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  • When Things Get Dark: Stories Inspired by Shirley Jackson
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When Things Get Dark: Stories Inspired by Shirley Jackson

When Things Get Dark: Stories Inspired by Shirley Jackson

byEllen Datlow - editor
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Alison S. Coad
5.0 out of 5 starsTerrific Anthology
Reviewed in the United States on November 21, 2021
When Things Get Dark: Stories Inspired by Shirley Jackson is an all-original anthology of 18 stories that editor Ellen Datlow felt invoked the spirit of the great writer, Shirley Jackson. I love Ms. Jackson’s work (especially “We Have Always Lived in the Castle,” which I re-read every few years) and I have huge respect for Ms. Datlow’s skills as an editor, so this collection was a must-read for me. I’m not sure that I picked up on the Jackson mystique in some of these stories, while others felt like she might have written them herself. Ranging from small slices of life that carry a punch (M. Rickert’s “Funeral Birds,” about a home health aide who likes to attend the funerals of her clients; “Take Me, I Am Free,” by Joyce Carol Oates who is, I think a true heir of Ms. Jackson; Richard Kadrey’s “A Trip to Paris,” where a widow is not what she seems) to supernatural-ish horror (“For Sale By Owner,” by Elizabeth Hand, which features three aging women; Karen Heuler’s “Money of the Dead,” which details how neighbours get what they ask for; Laird Barron’s “Tiptoe,” depicting a boy’s childhood with a predatory father) and beyond, there’s something for everyone here. My favourites include Genevieve Valentine’s “Sooner Or Later, Your Wife Will Drive Home,” comprising brief but vivid snapshots of the dangers to women of driving alone; “In the Deep Woods: The Light Is Different There,” by Seanan McGuire, which seems straightforward enough but which ends up being absolutely magical; and Kelly Link’s “Skinder’s Veil,” describing what it’s like to house-sit for Death. If you don’t know Shirley Jackson’s work, these stories might give you a way into her world, and if you do know it, you will probably be as enchanted with this volume as I am; recommended!
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DMM
1.0 out of 5 starsNot at all evocative of Shirley Jackson: these stories are boring, none have plots.
Reviewed in the United States on July 22, 2022
I did not like any of the stories. The stories were not enjoyable and boring; plots were non-existent.
None of the stories showed any homage to Shirley Jackson.
Totally not worth the money.
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From the United States

Alison S. Coad
5.0 out of 5 stars Terrific Anthology
Reviewed in the United States on November 21, 2021
Verified Purchase
When Things Get Dark: Stories Inspired by Shirley Jackson is an all-original anthology of 18 stories that editor Ellen Datlow felt invoked the spirit of the great writer, Shirley Jackson. I love Ms. Jackson’s work (especially “We Have Always Lived in the Castle,” which I re-read every few years) and I have huge respect for Ms. Datlow’s skills as an editor, so this collection was a must-read for me. I’m not sure that I picked up on the Jackson mystique in some of these stories, while others felt like she might have written them herself. Ranging from small slices of life that carry a punch (M. Rickert’s “Funeral Birds,” about a home health aide who likes to attend the funerals of her clients; “Take Me, I Am Free,” by Joyce Carol Oates who is, I think a true heir of Ms. Jackson; Richard Kadrey’s “A Trip to Paris,” where a widow is not what she seems) to supernatural-ish horror (“For Sale By Owner,” by Elizabeth Hand, which features three aging women; Karen Heuler’s “Money of the Dead,” which details how neighbours get what they ask for; Laird Barron’s “Tiptoe,” depicting a boy’s childhood with a predatory father) and beyond, there’s something for everyone here. My favourites include Genevieve Valentine’s “Sooner Or Later, Your Wife Will Drive Home,” comprising brief but vivid snapshots of the dangers to women of driving alone; “In the Deep Woods: The Light Is Different There,” by Seanan McGuire, which seems straightforward enough but which ends up being absolutely magical; and Kelly Link’s “Skinder’s Veil,” describing what it’s like to house-sit for Death. If you don’t know Shirley Jackson’s work, these stories might give you a way into her world, and if you do know it, you will probably be as enchanted with this volume as I am; recommended!
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Kindle Customer
5.0 out of 5 stars Better than most collections
Reviewed in the United States on February 15, 2022
Verified Purchase
Very well-written short stories. It may be the best short story collection that I have ever read. There was only one story in it that I didn't enjoy. My daughter now has the book.
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Andrea Maria Peters
5.0 out of 5 stars great
Reviewed in the United States on January 24, 2022
Verified Purchase
One of the best anthologies many of the works stay true to the Jackson canon and those who don’t quite hit the mark are still excellent
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J. Hedgepeth
5.0 out of 5 stars An absolute must for any fan of Shirley Jackson. Deliciously dark and creepy
Reviewed in the United States on October 3, 2021
Thanks to NetGalley for a free copy of this work in exchange for a fair and honest review.

This was spectacular. It starts very strong, and while it doesn't manage to keep up with my expectations, it is still a very solid collection. Every anthology is a fickle thing because it often has a broad swath of styles, but one of the reasons I love Ellen Datlow so much is that there is always something you will like in her works. That also means you may not love every story, but I think it makes her works always a safe bet. What's more, Ellen Datlow introduces us to so many great horror writers. This work is no exception.

An anthology of Shirley Jackson inspired works is especially receptive because Jackson herself had a such a wide range of story types. That paves the way for a large variety of stories in this collection but all still maintaining a solid connection to Jackson. Not every story is as strictly Jacksonian as I would have liked, but that is to be expected. What is and is not Jacksonian is subjective, and these stories were only ever meant to be inspired by her, leaving room for the authors to do as they see fit with it.

Overall, my feelings are 4.5-5 stars. Quantitatively, my ratings for each story is more 4-4.5 stars, but I think it's worth reflecting on the overall skill of our editor as well, so I'll give it 4.5-5 star (closer to 4.5 still). This is honestly one of my all time favorite Ellen Datlow collections, right up there with Fearful Symmetries.

For each story, here are my ratings, sorted from worst to best. Although, even the worst stories are still pretty good. Jackson herself has a huge range of story types, and I don't love all of Jackson's stories. It stands to reason that I won't always love all of these either, but even the worst still have that iconic Jackson feel.

#4 – A Hundred Miles and a Mile – Carmen Maria Machado – 3.5/5
#5 – Quiet Dead things – Cassandra Khan – 3.5/5
#16 – Sooner or Later, Your Wife Will Drive You Home – Genevieve Valentine – 3.5/5
#3 – In the Deep Woods; The Light is Different There - Seanan McGuire – 4/5
#6 – Something Like Living Creatures – John Langan – 4/5
#9 – Take Me, I am Free – Joyce Carol Oates – 4/5
#11 – The Party – Paul Trembley – 4/5
#12 – Refinery Road – Stephen Graham Jones – 4/5
#13 – The Door in the Fence – Jeffrey Ford – 4/5
#14 – Pear of Anguish – Gemma Files – 4/5
#15 – Special Meal – Josh Malerman – 4/5
#17 – Tiptoe – Laird Barron – 4/5
#1 – Funeral Birds – M Rickert – 4.5/5
#10 – A Trip to Paris – Richard Kadrey – 4.5/5
#2 – For Sale by Owner – Elizabeth Hand – 5/5
#7 – Money of the Dead – Karen Heuler – 5/5
#8 – Hag – Benjamin Percy – 5/5
#18 – Skindler’s Veil – Kelly Link – 5/5
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DMM
1.0 out of 5 stars Not at all evocative of Shirley Jackson: these stories are boring, none have plots.
Reviewed in the United States on July 22, 2022
Verified Purchase
I did not like any of the stories. The stories were not enjoyable and boring; plots were non-existent.
None of the stories showed any homage to Shirley Jackson.
Totally not worth the money.
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Mayday
5.0 out of 5 stars Fantastic Anthology
Reviewed in the United States on September 30, 2021
This review is for an ARC copy received from the publisher through NetGalley.
For her latest anthology, Ellen Datlow said that she was looking for authors and stories that were heavily influenced by Shirley Jackson and not tales that were mere copies or pastiches of Jackson's work. And I would say in those regards she was extremely successful in bringing together a collection that was inspired by Jackson's style.
For the most part, the stories all have a sense of 1940s-60s Americana, though sometimes a spoiled or sinister slice of that pie, whether or not they were intended to take place in that era.
The first two stories by M. Rickert and Elizabeth Hand definitely have the SJ vibe to them and read like they could have been written by her.
Seanan McGuire's entry has strong SJ vibes applied to a different kind of tale.
"A Hundred Miles and a Mile" by Carmen Maria Machado has an SJ aesthetic, but was a really odd and abrupt story.
Cassandra Khaw's "Quiet Dead Things" is a bit whimsical yet brutal, and also went in a weird direction.
John Langan's "Something Like Living Creatures" was a sucker punch of a story. Just when it started to take shape, it ended in shocking fashion.
Karen Heuler's "Money for the Dead" was one of my favorites. It was one of the more horrific tales that played out like a Twilight Zone episode.
Benjamin Percy's "Hag" was a mounting sense of dread and impending doom from the beginning. It had notes of "The Lottery" and The Wicker Man in it, and was suspenseful and frightening throughout. One of the best in the book.
"Take Me, I Am Free" is a short entry from Joyce Carol Oates, and typical of her, stuffed with more bleakness than five pages should hold.
Full of impending dread, Richard Kadrey's "A Trip to Paris" felt like "Macbeth" via SJ.
As usual, Paul Tremblay produces a story that gets you right into it with character depth established in mere paragraphs. But the ending of "The Party" left me wanting to know so much more.
Stephen Graham Jones was more accessible than usual for me, but as usual, elements of his story left me confused.
Jeffrey Ford's "The Door in the Fence" chugged along as strange but intriguing, but fell flat with a bizarre ending.
Gemma Files's "Pear of Anguish" I just couldn't finish. Unlike most of the stories which showed some restraint, this one did not, and felt out of place in the book.
Josh Malerman has what is arguably the most powerful story in the anthology with "Special Meal" that reads just like classic horror/Sci-Fi of SJ's era.
"Sooner or Later, Your Wife Will Drive Home" by Genevieve Valentine had an interesting idea, but ultimately didn't pay off.
I've never been a big fan of Laird Barron, but I found "Tiptoe" to be the most accessible story I've read by him, and one that I actually liked a lot.
The final tale, "Skinder's Veil" by Kelly Link, is the longest (as is often the case in anthologies such as this) and one of the best. It starts seemingly as some type of ghostly/supernatural tale but soon evolves into a weird and wondrous adult fairy tale.
Whether you're a fan of Shirley Jackson, the individual authors in this book or just some good ol' fashioned horror and dark fantasy, When Things Get Dark is a great read. 4.5/5*
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Schizanthus Nerd
VINE VOICE
4.0 out of 5 stars Paying Tribute to Shirley Jackson
Reviewed in the United States on September 21, 2021
This anthology features short stories from some of my favourite writers, including Seanan McGuire. It also introduced me to some writers whose work I hadn’t read before. All are paying tribute to Shirley Jackson.

Like any collection of short stories, there were some I absolutely loved. My favourites in this anthology were those by M. Rickert, Elizabeth Hand, Seanan McGuire, Joyce Carol Oates, Josh Malerman and Kelly Link.

Although the other stories were well written, I often failed to connect with either the main character or the plot. Some I enjoyed, until I realised I’d run out of story before the thing I felt was missing showed up. I don’t expect to love every story in an anthology, though.

Usually when I review anthologies, I’ll include a short quote and a sentence to describe each story: what it’s about, its theme, or what I loved or didn’t love about it. I started doing that here but then abandoned the idea. There were some stories that I couldn’t explain in a sentence without spoiling them for you.

There were others that I couldn’t explain because, quite honestly, I need someone to explain them to me. Perhaps a reread will help me find the missing puzzle pieces. Maybe what I perceived as deliberate ambiguity was actually the literary equivalent of a joke’s punchline going over my head. I may read the review of someone smarter than myself and when they explain it, the lightbulb will finally turn on above my head.

So, instead of giving you an explanation and a quote, I’m only providing a quote here.

Funeral Birds by M. Rickert

“The truth was she rarely went to the funerals. Delores was special.”

For Sale By Owner by Elizabeth Hand

““That’s trespassing.”
“Only if we get caught,” I replied.”

In the Deep Woods; The Light is Different There by Seanan McGuire

“She moved here for a haunting, and even if the house refuses to be haunted, she fully intends to be.”

A Hundred Miles and a Mile by Carmen Maria Machado

“It’s strange, the knowing-not-knowing. It twitches like something that won’t die.”

Quiet Dead Things by Cassandra Khaw

“We’re going to die for what happened.”

Something Like Living Creatures by John Langan

““You saw something!” Samantha said.
“Did you?” Kayla said.
“Yes,” Jenna said.”

Money of the Dead by Karen Heuler

“On one side, life; on the other, death. It was almost, sometimes, as if they could see across the divide, or hear a furtive, melancholy whistle.”

Hag by Benjamin Percy

“Without you, the island starves.”

Take Me, I Am Free by Joyce Carol Oates

“Just sit here. Don’t squirm. I’ll be watching from the front window.”

A Trip to Paris by Richard Kadrey

“Why won’t you stay dead?”

The Party by Paul Tremblay

“I do get into the spirit of my themes. Perhaps too much.”

Refinery Road by Stephen Graham Jones

“It was just the three of them, same as it had always been. Same as it would always be.”

The Door in the Fence by Jeffrey Ford

“Some people, when they get old, all they can think about is dying. Some, on the other hand, find freedom.”

Pear of Anguish by Gemma Files

“The past is a trap and memory is a drug.
Memory is a door.”

Special Meal by Josh Malerman

““Do you really not know what today is?” Dad asked. “It’s okay if you don’t.””

Sooner or Later, Your Wife Will Drive Home by Genevieve Valentine

“Never be stuck on the road alone, that was the rule.”

Tiptoe by Laird Barron

“Trouble is, old, weathered pictures are ambiguous. You can’t always tell what’s hiding behind the patina. Nothing, or the worst thing imaginable.”

Skinder’s Veil by Kelly Link

“Skinder may show up. If he does, DO NOT LET HIM IN.”

While I didn’t find any of the stories scary, there were some that were accompanied by a growing sense of dread. Others were unsettling. Then there were those that left behind confusion in their wake. But that’s the beauty of anthologies; there’s usually something for everyone. The times where a question mark appeared over my head? Those stories are probably someone else’s favourites.

Content warnings are included on my blog.

Thank you so much to NetGalley and Titan Books for the opportunity to read this book.
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Lukasz
5.0 out of 5 stars Excellent anthology
Reviewed in the United States on October 24, 2021
I have never read anything by Shirley Jackson, but I trust Ellen Datlow. She has excellent taste in short stories; I have discovered many gems in her anthologies. When Things Get Dark collects eighteen exclusive short stories written by today's leading horror writers. Datlow asked them to write stories inspired by the essence of Jackson's work - the exploration of the dark and evil that hides behind the peaceful exterior and normal life of small towns.

The stories exhibit a remarkable range of both ideas and tone. When Things Get Dark is a balanced collection of realistic and eerie, everyday and supernatural stories. Some stories are about meals and families (and family members turning on each other), others are about encounters with ghosts and the unexplainable. Above all, though,they are entertaining. Of course, there were some I did not like, but no anthology is perfect. That's okay - I found more scary goodness in When Things Get Dark than I'd hoped.

My favorite story, For Sale by Owner by Elizabeth Hand, blends subtle humor, an imaginative take on the haunted house theme, and personal drama. It's about three middle-aged ladies staying in a mysterious and beautiful house. I love Hand's writing style, and with this story she has created believable characters and a delightfully creepy atmosphere.

Other stories I particularly enjoyed include Funeral Birds by M. Rickert - a gripping and unnerving tale of obsession and guilt. Kelly Link 's Skinder's Veil is simply amazing, but the less you know about it, the better. Richard Kadrey 's A Trip to Paris offers a memorable account of a killer preparing for an international trip, probably to Paris. Except there's a strange mold patch on her wall with very familiar silhouettes in it.

I think each story in this collection will appeal to some readers. Only a few did not quite work for me. In the Deep Woods; The Light is Different There by Seanan McGuire has cool concepts, but ends before it really gets going. Quiet Dead Things by Cassandra Kane is confusing, and to be honest, I am not a fan of Kane's writing style in general. Take Me, I Am Free by Joyce Carol Oates bored me, and Paul Tremblay's The Party left me cold.

Datlow's selections offer a variety of voices, themes, and forms, and a balance between fresh and established voices. I recommend When Things Get Dark to readers interested in subtle horror. Ellen Datlow does not put out bad anthologies. That's a fact.
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Tracey T
5.0 out of 5 stars Amazing spooky anthology
Reviewed in the United States on October 4, 2021
When Things Get Dark is easily one of the best, and most consistent anthologies I’ve read in years. Each writer has brought their A-Game in Shirley’s name. Comparisons to Jackson’s work are a dime-a-dozen, and often completely unwarranted. But the stories in this collection expertly capture the unease, the discomfort, and the uncanny, unplaceable horrors, we often find in Jackson’s phenomenal work.

For me, there are so many highlights in this collection, and some wonderful surprises. The always-reliable Elizabeth Hand delivers unspeakable terrors at an adult sleepover in For Sale by Owner. Josh Malerman’s story, Special Meal, has the feeling of a vintage Twilight Zone episode, complete with terrifying authority figures and forbidden knowledge. Seanan McGuire spins a beautiful revenge tale, with a folkloric twist.

The most disturbing things within these stories are merely hinted at; the “things that lived in Mr. Richardson’s farm” in Cassandra Khaw’s outstanding Quiet Dead Things; the screams from Gerald’s apartment in Karen Heuler’s Money of the Dead. The mere passing mention of these things is likely to leave more of an imprint than a full-on, visual horror.

But not all the stories are out-and-out horror. The seemingly mundane, but somehow wrong, is addressed incredibly well in M. Rickert’s Funeral Birds. The everyday horror women face when they drive alone is captured so well in Sooner or Later, Your Wife Will Drive Home by Genevieve Valentine.

The most terrifying story in this collection, and one of the scariest stories I’ve ever read, is Tiptoe by Laird Barron. A young man reminisces about family trips to the lake, and his father’s mysterious behavior. I am not exaggerating when I say I nearly didn’t read the last paragraph. Barron built the tension so incredibly well, and I guessed what was coming, but it didn’t make it any less scary. It’s a masterpiece. I imagine Jackson would be thrilled that she inspired such a horrific tale.

I could write a lengthy love letter to almost every story in this anthology. It really is that impressive. If you are looking for an overview of what the current literary horror world looks like, this is a fantastic example. Again, Ellen Datlow shows us why she is the queen of the horror anthology. Long may she reign.
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Michael Burke
5.0 out of 5 stars Walking Toward It With Shirley
Reviewed in the United States on September 28, 2021
“Am I walking toward something I should be running away from?” ― Shirley Jackson

Start reading "When Things Get Dark" and the air chills with the same unsettling feeling a seance might evoke.  This anthology is challenged with conjuring the spirit of Shirley Jackson's work and the best of these stories dissolve the security of what you rely on. Fear quickens your pulse as the atmosphere shifts away from the safety of "normal".

Horror can easily resort to the gross-out, the blatant scare, the knife-in-the-eyeball shocker. Shirley Jackson was better than that. For the most part, the stories in this collection dip into a dark pool of growing uneasiness. A few fall short, more sketches than fleshed out pieces, but even those hold true to the tone set.

My favorite is "For Sale by Owner" by Elizabeth Hand. A trio of women decide to camp out in a beautiful deserted house. It turns out much more complex than just the obligatory haunted house tale. Stephen Graham Jones, the author of "My Heart is a Chainsaw" and "The Only Good Indians," is also well represented here with "Refinery Road," a night ride where reality seems to bend.  "Quiet Dead Things" by Cassandra Khan touches on the theme of the evil possible by a community consciousness that Ms. Jackson illustrated. "In the Deep Woods; The Light is Different There" by Seanan McGuire tapped into the eeriness felt as terror approaches someone placed out of their element. The closing knockout in this book is "Skindler’s Veil" by Kelly Link, also about a character trying to get his bearings in an environment demanding blind faith despite some unbelievable twists.

I had planned on mentioning a few more pieces--suffice it to say this deserves 5 stars. Ellen Datlow has put together a potent collection of pieces that will usher you into the world Shirley Jackson defined.

Thank you to Ellen Datlow, Titan Books, and NetGalley for providing the Advance Reader Copy in exchange for an honest review. #WhenThingsGetDark #NetGalley
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