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The Dark Forest (The Three-Body Problem Series Book 2)

The Dark Forest (The Three-Body Problem Series Book 2)

byCixin Liu
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Top positive review

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James Walker
VINE VOICE
5.0 out of 5 starsThe Second and a Masterwork of Human Expression
Reviewed in the United States 🇺🇸 on January 22, 2023
I write this teary eyed as I just made it to the end. This book has changed me as a person, causing a reflection of awareness out into what it means to be Human when pressed up against the fate of the Universe. We were all dropped here into existence with no how-to manual, just children in a dark world trying to figure out how to get along. But books such as these shine brightly in the darkness and give us something to hold on to in our times of weakness

I thank the writer. Onward to book 3
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4 people found this helpful

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Joe Karpierz
3.0 out of 5 starsbut in the spirit of the story as well as the spirit of the series (THE THREE BODY PROBLEM had its share of hand-wavium as well)
Reviewed in the United States 🇺🇸 on December 26, 2016
THE DARK FOREST - book two of the Remembrance of Earth's Past series - is the sequel to the Hugo Award winning THE THREE BODY PROBLEM by Chinese author Cixin Liu and translated by award winning author Ken Liu. THE DARK FOREST is translated by Joel Martinsen, while the third book in the trilogy, DEATH'S END, will once again be translated by Ken Liu (I'll revisit the subject of the translators a later on in this review).

At then end of THE THREE BODY PROBLEM, we know that the Trisolarans, an alien race from a system with three suns and whose system is collapsing, is planning a hostile takeover of Earth and are on their way to the Solar System. They'll arrive in roughly 400 years, and there doesn't appear, on the surface, that anything can be done to stop them. Complicating the issue is the presence of tiny computers made of protons called sophons, which can not only monitor all human information, but instantly transfer that information back to Trisolaris. This has the nasty consequence of rendering transparent any plans humanity comes up with to try to stop the Trisolarans. Yes, this is a bit of hand-wavium that may be hard for some readers to swallow, but in the spirit of the story as well as the spirit of the series (THE THREE BODY PROBLEM had its share of hand-wavium as well) I'm more than happy to ignore it. This kind of hocus pocus was prevalent back in the day, and while it doesn't satisfy modern
readers of science fiction, I still prefer a bit of cosmic cool stuff in my reading (There is more than enough reading material and podcast discussion about actual science in science fiction to make it believable that I don't need to talk about it here. I refuse to spoil my fun.).

And so the "Wallfacer" project is born. Each Wallfacer is charged with coming up with a plan to defeat the Trisolaran fleet coming to attack earth. They are to do it in secret, not letting anybody know what they're doing, and they are given all the resources they need to accomplish their goal. They have counterparts, designated by the Trisolarans, called Wallbreakers. The Wallbreakers are to study their assigned Wallfacer until the figure out what that Wallfacer's true plan is. One Wallfacer does not have a Wallbreaker. His name is Luo Ji, who is considered by the Trisolarans to be the most dangerous of the Wallfacers. While the other three Wallfacers are well known public figures, Luo Ji is a nondescript astronomer who doesn't understand why he is now the subject of all this attention and scrutiny.

THE DARK FOREST, then, is the story of how humanity through the Wallfacers, and especially Luo Ji, try to find a way to fight the Trisolarans and defeat them.

The story takes place in a couple of distinct time periods, with the second being some 200 years after the events of the beginning of the novel. In that second time period, humanity feels that it has found a way to defeat the Trisolarans, and is no longer worried about the impending invasion. Life has returned to normal.

I hesitate to give much more in the way of details, because giving one detail will necessitate giving another, and another, and another, and so on. Needless to say, and now that the book has been out for over a year, I don't think it's giving anything away to say that the Trisolarans are stronger than humanity thought, and that the technology that the humans have is powerless to stop the incoming invasion fleet. As luck would have it, Luo Ji has a big role in the climax of the book, which sets the stage for DEATH'S END, the final novel in the trilogy.

I had difficulty staying focused on the novel. I did not find the characters engaging, and story did not hold my interest. Time and again conclusions were made based on what seems like intuition; maybe it's me, but time and again one thing one would lead to another, at which point a character would say "ah, it must obviously be *this*". And just about every one of those times, my reaction would be "Huh? How did they come to THAT conclusion?" Because of this, I found it difficult to engage with the story, to suspend my disbelief. Funny, I know, that I'll buy the concept of sophons that can immediately transmit information over light years but can't but these character reactions. And I guess that's the point - I couldn't believe the way the people were behaving, the decisions they were making, and the risks they were taking. A great deal of it made little to no sense to me, and that took me right out of the story.

What's good about it? Grand concepts, space battles, mysterious aliens and their superior technology. Cosmic ideas, the future of humanity hanging in the balance. All that cool stuff.

With regard to the translation of the book. While I clearly do not know Chinese and thus can't truly judge as to whether this is a good translation from the Chinese or not, I can say that I wasn't as engaged by the style or the prose this time around. I can only imagine how difficult it is to translate a novel from one language to another; however, I didn't find the writing as riveting this time as I did for THE THREE BODY PROBLEM. Ken Liu returns as the translator for DEATH'S END. I'm interested in reading his translation of that work.

All in all, for me, a bit of a disappointment, although the book is saved by the grand scope of it all. Hopefully DEATH'S END will pick it back up and send the story to the glorious finish I think it deserves.
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From the United States

James Walker
VINE VOICE
5.0 out of 5 stars The Second and a Masterwork of Human Expression
Reviewed in the United States 🇺🇸 on January 22, 2023
Verified Purchase
I write this teary eyed as I just made it to the end. This book has changed me as a person, causing a reflection of awareness out into what it means to be Human when pressed up against the fate of the Universe. We were all dropped here into existence with no how-to manual, just children in a dark world trying to figure out how to get along. But books such as these shine brightly in the darkness and give us something to hold on to in our times of weakness

I thank the writer. Onward to book 3
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Josh Mauthe
5.0 out of 5 stars Even more epic and compelling than its predecessor
Reviewed in the United States 🇺🇸 on December 18, 2018
Verified Purchase
It's hard to know where to begin talking about The Three-Body Problem trilogy (officially known as the Remembrance of Earth's Past series), a truly staggering piece of science-fiction written by Chinese author Cixin Liu and translated to English by Ken Liu and Joel Martinsen (Liu did books 1 and 3, while Martinsen did 2). A trilogy that spans literally thousands of years, deals with quantum physics, game theory, sociology, religion, space exploration, space colonization, and more, all driven by the nature of first contact with alien intelligence - there's a lot going on in this series, and that's before you start realizing just how much Cixin (reminder: Chinese names are traditionally written with the family name first and the given name second) truly takes on the advanced science of his ideas. And yet, when you finish it, you realize that you've read something truly incredible - a piece of hard science-fiction whose ambition, scope, richness, and ideas are impossible not to find yourself thinking about for days afterward.

Once you read The Dark Forest, the series' second volume, Cixin's ambition for this saga starts to come into focus. The question of first contact is settled, and the nature of the alien's approach is known: this is to be a takeover of our planet. But how can we deal with a race so much more advanced than our own, constant surveillance by extra-dimensional forces, and fractured elements of humanity working against us?

If The Three-Body Problem was a first contact novel done as hard science-fiction, The Dark Forest is an alien invasion novel, albeit one in which the actual invasion is still many, many years away. It's the first time Cixin starts using hibernation to leap through decades and even centuries, spanning huge chunks of time as humanity changes and evolves in the face of an arrival which will change everything. As humanity struggles to find ways to either defend itself or show that it means no harm, the race has to deal with its own fears of inevitable defeat or a desire to retreat from the only planet we've ever known.

It's not as if The Three-Body Problem wasn't already ambitious, but The Dark Forest is on a whole other level, dealing with interplanetary fleets, lightspeed travel, quantum computing, and more, watching as they evolve over huge swaths of time. But more than that, the novel is a deeply philosophical one, discussing the nature of life in the universe, questions about human nature and how we react in the face of threats, how we work together (or not), and game theory in how we try to handle uncertain intentions in allies and foes alike. Indeed, the central metaphor that gives the book its title (which doesn't arrive until near the novel's end) is a stunning one that helps you understand that what Cixin is writing about isn't just this particular alien invasion, but about the nature of all life in the universe and how we attempt to define ourselves in the face of reality.

That Cixin does this while, again, mixing in such a compelling story (focusing especially on the "Wallfacers", a small group of people tasked with covertly planning humanity's resistance against the invasion) is nothing short of remarkable. The Dark Forest builds beautifully off of the questions and ideas raised in The Three-Body Problem, but turns them into something else entirely, changing the questions from "how do we initially react" to "how would we redefine ourselves in the face of such news". Far from suffering from any sort of "middle book syndrome," The Dark Forest is incredible, engaging with incredible concepts but never neglecting the human characters that anchor its massive scope nor the ticking clock at its story's core.

To explain this series is a difficult challenge, to put it mildly. This is a series that spans a huge amount of time, deals with advanced scientific concepts in complex terms, grapples with rich philosophical and political ideas, debates questions without easy answers, and gives you a scope that can be daunting. It's a story of alien invasions, yes, but one in which the action sequences we're so used to are replaced with existential dread, a rethinking of our own lives, and a fear of the unknown that's hard to quantify. It's also the story of people caught up in these times, trying to give themselves a good life while never forgetting the larger questions of their era, and juggling their own fears with fears for humanity. In other words, it's what hard science-fiction is great at - thoughtful questions, big ideas, and speculation, all of which change the way you think about the world.

This series is a truly incredible achievement, one that honestly left me a bit staggered and reeling as I attempt to think about it all, but one that I love all the more for what it accomplishes. If you're a hard science-fiction fan, or simply someone who loves dealing with the complex ramifications of common ideas, this is a must read series. I've never read anything like it in my life, and I'm a richer person for the ideas it's inspired me to think about.
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MJB
5.0 out of 5 stars Will surprise you
Reviewed in the United States 🇺🇸 on January 22, 2023
Verified Purchase
Magnificent story that will surprise and delight the most picky science fiction critic. Very well written and thought through story that you will remember many years from now, probably unlike most other works you have read.
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Ja Helios
5.0 out of 5 stars Plot had been changed for one of the Wallfacer, and a little question about a translated term
Reviewed in the United States 🇺🇸 on September 2, 2015
Verified Purchase
Containing a little bit Spoil. Be careful.

This English version changed its original plot and become totally different from Chinese version for the part about one of the Wallfacer.

As far as I concerned, the changes influenced a lot in the characterization of that Wallfacer, and his character, therefore, had been influenced in some ways. 'Please notice the terms: characterization and character. Their definitions are totally different in plot-writing.) Whether this influence in character is good or bad depends on each reader. However, I am a person always prefer and respect the ORIGINAL ideas from the writer. (Not even for this book, but for many other situation, such as the changes made by GOT series. :( )
These changes in the major plot, I heard from someone, had been requested by the US editor due to the reason that the original plan made by this Wallfacer was related to another book, "Ball lightning“ (also written by Mr. Liu), which were not published in English yet. In this case, Mr. Liu had to change the plot by himself. Frankly speaking, I do not think this request was a good idea. I had not yet read that book when I first read The Dark Forest (in Chinese), either!!! There was no problem to understand it AT ALL!!! The only consequence was that I then eagerly bought that book after finishing The Dark Forest. Why not keep this original plot and introduce the other book in the footnote? Maybe it will be published in English later, right?
Then, strange things happened. Another character, Dr. Ding Yi, who also originally came from that Ball Lightning, had survived in this book, for the fact that he was so important and could not be replaced or deleted in anyway from this book. When introducing this character, the plot did mention something about Ball Lightning.
Therefore, if you read The Dark Forest in English first, you might find some strange "evidences" left behind in the words just as the one I mentioned above. Here is another strong evidence: after this poor Wallfacer revealed his true plan to the hero, there was a paragraph describing the hero's internal activities, which containing some terms that related to the unchanged (original) plan but had nothing to do the changed one. You may also find the reputation of this Wallfacer shifted from time to time in different parts of this book. Finally, you might become confused, especially when you are not an original Chinese reader of this trilogy.
There are always something could not be changed in a written book, even the changes were made by the original writer (under pressure? unwillingly? I suppose so.). Designing a story is a very complicated thing. When it is done, it should be done. For a book with so many intersections among subplots like this trilogy, it is almost impossible to change one of the subplot without disturbing the others or disturbing the overall picture of itself. If you were a writer, who have experiences in writing long stories, you must know what I am talking about. :) I am writing novels as well, so I know how these things going on.
My conclusion is that this changes are not necessary, but they have not threatened the whole picture of this second book of the trilogy. Although it might become strange in those places I pointed out, the strangeness falls majorly on that poor Wallfacer (Well, I admit I like this guy in the original Chinese version better.) .
Therefore, I gave this FIVE STAR to Mr. Liu, not for the editor or someone else who is responsible of this issue. I will not blame the translator, either. The translation itself is quite good. In fact, I read this one more comfortably than the previous book. Ken's work was also brilliant, but not as native/straightforward as this translator. The translation of the previous book tasted with more Chinese culture inside (I mean, not just the story, but the translation. Ken definitely understands Chinese culture and language better.), and this might be the reason why it is not so straightforward as this one. The two different style of translation both have their own strengths and weakness.

p.s. I have one question for Joel...and for native English speaker here...Do you guys feel strange when encountering the term (appeared in the Dark Forest) "inquire one's mother"? The original words in Chinese version was "''xx'''", whose direct translation could be "greet one's mother". "Inquire", however, should be "''" or "''" in Chinese. They are quite different from each other and I was confused by this indirect translation. Well, you guys may be able to get the idea that "''xx'''" is a very suggestive term for that F*** word term. (Please do not tell me this word can not be existing in published novels. There are a bunch of them in GRRM's A Song of Ice and Fire, and directly appeared in TV series. I read a lot of English novels, and F words are here and there, but I have never encountered the expression, "inquire one;s mother".)
My question is...does this "inquire one's mother" term originally exist in English? If so...just forget what I am asking about (Maybe you can show some examples here, if possible). If not...do you think a native English speaker can get this idea easily from the translation without knowing the original Chinese term?
Thank you in advance. :)

Discussions are welcomed, for both opinions about plot changes and the little question above.
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Mathgirl
5.0 out of 5 stars Exploring the Dark Forest
Reviewed in the United States 🇺🇸 on December 28, 2022
Verified Purchase
As the second book in a trilogy about first contact with a highly advanced alien civilisation, The Dark Forest has to bridge a gap of nearly four hundred years. Humanity struggles against the omnipresent sophons that hinder technological leaps and hear all human communication.
While lacking Three Body Problem's central riddle, Dark Forest is a wild and compelling read.
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Amazon Customer
5.0 out of 5 stars slow build up but it’s absolutely worth the wait
Reviewed in the United States 🇺🇸 on January 7, 2023
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Wow very slow at first then accelerates - hang in there the pay off is well worth the wait. Incredible book
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Anakin
5.0 out of 5 stars Even better than the first book
Reviewed in the United States 🇺🇸 on December 20, 2022
Verified Purchase
At first I didn't think it was as good as the first book because it starts with a lot of set up but then the final 200 pages was my mind being blown on every single page. This was definitely the Empire Strikes Back of the trilogy.
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Amazon Customer
5.0 out of 5 stars nice book
Reviewed in the United States 🇺🇸 on December 28, 2022
Verified Purchase
Nice Book. Recommend to read. Im going to read the third volume. Book captivated me for weeks at the time.
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Matt Mansfield
4.0 out of 5 stars Coping with Anxious Anticipation
Reviewed in the United States 🇺🇸 on March 9, 2019
Verified Purchase
“We can never know about the days to come
But we think about them anyway
And I wonder if I'm really with you now
Or just chasin' after some finer day”

Carly Simon’s 1971 song lyric pretty well sums up Cixin Liu’s second installment of his futuristic trilogy, “Remembering Earth’s Past”.

Published originally in 2008, “The Dark Forest” continues its exploration of how Earth’s citizens react to the realization they are not alone in the universe. In fact, reasonably close in astronomical terms is another more advanced civilization, TriSolar, and its intentions are unclear.

In this installment it is now known TriSolar has better technology and is reaching out to Earth in two ways, other than the communication links established earlier:

• An advance surveillance system called “sophons” capable of inhibiting technological advances on Earth and eavesdropping on Earthling conversations (“sophons” are sort of combination of protons or electrons with nanotechnology operating in multiple dimensions as predicted by string theory and capable of exchanges with humans)
• An interstellar fleet moving toward Earth but not expected to arrive for several light years (two – four centuries in the future)

As might be expected, this realization with the lengthy lead time before physical contact sets in motion a variety of reactions: defensive measures, escapist groups and submissive or defeatist groups resigned to their fates. The dominant world order is following the defensive approach while suppressing the other two groups. And the future society is living both underground in a sort of “Blade Runner 1982” world or aboveground in a “Blade Runner 2049” environment.

Most of the story goes into lengthy detail about the successes and failures of these efforts. While some characters from the first tale appear briefly, developments are largely related from the perspectives of two characters: Luo Ji, a seemingly self-absorbed young scholar of cosmic sociology, and Zhang Beihai, a slightly older naval officer whose appearance seems to conceal much more below the surface.

Several strategies are being employed simultaneously: creation of a Space Force (with even a passing reference to Donald Rumsfeld who probably originated the term) and the Wallbreaker Project designed to exploit a sophon vulnerability, the inability to read human minds – curious since people in the future world wear clothes electronically displaying visual images of their emotions. Luo Ji becomes the protagonist for the Wallbreaker approach and Zhang Beihai for the Space Force.

There is an intriguing meditation about how disparate civilizations in the universe (“the dark forest”) might or should react to discovering each other – sort of echoing Stephen Hawking’s cautions about interstellar contact – assuming there is a choice. As might be expected, by the end of this installment, nothing is completely resolved but left either with an unknown outcome or at a stand off. While very imaginative, getting there can seem long and at times overly explained.

As a personal observation, there seems to be another, perhaps deeper, reflection being put forth by the author: the enigma of death and how each of us personally handles its impact on our immediate lives. While “The Dark Forest” is an entertaining tale about the possibilities of space exploration and interstellar contact, it really goes deeper into the unknown than at first brush.

Perhaps Carly Simon’s lyrics had it right:

“And tomorrow we might not be together
I'm no prophet and I don't know nature's ways
So I'll try and see into your eyes right now
And stay right here 'cause these are the good old days”

(For those interested in other authors using some similar concepts here are sources with permalinks to my Amazon reviews:
• For extreme nanotechnology, William Hertling’s 2015 science fiction work, “The Turing Exception”: https://www.amazon.com/review/R7YHTFJX43971/ref=cm_cr_srp_d_rdp_perm?ie=UTF8
• For space elevators, William Forstchen’s 2014 science fiction novel, “Pillar to the Sky”: https://www.amazon.com/gp/review/R1VBHDIVLFPU63?ref=pf_ov_at_pdctrvw_srp
• For discussion of current limitations to colonizing space, Michio Kaku’s 2018 work, “The Future of Humanity”: https://www.amazon.com/review/R2V624IFK7W8YT/ref=cm_cr_srp_d_rdp_perm?ie=UTF8)
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Matt Mansfield
4.0 out of 5 stars Coping with Anxious Anticipation
Reviewed in the United States 🇺🇸 on March 9, 2019
“We can never know about the days to come
But we think about them anyway
And I wonder if I'm really with you now
Or just chasin' after some finer day”

Carly Simon’s 1971 song lyric pretty well sums up Cixin Liu’s second installment of his futuristic trilogy, “Remembering Earth’s Past”.

Published originally in 2008, “The Dark Forest” continues its exploration of how Earth’s citizens react to the realization they are not alone in the universe. In fact, reasonably close in astronomical terms is another more advanced civilization, TriSolar, and its intentions are unclear.

In this installment it is now known TriSolar has better technology and is reaching out to Earth in two ways, other than the communication links established earlier:

• An advance surveillance system called “sophons” capable of inhibiting technological advances on Earth and eavesdropping on Earthling conversations (“sophons” are sort of combination of protons or electrons with nanotechnology operating in multiple dimensions as predicted by string theory and capable of exchanges with humans)
• An interstellar fleet moving toward Earth but not expected to arrive for several light years (two – four centuries in the future)

As might be expected, this realization with the lengthy lead time before physical contact sets in motion a variety of reactions: defensive measures, escapist groups and submissive or defeatist groups resigned to their fates. The dominant world order is following the defensive approach while suppressing the other two groups. And the future society is living both underground in a sort of “Blade Runner 1982” world or aboveground in a “Blade Runner 2049” environment.

Most of the story goes into lengthy detail about the successes and failures of these efforts. While some characters from the first tale appear briefly, developments are largely related from the perspectives of two characters: Luo Ji, a seemingly self-absorbed young scholar of cosmic sociology, and Zhang Beihai, a slightly older naval officer whose appearance seems to conceal much more below the surface.

Several strategies are being employed simultaneously: creation of a Space Force (with even a passing reference to Donald Rumsfeld who probably originated the term) and the Wallbreaker Project designed to exploit a sophon vulnerability, the inability to read human minds – curious since people in the future world wear clothes electronically displaying visual images of their emotions. Luo Ji becomes the protagonist for the Wallbreaker approach and Zhang Beihai for the Space Force.

There is an intriguing meditation about how disparate civilizations in the universe (“the dark forest”) might or should react to discovering each other – sort of echoing Stephen Hawking’s cautions about interstellar contact – assuming there is a choice. As might be expected, by the end of this installment, nothing is completely resolved but left either with an unknown outcome or at a stand off. While very imaginative, getting there can seem long and at times overly explained.

As a personal observation, there seems to be another, perhaps deeper, reflection being put forth by the author: the enigma of death and how each of us personally handles its impact on our immediate lives. While “The Dark Forest” is an entertaining tale about the possibilities of space exploration and interstellar contact, it really goes deeper into the unknown than at first brush.

Perhaps Carly Simon’s lyrics had it right:

“And tomorrow we might not be together
I'm no prophet and I don't know nature's ways
So I'll try and see into your eyes right now
And stay right here 'cause these are the good old days”

(For those interested in other authors using some similar concepts here are sources with permalinks to my Amazon reviews:
• For extreme nanotechnology, William Hertling’s 2015 science fiction work, “The Turing Exception”: https://www.amazon.com/review/R7YHTFJX43971/ref=cm_cr_srp_d_rdp_perm?ie=UTF8
• For space elevators, William Forstchen’s 2014 science fiction novel, “Pillar to the Sky”: https://www.amazon.com/gp/review/R1VBHDIVLFPU63?ref=pf_ov_at_pdctrvw_srp
• For discussion of current limitations to colonizing space, Michio Kaku’s 2018 work, “The Future of Humanity”: https://www.amazon.com/review/R2V624IFK7W8YT/ref=cm_cr_srp_d_rdp_perm?ie=UTF8)
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Joe Karpierz
3.0 out of 5 stars but in the spirit of the story as well as the spirit of the series (THE THREE BODY PROBLEM had its share of hand-wavium as well)
Reviewed in the United States 🇺🇸 on December 26, 2016
Verified Purchase
THE DARK FOREST - book two of the Remembrance of Earth's Past series - is the sequel to the Hugo Award winning THE THREE BODY PROBLEM by Chinese author Cixin Liu and translated by award winning author Ken Liu. THE DARK FOREST is translated by Joel Martinsen, while the third book in the trilogy, DEATH'S END, will once again be translated by Ken Liu (I'll revisit the subject of the translators a later on in this review).

At then end of THE THREE BODY PROBLEM, we know that the Trisolarans, an alien race from a system with three suns and whose system is collapsing, is planning a hostile takeover of Earth and are on their way to the Solar System. They'll arrive in roughly 400 years, and there doesn't appear, on the surface, that anything can be done to stop them. Complicating the issue is the presence of tiny computers made of protons called sophons, which can not only monitor all human information, but instantly transfer that information back to Trisolaris. This has the nasty consequence of rendering transparent any plans humanity comes up with to try to stop the Trisolarans. Yes, this is a bit of hand-wavium that may be hard for some readers to swallow, but in the spirit of the story as well as the spirit of the series (THE THREE BODY PROBLEM had its share of hand-wavium as well) I'm more than happy to ignore it. This kind of hocus pocus was prevalent back in the day, and while it doesn't satisfy modern
readers of science fiction, I still prefer a bit of cosmic cool stuff in my reading (There is more than enough reading material and podcast discussion about actual science in science fiction to make it believable that I don't need to talk about it here. I refuse to spoil my fun.).

And so the "Wallfacer" project is born. Each Wallfacer is charged with coming up with a plan to defeat the Trisolaran fleet coming to attack earth. They are to do it in secret, not letting anybody know what they're doing, and they are given all the resources they need to accomplish their goal. They have counterparts, designated by the Trisolarans, called Wallbreakers. The Wallbreakers are to study their assigned Wallfacer until the figure out what that Wallfacer's true plan is. One Wallfacer does not have a Wallbreaker. His name is Luo Ji, who is considered by the Trisolarans to be the most dangerous of the Wallfacers. While the other three Wallfacers are well known public figures, Luo Ji is a nondescript astronomer who doesn't understand why he is now the subject of all this attention and scrutiny.

THE DARK FOREST, then, is the story of how humanity through the Wallfacers, and especially Luo Ji, try to find a way to fight the Trisolarans and defeat them.

The story takes place in a couple of distinct time periods, with the second being some 200 years after the events of the beginning of the novel. In that second time period, humanity feels that it has found a way to defeat the Trisolarans, and is no longer worried about the impending invasion. Life has returned to normal.

I hesitate to give much more in the way of details, because giving one detail will necessitate giving another, and another, and another, and so on. Needless to say, and now that the book has been out for over a year, I don't think it's giving anything away to say that the Trisolarans are stronger than humanity thought, and that the technology that the humans have is powerless to stop the incoming invasion fleet. As luck would have it, Luo Ji has a big role in the climax of the book, which sets the stage for DEATH'S END, the final novel in the trilogy.

I had difficulty staying focused on the novel. I did not find the characters engaging, and story did not hold my interest. Time and again conclusions were made based on what seems like intuition; maybe it's me, but time and again one thing one would lead to another, at which point a character would say "ah, it must obviously be *this*". And just about every one of those times, my reaction would be "Huh? How did they come to THAT conclusion?" Because of this, I found it difficult to engage with the story, to suspend my disbelief. Funny, I know, that I'll buy the concept of sophons that can immediately transmit information over light years but can't but these character reactions. And I guess that's the point - I couldn't believe the way the people were behaving, the decisions they were making, and the risks they were taking. A great deal of it made little to no sense to me, and that took me right out of the story.

What's good about it? Grand concepts, space battles, mysterious aliens and their superior technology. Cosmic ideas, the future of humanity hanging in the balance. All that cool stuff.

With regard to the translation of the book. While I clearly do not know Chinese and thus can't truly judge as to whether this is a good translation from the Chinese or not, I can say that I wasn't as engaged by the style or the prose this time around. I can only imagine how difficult it is to translate a novel from one language to another; however, I didn't find the writing as riveting this time as I did for THE THREE BODY PROBLEM. Ken Liu returns as the translator for DEATH'S END. I'm interested in reading his translation of that work.

All in all, for me, a bit of a disappointment, although the book is saved by the grand scope of it all. Hopefully DEATH'S END will pick it back up and send the story to the glorious finish I think it deserves.
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