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  • Troubling Love
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Customer reviews

3.9 out of 5 stars
3.9 out of 5
556 global ratings
5 star
42%
4 star
22%
3 star
22%
2 star
9%
1 star
5%
Troubling Love

Troubling Love

byElena Ferrante
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Top positive review

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Margie
4.0 out of 5 starsPassionate, unsatisfying debut novel
Reviewed in the United States on October 31, 2017
I have a deep and abiding love for Elena Ferrante. The first book I read by her was My Brilliant Friend and I went on to read the next two books in The Neapolitan Novels the same day. Her writing is controlled but also passionate, frightening. Her characters have recklessness to them that I really enjoy. I picked up Troubling Love because I was reading Frantumaglia (which I highly, highly recommend, it's the best nonfiction book I read this year) and I realized that I wanted to read all her novels before I continued to read it because it consists of interviews about her various books. Troubling Love, as I understand, was Ferrante's first book. She says in Frantumaglia that she was writing for many years before she wrote it but this was the first story that she felt really had literary truth, could stand on its own two feet. I find Troubling Love to be a kind of perplexing and unsatisfying book. I would probably say that most her other books are strictly better, but this book does have the kind of raw power that characterizes all her writing, and Delia's relationship with her mother has the trademark complexity that defines all of female relationships Ferrante depicts. I love the Naples that she brings to life in every novel. I read a New York Times review of Troubling Love in which the author describes ripping the book down the middle and says Ferrante will "recognize my compliment since she’s clearly an idolizer of the unchecked urge, the gut response." The unchecked urge: that's Ferrante.
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29 people found this helpful

Top critical review

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Robert J. Stone
2.0 out of 5 starsStrange and unconvincing
Reviewed in the United States on January 3, 2021
This author, who writes so compellingly elsewhere, gets lost in her own narrative. This retrospective tale of discovery is hampered by confusing flights of fancy and disjointed storytelling. It comes together somewhat at the end, but not successfully. Try other works by her before wading into this.
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5 people found this helpful

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From the United States

Black Flamenco
5.0 out of 5 stars Beautiful rendition of the subjectivity of grief, memory, and identity
Reviewed in the United States on April 24, 2019
Verified Purchase
Unlike other reviewers I did not find this a difficult read. I found the writing to be fluid, arresting, and beautiful. I could not put it down. There are places where reality and unconscious fantasy slide into one another, leaving boundaries uncertain, but this is because the author is portraying the subjectivity of her main character rather than aiming to reveal objective reality. Highly recommended.
11 people found this helpful
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Amazon Customer
5.0 out of 5 stars Elena Ferrante is my favorite author!
Reviewed in the United States on November 20, 2020
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Ferrante captures womanhood I think the best of any author I've read. The way she tells her stories, I'm enthralled by the first page usually. The complicated relationships we have with our families at times, especially one so foundational as a mother daughter relationship, we didn't know others could put into words. I definitely recommend picking up this book, along when any of her other works.
5 people found this helpful
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L. Young
VINE VOICE
5.0 out of 5 stars The Unknowability of Those We Love
Reviewed in the United States on November 22, 2006
Verified Purchase
"My mother drowned on the night of May 23rd, my birthday". So begins this first novel written by the reclusive Italian author Elena Ferrante. Delia, the forty-something daughter goes on a personal odyssey into the past to examine her mother, Amalie's life. When found dead Amalie, a modestly living seamstress is discovered naked except for the lingerie she is wearing from an expensive shop, something completely out of character for her. Why? Did she have a lover? Did she commit suicide? Was her drowning an accident? What role did her estranged husband, Delia's father, play? Into the tangled web of an abusive past Ferrante examines truth, guilt, the validity of memory and finally the essential unknowability of those we love. Although this novel has less dramatic thrust than Ferrante's "The Days of Abandonment" she is a master at crafting sentences of extreme beauty and power.
11 people found this helpful
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Patricia Huion
5.0 out of 5 stars Why not?
Reviewed in the United States on August 5, 2015
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Ferrante reinvents the who-done-it into a daughter's introspective journey revisiting her mother's past. Her mother's death is connected to the daughter's birthday through telephone calls and gifts which are stolen clothes but paid for by old underwear. The clothes, the five-year-old daughter's concocted story create an unbelievable but authentic plot. In the end you ask yourself ' why didn't she commit suïcide earlier?' Immersive, tense, shocking, baffling. Narrator, characters, plot, scene : excellent!
8 people found this helpful
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Vanesa R.
5.0 out of 5 stars Excelente. Un libro sobre el oscuro recorrido de una hija con su historia y con su madre. Sobre la profundidad de la maternidad y también de la relación filial. El ser mujer en su más onda expresión.
Reviewed in the United States on April 2, 2021
Verified Purchase
Creo que lo más relevante de Elena es saber dar con el clave del padecimiento femenino. Con sus claros y oscuros.
Sin temores en buscar el sentimiento egoísta del ser. El pataleo constante del abuso. La fuerza del olvido y la importancia del recuerdo. Aunque siempre queden las dudas adentro.
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Dennis
5.0 out of 5 stars A Song of Southern Italy
Reviewed in the United States on March 20, 2021
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No elegiac, beautifully crafted description of internal life, love, hare and sorrow set in a quintessentially Southern Italian environment, where dream and reality intertwine,
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Sonpoppie
5.0 out of 5 stars Do all women want to undo their mothers from themselves?
Reviewed in the United States on July 26, 2016
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All Ferrante's main characters, in the six books I've read so far, seem to have mother issues. It's a difficult relationship - this troubling love. The women question their own roles as mothers, as daughters, as wives. There is ambivalence, struggles with society's expectations, and the demands of the patriarchy. And yet the girl is the mother. Ferrante has explored this doubleness before, the merging of two. "I was I and I was her. I-her met each other with Caserta".
Birth and death connected, an exploration of identity, sexuality. "Amalia had been. I was Amalia." This is a very psychological exploration of abuse, of love. The compounded and shared tears of women. The bleeding womb as weeping. Ferrante also explores the confusion of childhood; "Childhood is a tissue of lies that endure in the past tense: at least, mine was like that."
Ultimately Delia realises that she has become what she most feared - her mother.
4 people found this helpful
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ML
5.0 out of 5 stars Book in great shape for being "used".
Reviewed in the United States on February 1, 2022
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Can't go wrong with any book by Elans Ferrante.
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propertius
5.0 out of 5 stars Sunny Napoli, Chick Lit No. Great Lit Yes.
Reviewed in the United States on October 21, 2012
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Many reviewers have approached this novel as a peculiarly intense story about a daughter mother relationship, a psychological, sexual introspection of a woman approaching age, even a mystery novel(see Eurocrime.co.uk/reviews). Yes it is all this and more. The adjective most often applied to this novel is intense. It is that and more. The attention to detail is unnerving and I dare say that the average or most male readers will experience for the first time those female attitudes and experiences that at time we males ignore, and that is my point.

Ms. Ferrante has written a novel that transcends ersatz dime store female literature and presents a moving picture of universal interest. Great literature is not great simply because a woman wrote well or not great because women by definition cannot or should not write (remember George Eliot).

But let me not belabor the obvious. I believe that two unremarked aspects of this novel are the brutally realistic picture of life in Naples (one need only read Ferrante's letter to the New York Times, available from Europa Editions) and the clever exposition of her male characters and their reliance upon women to define their existence. These qualities are what make it great and enduring.
13 people found this helpful
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Maria Melendez
5.0 out of 5 stars Incredible
Reviewed in the United States on May 12, 2019
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Incredible story, thoughts, feelings from the present, past and future mix together in the mind of the character. Never read anything like it.
One person found this helpful
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