gargle" I decided to try something new. I went and sorted on sci-fi/fantasy by reviews and that is how I found this amazing series written by two guys who are now in my top ten favorite authors for what I like to call the "WTFITY genre" - which is my personal favorite genre.
I started reading this book and COULD. NOT. STOP.
I read it at work.
I read it in the bathroom.
I admit it - I even read it a little while driving - during every stop light and every parking lot imitation I sat through on I-84.
I read it while walking into my apartment, I read it in the elevator, and I read it while cooking dinner.
I couldn't put it down until I was done. I only stopped to sleep because it was necessary.

I finished the last of it at my parent's house, and then loaned it out to my mother's kindle account. After three episodes of her exclaiming "oh my GOD! What the f***!?" every few minutes, I told her that if she liked the book so much she should buy her own copy to support the authors. And so she did. (She's now on episode 2, while I just finished episode 3 - no worries, no spoilers here). She was so INTO this book she paused from reading the "Game of Thrones" series in the middle - and if you've read those, you know George R.R. Martin likes the cliffhangers as well as these guys do (though they do it better, with all the finesse of a sledgehammer-wielding ballet dancer - by the by, that's a compliment).

I liked it so much I recommended it to my chiropractor - who a few hours later emailed me saying, "What did you do to me??? I can't stop reading!"

I'm not going to summarize the book for you here, because I really don't want to accidentally give away anything that might spoil one of the many surprises this book has to offer. The only warning I will give is this - it starts out a little slow, and if you're the type who thinks they need action from the first page, that doesn't happen in this series. You start out with a false sense of security despite the WTFITY of the beginning and a vague sense that SOMETHING HORRIBLE IS ABOUT TO HAPPEN.

BE PATIENT, GENTLE READER - YOU WILL NOT REGRET READING THIS TO THE END. The curtain is pulled back slowly, allowing for maximum "could it be this? Could it be that? WTFITY!" moments on the part of the reader.

This book contains copious amounts of: intrigue, action, WTFITY moments (I was so immersed they didn't even ping my suspension of disbelief meter), amazing characters (who continue to develop in exciting and freaky ways in the following seasons) and most importantly: THRILLS AND CHILLS TO RIVAL HITCHCOCK. Yes, that's right, I said HITCHCOCK (the best director in the history of the universes). That's how much I loved these books. You're in good hands with these authors. I can't say enough, and I hope my review will inspire you to buy and try these guys on for size - and trust me, they're one size fits all kind of authors.

PS: WHAT WOULD BORICIO DO!??!

PPS: These authors have inspired me to go back and review ALL the books I have enjoyed in the past. I joined their newsletter and checked out their webpage, and I'll be reading their other series while I wait patiently on rusty nails and broken glass for season 4.
One person found this helpful
Helpful
Report abuse
    Showing 0 comments

There was a problem loading comments right now. Please try again later.


Paul MadsenKindle Customer
4.0 out of 5 stars A dark and wacky view of a apocalypse
Reviewed in the United States 🇺🇸 on August 14, 2022
Verified Purchase
Several views from different perspectives of life when 99.9% of the worlds population have disappeared . Monsters exist and you don't know what will happened next.
Helpful
Report abuse
    Showing 0 comments

There was a problem loading comments right now. Please try again later.


Bruce Barker
4.0 out of 5 stars Each "Episode" improves greatly on the earlier entries.
Reviewed in the United States 🇺🇸 on March 19, 2013
Verified Purchase
I've noticed that many of the 1 or 2 star reviews for this product are from people that gave up after reading partway through the tale. I can understand and respect that. If you check over at the product page for Episode 1 you will find my own 1 star review for it and I'm not one to trash someones writing efforts. I'm just grateful that I didn't quit and decided to stick with it. I got episode 1 as a freebie and picked up the rest of season 1 as a Kindle special that made it cheaper by far than buying the individual pieces. I found episode 1 to be confusing, and cluttered with way too many character introductions. It was almost impossible for me to keep track of the various goings on because of the authors' tendency to jump from one group of characters to another for chapters at a time.

HOWEVER

Episode 2 was when things started to make sense. People began coming together so the gaps between chapters involving sets of characters began coming together and easier to keep track of as things went on. The creatures, although never identified as zombies manifested enough similar behavior that they may as well have been extras from the Walking Dead (one bite and you're infected/doomed etc) so even without full explanation their activities became understandable. In short, questions and answers started to have at least a nodding acquaintance with one another.

The remaining 3 episodes went by in a rapid blur because I quite frankly couldn't put my Kindle down. I didn't so much read the rest as I INHALED the thing. I'm now halfway through the second season omnibus and it still keeps getting better. I would suggest that ANYONE that gave up on this series early go back and give it another try. Not only will you understand a bit better why people compare the quality of the narrative with books like "The Stand" you may find yourself drawing similar comparisons. It could be that such an effort represents too much work to you. I understand that, but believe me, it's your loss. I've already invested the money to purchase everything these guys have written to date and eagerly look forward to the time I'll spend enjoying their full catalog of tales.

You will quickly find that you can do a lot worse than this omnibus. I believe you will also find that it will be exceedingly difficult to find much better. This truly surprised me considering the very poorly written first episode, but this is among the best "independent" works I've read in the past 2 years.
2 people found this helpful
Helpful
Report abuse
    Showing 0 comments

There was a problem loading comments right now. Please try again later.


C.P.G.
1.0 out of 5 stars Horrible Writing
Reviewed in the United States 🇺🇸 on April 5, 2016
Verified Purchase
This book is so badly written I couldn't get past the first few chapters. I used Whispersync, so I read as I listened. Right off the bat, within the first few pages, the author wrote, "No people. No cars on the street. Well, none that was moving, anyway". That's right, "none that was moving". Even the narrator read it that way. For those of you who find nothing wrong with the preceding sentence, it should read, "Well, none that were moving, anyway". Then, just a few pages later, "Stanley Train, Ben’s favorite toy, which he carried with him everywhere, including to bed. It was there, just setting on the floor." At least this time the narrator had the good sense to change "setting" to "sitting".

But it's not just the terrible grammar that bothered me. There's a scene where a teenager is trying to make sense of what's going on, talking with a group of people gathered on the street. He says, “I’ve no idea. I woke up, my mom and dad were AWOL. So were both my brothers. I figured they were ... messing with me, but I can’t figure out the angle, plus there’d be no way they’d get the whole neighborhood to play the reindeer games.” Do kids talk like that? "I can't figure out the angle" sounds like something out of the 40s or 50s. And what's with "play the reindeer games"?

Maybe it's just me, but for the life of me, I can't figure out what the last sentence in the following passage means. "Maybe there was an outage in the neighborhood? A sudden chill iced her insides. It wasn’t logical, but it came from the place that keeps its eyes peeled for the stuff logical doesn’t". It actually hurts my brain to read that. Even the narrator sounded lost when he read it.

In a later chapter, another teenager is described as feeling, "a few planets past the moon", when he discovers his entire block is empty. I can only guess what, "a few planets past the moon" means because I sure as hell have never heard that saying before. He then proceeds to go door to door discovering that no one is home. With each person gone, he has a few choice words to express his satisfaction. For the bully he thinks, "Good riddance". For the girl who shunned him, a simple "Bye bye, Josie". For the man who refused to pay him for a job, the thought was, "Sayonara, (swear word)". For his mother, who failed to protect him from a violent stepfather, the authors write, "he was glad she was gone. 'Smell ya later, Mommy'." What strikes me as preposterous about this scene is, this boy had just awoken to find nobody home on his block. Why the heck would he automatically jump to the conclusion that everybody was permanently gone? It makes absolutely no sense at all. This boy then proceeds to enter the house of the girl who shunned him, go through her dirty laundry and perform an obscene act. Really...I'm not making this up.

Then there's a chapter about a man who somehow manages to survive a plane falling out the the sky and crashing into a tree-filled landscape. The authors write, "From what he could see of the cabin, nobody survived other than himself". Every airline crash I've seen pictures of when a plane has fallen from the sky, there's literally nothing left of it, and certainly no survivors. In fact, he witnesses another crash just moments after regaining consciousness, "...another airplane shot by maybe 10 stories from the forest floor, on a sharp dive, soaring past the tree line before disappearing into a deafening explosion just out of sight". I wonder if there were any survivors on that plane, after a "deafening explosion"! Well, he survived and is able to walk away from the wreckage. He also has some unknown way of telling what time it is by the position of the moon..."Judging from the moon’s position, he figured it was around 3 a.m." It's basic astronomy that you can rarely tell the time by the position of the moon in the night sky. After that insult to my intelligence, I couldn't read any more.

This book, and its sequels are apparently hugely successful. They get rave reviews. What does it mean, that such abysmal writing can be so successful? I think it speaks directly to our current culture of kids not learning the basics of proper English and grammar in school. The art of proper writing is disappearing, if not already altogether gone. Texts and emails are filled with misspelled words, all lowercase or all uppercase, and absolutely no punctuation. These are the skills of our future, and apparently, our current writers.

Compare the writing of "Yesterday's Gone", and many of the other current crop of young adult science fiction and horror novels, to the writing of any of the classic sci-fi or horror novels of the 20th century, and it's like comparing a high school essay to Shakespeare. I'm afraid there's nothing that leads me to believe that things will get better any time soon.
21 people found this helpful
Helpful
Report abuse
    Showing 0 comments

There was a problem loading comments right now. Please try again later.


Justinian Vonkost
4.0 out of 5 stars Serialized Writing at its finest
Reviewed in the United States 🇺🇸 on June 8, 2017
Verified Purchase
Now I must admit that normally I am not a fan of stories that tend to follow multiple characters through their perspectives. It is not that I have not enjoyed such stories in the past, but generally I find that they tend to be unfocused with either poor character development or poor storyline development due to juggling many characters and side stories, thus leaving the story feeling rushed.

This story manages to avoid many of those pitfalls. Many of the characters they focus on in the book do feel like actual thought and depth were given to them, with the narration being colored by the character that they are following. And thus when the story shifts from how one character sees an event to how another character sees that same event, it leads to revelations that actually make sense. I also like that the story does feel like it shifts genre a little when they focus on different characters. So for example, when it focuses on Luca, it does feel a little like a fantasy novel since Luca is a young, precocious boy. But then it focuses on someone like Ed and it shifts more towards a kind of spy thriller. But in spite of those shifts, it still is able to keep up the general sense of dread and fast paced nature that the plot needs. Especially considering that the premise of the book is generally everyone except these people have vanished from the Earth and now strange... things have begun to appear. They have to deal with them and find their loved ones. With a premise like that, it has to have a sense of dread and luckily the authors manages this just fine.

Another thing to appreciate is that the story does not give definitive answers about what is happening. Sure, some of the characters have ideas like it being the Rapture or it being some sort of punishment from Earth for man's technological advances, or aliens. But none of them are treated as the ultimate truth. Which makes sense. People tend to try to make sense of what is happening around them all the time, especially in hardships. And given that even after the event, weird things happen, almost impossible things, seeing people try to make sense of what's happening not only gives the story a break but also informs us of their worldview. Not to mention that if the story did give definitive answers, it would undercut the dread of the story.

All in all, a great story that is just pure fun.
Helpful
Report abuse
    Showing 0 comments

There was a problem loading comments right now. Please try again later.


Stacie
3.0 out of 5 stars Good story. Sloppy
Reviewed in the United States 🇺🇸 on May 21, 2016
Verified Purchase
Good story. Sloppy, lazy writing disses readers.

Good story. Got hooked and had to keep buying until the bitter end. However, this does not excuse the progressively deteriorating writing beginning in Book 4 and gradually getting worse. An author is someone who writes; a writer is someone who writes well. In that sense, these guys are authors, and that’s good enough for many people, as evidenced by the many highly positive reviews. Personally I find it intensely irritating, and insulting, to have to keep backtracking to see if they authors really did make that mistake: Why is her hair blue now, when it was purple 10 pages ago? How can someone be looking FOR someone and also looking AT that person; she tells her friends ‘”I think Mary went that way,’ she said, as she looked at Jim, Bob and Mary.” And – I swear – “The driver of the van hit the breaks.” Yikes. The authors have successfully made me suspend disbelief in terms of the subject matter, but that suspension is consistently destroyed as I am continually pulled out of the story to have to go back and check if XYZ truly does conflict with what the authors said 10 or 20 pages ago. And it always does. “Mr. X” has just finished breakfast at the kitchen table and falls into a reverie. He is shocked out of it by the ringing of his communication device on the kitchen counter. He goes into the kitchen to answer it. Huh? He already WAS in the kitchen. This stuff really irritates me.

If it was just a few mistakes here and there, okay, everyone is human. But the sheer number, mistake after mistake after mistake, leads me to the conclusion that they’re just lazy and sloppy. Many of these errors would have shown up underlined in red or blue squiggles (“the” for “they” was popular, though it wouldn’t have caught the pronoun mistakes “him” for “her” and vice versa) if they’d just dumped their manuscript into Microsoft Word; they wouldn’t even have to reread it, the mistakes are pointed out by the application. But they didn’t even do that, much less hire a copy editor or even a proofreader if they didn’t want to do it themselves. I feel disrespected that as a reader who buys their books; I’m not worth the authors doing all of their job, not just some of it and sell out and move on. (They did have time and energy, however, to write long afterwards where they interview themselves and pat themselves on the back.) Well, they’ve got my 36 bucks, good for them; it’s the last dollar they’ll ever get out of me.

My guess as to why the quality of the writing went south starting with Book 4 is that the authors thought that Hollywood would pick up the story and develop it into another “Lost” (especially given the silly and distracting “Episodes” and “Series” demarcations). When that didn’t happen, they bailed on their loyal readers and just milked it for what they could, fast. How insulting. Jane Austen remarked on this philosophy:

“The power of doing anything with quickness is always prized much by the possessor, and often without any attention to the imperfection of the performance.”

Good story, though.
8 people found this helpful
Helpful
Report abuse
    Showing 0 comments

There was a problem loading comments right now. Please try again later.


Mike Costello
4.0 out of 5 stars DIG IN - It's a fun ride!
Reviewed in the United States 🇺🇸 on February 4, 2016
Verified Purchase
I was bummed when I realized that bookbub's specialty turned out to be mostly "Book 1" in the series/serials type of books (apparently churned out by the millions now, good to see the art of writing is not dead yet) - offered CHEAP for greedy Kindle owners like me. Nice hook, but I moved on. However, out of the experience I took two pretty decent titles from it, "Yesterday's Gone" turning out to be quite interesting as I get into the second book (the other is the Mark Taylor series by M.P. MacDonald, very easy and enjoyable reading). The pace is very much like a television show over the course of a season, as others have noted. What I find most satisfying here is - the story itself is the winner in this series. You want to keep reading to "see what happens", even if you dislike some of the characters OR the writing. How often does that happen in these days of throwaway everything?. To do that takes the mind of a storyteller and I applaud these guys for what they've done here, I feel like I'd love to write for their little collective because in the end that's how good books are done; not every sentence can be finely polished, each character a rich composition of thoughts, actions, reactions, etc. And it works great in "Yesterday's Gone" because yes, there are a few characters who are overwritten and unnecessarily profane (and I am pretty callous myself, speech-wise, so if I say something like that it's pretty noticeable). There is a lot of gratuitous obscenity and one glaring miscalculation (to me) overall, which is an over reliance on topical references (VERY recent TV shows, movies, celebrity names, etc.). A lot of times that can doom a book's popularity over time. I don't think these guys are going for that, so - THAT SAID - this is a great way to blow time, get a few laughs and a few chills, and not have to think too much about it later unless you liked it enough to want to buy more, and there they are! It's PERFECT on a Kindle, for when you're stuck in court, or on a bus, etc. You might even miss your stop.
Helpful
Report abuse
    Showing 0 comments

There was a problem loading comments right now. Please try again later.


Child King
3.0 out of 5 stars While Sometimes Captivating, Yesterday's Gone is a Muddled, Fragmented, Profane Mess
Reviewed in the United States 🇺🇸 on January 14, 2013
Verified Purchase
Yesterday's Gone Season One is a meandering, disjointed post-apocalyptic tale reminiscent of some of the schlockiest of B-movies. In its defense, I think this is exactly the tone the authors were shooting for, and, if so, they succeeded in high fashion. Readers who are searching for a fresh voice to supplement their diet of King, Barker or Straub would do well to look elsewhere. The story, seemingly pooled together from varied segments of a long list of superior predecessor's work, isn't bad: a mysterious disappearance of most of the world's population leaves survivors trying to make sense of black smoke, slick-skinned zombie mutations, talking trees, vanishing objects and collective dreaming. A great many of these plot elements are left dangling, and the first half of YGSO truly felt like it was being made up as it went along. Yet, there is an intriguing allure to the rubbish in literature's clothing. The characters prove to create many threads that are entertaining, and the decision to tell the story from these disparate viewpoints is undoubtedly the strongest aspect of the serialization. However, this isn't quite enough to elevate the work from the lower echelon of the horror shelf. The dialogue and the pontificating of the players are perhaps semi-realistic, but are so painful to read that it's hard to enjoy. Time pressures can often lead to sloppiness, and it is evident here. There are a number of missing words, contradictory tense, and some misspellings, but more aggravating than that is the continuous use of the same words in a repeated, repetitive, repeating pattern of repetition. In one sequence about ¾ of the way through the season, there is a sequence where everyone's favorite murderer, rapist, crackpot, Boricio, refers to his opponents as survivalists or survivalist f*$%s no fewer than 14 times in his short chapter. At one point, it's used 3 times in 5 sentences. I'd be remiss here if I didn't at least note the excessive, unnecessary and offensive profanity. It's beyond any necessary stretch of the imagination and certainly doesn't add anything to the work. Undoubtedly, it pulls the work even further down the ladder of credibility by making it seem like filler of the laziest order. The sad part is it's largely unnecessary. A little dab will do you. Creating a dark character doesn't have to be vile. Anton Chigurh is one of the darkest, most heinous characters in modern literature, but his utterances of profanity were minimal if not altogether nil. Unfortunately for YGSO, the idea was far better than the execution. 2 ½ stars for this one.
9 people found this helpful
Helpful
Report abuse
    Showing 0 comments

There was a problem loading comments right now. Please try again later.


Docs Toy Store
5.0 out of 5 stars Yesterday's Gone...but not forgotten
Reviewed in the United States 🇺🇸 on October 27, 2012
Verified Purchase
I love post-apocalyptic books, but lately they've all been cut with the same cookie cutter. But not this one.
FIRST: The book is written like a TV series, in episodes. Yet the episodes are not coherent, that is none of the characters at first tell a smooth story. We meet 6 different characters who seem to have no relation to each other.
Brent Foster: A writer in NYC who wakes to find his wife and child gone.
Mary Olson: An internet greeting card writer who wakes to a silent world to find she, her daughter and three neighbors have survived.
Charlie Wilkens: A 17 yr old from Florida, who has been badly bullied by his step-father who is thrilled he is alone until Bob shows up.
Edward Keenan: A 40-yr old convict who plane falls from the sky over Ohio
Luca Harding: An 8-yr old in California who wakes up all alone and is guided to another by a dog, Dog Vader, who talks.
Boricio Wolfe: A serial killer who lives in New Orleans. (This one was my favorite for the fact he has a take no prisoner attitude, second would be Edward).
SECOND: Cliffhangers...well not really to me until the very end.
THIRD: The monsters who act like zombies but are not, well at least according to Dog Vader.

This book gets a 5 star because it was so fast paced and filled with unanswered questions and danger that I couldn't put it down. I read all the reviews and I would tell anyone who has read them to take them with a grain of salt especially the low star ones. Yes, the first episode or two it is hard to keep track of the different characters, but soon you know them like old friends. The characters (to me) were very realistic, rough with flaws and strengths that made them more real and drew you into their stories to root for them. Dog Vader, yes he speaks in barks in his chapter but this was not annoying but very necessary but it shows how he is trying to communicate with the others but all they can hear now is barks. And then the ending, as the teens say WTF!!! The end is well worth the ride.

My advice--If you like this kind of book get it because you won't be disappointed. But if you're the kind that can't get you head around a few typos and grammarical errors then this is not for you.

PS I've started the first book and I read the author's comments and all I can say is "I'm confused and I don't like it".
4 people found this helpful
Helpful
Report abuse
    Showing 0 comments

There was a problem loading comments right now. Please try again later.


  • ←Previous page
  • Next page→

Questions? Get fast answers from reviewers

Ask
Please make sure that you are posting in the form of a question.
Please enter a question.

Need customer service? Click here
‹ See all details for Yesterday's Gone: Season One

Your recently viewed items and featured recommendations
›
View or edit your browsing history
After viewing product detail pages, look here to find an easy way to navigate back to pages you are interested in.

Back to top
Get to Know Us
  • Careers
  • Amazon Newsletter
  • About Amazon
  • Accessibility
  • Sustainability
  • Press Center
  • Investor Relations
  • Amazon Devices
  • Amazon Science
Make Money with Us
  • Sell products on Amazon
  • Sell apps on Amazon
  • Supply to Amazon
  • Protect & Build Your Brand
  • Become an Affiliate
  • Become a Delivery Driver
  • Start a package delivery business
  • Advertise Your Products
  • Self-Publish with Us
  • Host an Amazon Hub
  • ›See More Ways to Make Money
Amazon Payment Products
  • Amazon Rewards Visa Signature Cards
  • Amazon Store Card
  • Amazon Secured Card
  • Amazon Business Card
  • Shop with Points
  • Credit Card Marketplace
  • Reload Your Balance
  • Amazon Currency Converter
Let Us Help You
  • Amazon and COVID-19
  • Your Account
  • Your Orders
  • Shipping Rates & Policies
  • Amazon Prime
  • Returns & Replacements
  • Manage Your Content and Devices
  • Your Recalls and Product Safety Alerts
  • Amazon Assistant
  • Help
English
United States
Amazon Music
Stream millions
of songs
Amazon Advertising
Find, attract, and
engage customers
Amazon Drive
Cloud storage
from Amazon
6pm
Score deals
on fashion brands
AbeBooks
Books, art
& collectibles
ACX
Audiobook Publishing
Made Easy
Sell on Amazon
Start a Selling Account
 
Amazon Business
Everything For
Your Business
Amazon Fresh
Groceries & More
Right To Your Door
AmazonGlobal
Ship Orders
Internationally
Home Services
Experienced Pros
Happiness Guarantee
Amazon Ignite
Sell your original
Digital Educational
Resources
Amazon Web Services
Scalable Cloud
Computing Services
Audible
Listen to Books & Original
Audio Performances
 
Book Depository
Books With Free
Delivery Worldwide
Box Office Mojo
Find Movie
Box Office Data
ComiXology
Thousands of
Digital Comics
DPReview
Digital
Photography
Fabric
Sewing, Quilting
& Knitting
Goodreads
Book reviews
& recommendations
IMDb
Movies, TV
& Celebrities
 
IMDbPro
Get Info Entertainment
Professionals Need
Kindle Direct Publishing
Indie Digital & Print Publishing
Made Easy
Amazon Photos
Unlimited Photo Storage
Free With Prime
Prime Video Direct
Video Distribution
Made Easy
Shopbop
Designer
Fashion Brands
Amazon Warehouse
Great Deals on
Quality Used Products
Whole Foods Market
America’s Healthiest
Grocery Store
 
Woot!
Deals and
Shenanigans
Zappos
Shoes &
Clothing
Ring
Smart Home
Security Systems
eero WiFi
Stream 4K Video
in Every Room
Blink
Smart Security
for Every Home
Neighbors App
Real-Time Crime
& Safety Alerts
Amazon Subscription Boxes
Top subscription boxes – right to your door
 
    PillPack
Pharmacy Simplified
Amazon Renewed
Like-new products
you can trust
     
  • Conditions of Use
  • Privacy Notice
  • Your Ads Privacy Choices
© 1996-2023, Amazon.com, Inc. or its affiliates